Survey of the work of L.A. based artists before 1980. Edited by Lyn Kienholz with contributing editors Elizabeta Betinski and Corinne Nelson. Includes appendix. "'L.A. Rising SoCal Artists Before 1980' is the first comprehensive pictorial showcase of the diverse universe of artists working in the Los Angeles area during the formative period of Los Angeles' art history. ... [details]
Critical theory by Cynthia Maris Dantzic, "...an extensive review of New York painters and their widely diverse works. It presents an overview of styles, mediums, subjects, even philosophies of art found in galleries, museums, and artists' studios of present-day New York, the oft-acknowledged Art Capital of the contemporary world. ... [details]
Issue edited by Jack Bankowsky. Essays "Glamour Wounds: Rhonda Lieberman on Fashion Week in New York," by Rhonda Lieberman; "Fashion: Richard Martin on the Menswear Closet," by Richard Martin; "Music: Simon Reynolds on Charles Long and Sterolab," by Simon Reynolds; "Weather Report: Andrew Ross on the Rap Channel," by Andrew Ross; "Television: Mark Van de Walle on 'The X-Files,'" by Mark Van de Walle; "Curator Interview," Robert Fleck talks with Hans Ulrich-Obrist; "Letter from Helsinki," by Timo Valjakka; "Books: Whitney Davis Reviews Klaus Theweleit's 'Object-choice: All You Need is Love," by Whitney Davis; "Travels in Hypertrophia: A Project for Artforum," Thyrza Nichols Goodeve talks with Matthew Barney; "Critical Reflections," Herbert Muschamp with an introduction by Frank Gehry; "Babes in the Hood," Paul Schrader talks with Larry Clark; "O Jackie," Bruce Hainley talks with Wayne Koestenbaum; "Paul Outerbridge, Jr. ... [details]
Magazine of New Music. Essays: "Edito," by David LL Laskin; "The Committe to Limit Applause: Stop the Clap!" by R.I.P. Hayman; "Gregory Whitehead: Fingering Radio Bodies," by Jim Andrews; "Sampling Heaven and Hell," by Steven Silverstein; "Wilfred Mellers: Critic in a New Found Land," interview by Mark Lockett; "Musicians (be)Rate, The Critics"; "Requisite Misgivings On Pain of Truth," by David Weinstein; "Take My Advice!" by David Liebman, Anthony Davis, David Darling, Tina Davidson, Geoff Gordon, Linda Bouchard, Joel Chadabe and Diana Meckley; "Handy Hintsand Timely Tips: A Review of Kyle Gann," by Scott Johnson; "Goode Confessions," by Daniel Goode; "Virgil Thomson: You're The Tops!" by Anthony Tommasini; "Anthony Braxton: Play of Die," interview by David LL Laskin; "Laura Seaton," interview by Iris Brooks; "Chicago Old Style Jazz Festival," by Larry Birnbaum; "Goddess Festival," by Peggyann Wachtel; "Eareviews: Performances," by Jody Dalton, Harry Bott, Bob Banister, and Bruce Darby; "Eareviews: Records," by Brooke Wentz, Bob Bannister, Dana Perna, Andrew Caploe, Dean Suzuki, and Ted Panken; "Eareviews: Cassettes," by Charles S. ... [details]
Fall 1987 issue of JOURNAL. "This issue of JOURNAL is a collaborative effort between thirteen contributing editors representing ten cities of nations in the United States and Western Europe. The works appearing in this issue were chosen by the contributing editors. ... [details]
Exhibition catalogue published in conjunction with show held at the Solomon R. Guggenheim Museum, New York, 1987. Text by Diane Waldman. Artists included in the exhibition are Martine Aballea, Phoebe Adams, Siah Armajani, Richard Baquie, Peter Booth, Pegan Brooke, Scott Burton, Sandro Chia, Julie Cohen, Enzo Cucchi, Scott Davis, Bernard Faucon, Philippe Favier, Heidi Glück, Anthony Peter Gorny, Alan Green, Denise Green, Carol Hepper, Bryan Hunt, Whit Ingram, Mark Innerst, Tobi Kahn, Aaron Karp, Mark Kloth, Barbara Kruger, Rex Lau, Ange Leccia, Tom Lieber, Robert Lawrence Lobe, Nino Longobardi, Mandy Martin, Michael C. ... [details]
Exhibition catalogue published in conjunction with show held at the Denver Art Museum, July 13 - August 26, 1979. Traveled to the University of Southern California Art Galleries, San Diego, October 11 - November 25, 1979; the Honolulu Academy of Art, April 4 - May 18, 1980; the Oakland Museum, California, June 17 - July 27, 1980; the University Art Museum, University of Austin, Texas, September 4 - October 19, 1980; and the Herbert F. ... [details]
Gatefold exhibition brochure published in conjunction with show held April 22 - June 5, 1977. Text by Henry T. Hopkins. Artists included: Jack Bush, Anthony Caro, Ralph Du Casse, Friedel Dzubas, John Ferren, Sam Francis, Helen Frankenthaler, Morris Louis, Kenneth Noland, Jules Olitski, Ludwig Sander, David Simpson, Josef Albers, Alfred Jensen, William Baziotes, Willem de Kooning, Richard Diebenkorn, Arshile Gorky, Adolph Gottlieb, Stephen Greene, Philip Guston, Hans Hofmann, Franz Kline, Alfred Leslie, Frank Lobdell, Corrado Marca-Relli, John Mason, Robert Motherwell, Kenzo Okada, Jackson Pollock, David Smith, Hassel Smith, Theodoros Stamos, Esteban Vicente, Barnett Newman, Mark Rothko, Clyfford Still, Jo Baer, Walter Darby Bannard, Larry Bell, Gene Davis, Ron Davis, David Diao, Tom Downing, Robert Goodnough, Frank Hamilton, Al Held, Tom Holland, Donald Judd, Ellsworth Kelly, Sol LeWitt, Robert Mangold, Howard Mehring, Raymond Parker, Frank Stella, Mason Wells, Donald Kaufman, Ed Moses, Cy Twombly, Alice Baber, Billy Al Bengston, Ernest Briggs, Tony De Lap, Sidney Gordin, Raoul Hague, Paul Jenkins, Matsumi Kanemitsu, Carl Morris, Julius Wassterstein and Wilfrid Zogbaum. [details]
Fifth and final edition of the exhibition / collection catalogue designed by Wolf Vostell. Unusually paginated, approximately 550 pages consisting of 32 pages printed on thin Styrofoam sheets with contributions by Gert von der Osten, Peter Ludwig, Horst Keller, and Evelyn Weiss, followed by hundreds of pages printed on brown paper, interspersed with numerous printed and / or screenprinted [?] on acetate sheets, graph paper, and illustrated with tipped-in color plates. ... [details]
Fourth of five editions of the exhibition / collection landmark catalogue designed by Wolf Vostell. Unusually paginated, approximately 500 pages consisting of 32 pages printed on thin styrofoam sheets with contributions by Gert von der Osten, Peter Ludwig, Horst Keller, and Evelyn Weiss, followed by hundreds of pages printed on brown paper, interspersed with portraits of each featured artist printed and / or screenprinted [?] on acetate sheets, graph paper, and illustrated with tipped-in color plates. ... [details]