Issue edited by Philip Leider. Essays "Allan Hacklin, David Diao, Donald Kaufman," by Emily Wasserman; "The Sculpture of Roland Brener," by Charles Harrison; "Recent Work by Kenneth Noland," by Michael Fried; "Hans Hoffmann," by Darby Bannard; "A Variety of Realisms," by Sidney Tillim; "The Earlier Work of Ellsworth Kelly," by John Coplans. ... [details]
Issue edited by Philip Leider. Essays "Helen Frankenthaler," by Barbara Rose; "The Essential David SMith, Part II," by Rosalind Krauss; "Willem de Kooning," by Walter Darby Bannard; "Notes on Sculpture, Part IV: Beyond Objects," by Robert Morris; "The Sculpture of Jules Olitski," by Kenworth Moffett; "Jack Burnham and Terry Fenton: An Exchange," "Caro in London," by Jane Harrison Cone. ... [details]
Issue edited by Philip Leider. Essays "The Sculpture of Martisse, Part I," by Albert Elsen; "Systems Esthetics," by Jack W. Burnham; "New Work by Robert Murray," by Jane Harrison Cone; "Douglas Wheeler: Light Paintings," by John Coplans; "Degas Monotypes at Harvard," by Jerrold Lanes; "A Sedimentation of the Mind: Earth Proprosals," by Robert Smithson; "Ideal interlude: The Salons de la Rose-Croix," by Robert Pincus-Witten; "Looking at Canadian Art," by Terry Fenton. ... [details]
Issue edited by Philip Leider. Essays "Dada, Surrealism and their Heritage," "1. A Beautiful Exhibition," by Philip Leider; "2. The Surrealist Emigres in New York," by Irving Sandler; "3. Surrealist Composition: Surprise Syntax," by Ellen Mandelbaum; "Judd at the Whitney," by Jane Harrison Cone; "On Frontality," by Rosalind E. ... [details]
Letters to the editor by Dan Flavin, and John Coplans. Features essay by Morris titled "Anti Form," Spector's essay "Freud and Duchamp : The Mona Lisa 'Exposed'." Production design by Eddie Russia [Edward Ruscha]. [details]
Issue edited by Philip Leider. Essays "Disaster in Pasadena," by Abraham Rogatnick; "...on an American artist's education," by Dan Flavin; "Recent British Paintings at the Tate," by Kermit Champa; "Lee Krasner," by Emily Wasserman; "Some New Los Angeles Artists," by Fidel A. ... [details]
Issue edited by Philip Leider. Essays "The Art of Bruce Nauman," by Fidel A. Danieli; "Some Other Comments," by Dan Flavin; "An Exploratory Dissection of Seeing," by Lucas Samaras; "The Serial Attitude," by Mel Bochner; "Frank Stella's New Paintings," by Jane Harrison Cone; "Problems of Criticism III: Venetian Art and Florentine Criticism," by Max Kozloff; "Scale as Content at the Corcoran," by Andrew Hudson; "The Monuments of Passaic," by Robert Smithson. ... [details]
Issue edited by Philip Leider. Essays "Surprise, Invention in the Sculpture of Picasso," by Albert Elsen; "Thek's Tomb," by Robert Pincus-Witten; "Jasper Johns: Colors, Maps, Devices," by Max Kozloff; "Robert Hudson," by Fidel A. ... [details]
Issue edited by Philip Leider. Essays "American Sculpture at the Los Angeles County Museum," by Philip Leider; "Art Objecthood," by Michael Fried; "Notes on Sculpture, Part 3," by Robert Morris; "Claes Oldenburg's Soft Machines," by Barbara Rose; "Towards the Development of an Air Terminal Site," by Robert Smithson; "Mark di Suvero," by Max Kozloff; "Richard A. ... [details]
Contains Fried's "Art and Objecthood," Morris' "Notes on Sculpture, Part 3," Rose on Claes Oldenburg, Smithson's essay "Towards the Development of an Air Terminal Site," and LeWitt's essay "Paragraphs on Conceptual Art," as well as a letter to the editor by Andre. ... [details]