Critical anthology of pivotal texts edited by Gregory Battcock. Essays "Monuments for Nowhere or Anywhere," by Dore Ashton; " "Art in the Service of the Left?," by Battcock; "The Relevance of Ecology," by Jonathan Benthall; "The Fake as More," by Cheryl Bernstein; "Problems of Criticism," by Jack Burnham; "Art After Philosopy, I and II," by Joseph Kosuth; "The Art Workers' Coalition," by Lucy Lippard; "The Eruption of Anti-Art," by Ursula Meyer; "It's Only Words," by John Perreault; "Four Interviews," Arthur Rose [Robert Barry, Douglas Huebler, Joseph Kosuth, Lawrence Weiner]; "Art and Words," by Harold Rosenberg; "On Exhibitions and the World at Large: A Conversation with Seth Siegelaub"; "Documentation in Conceptual Art," by Lawrence Weiner, Daniel Buren, Mel Bochner, and Sol LeWitt; "The Decline and Fall of the Avant-Garde," by Robert Hughes; and "Les Levine Replies," by Les Levine. ... [details]
September 1971 issue of Studio International. Edited by Peter Townsend. Contents include: "Power without authority in art and design education," by R.H. Litherland; "British Sculptors '72;" "Brian Kneale;" "Enemies of Art," by Jeremy Moon; "Correspondence;" "News and Notes;" "Newton Harrison: big fish in small pool," by Jonathan Benthall; "Atget and the City," by John Fraser; "Irish commentary," by Tim Hilton; "Section 10 from 'Mechanism of Meaning' (work in progress 1963-71)," Arakawa in collaboration with Madeline Gins; "Tantra Revealed," by Robert Fraser; "Anthony Caro at David Mirvish," by W. ... [details]
November 1971 issue of Studio International, with a cover specially designed for this issue by Allen Jones. Edited by Peter Townsend. Contents include: "Some Concern in fine art education - II," by Linda Morris, Digby Jacks, Charles Harrison; "Report from Vienna," by Kristian Sotriffer; "Correspondence;" "News and Notes;" "Edward Ihnatowicz's Senster," by Jonathan Benthall; "PASTA MOMA, or the strike-bound Modern," by Jeannie Weiffenbach; "Notes on a piece by Barry Le Va - Extended vertex meetings: blocked; blown outward;" "Some Memories of Mondrian," by Nelly van Doesburg; "Aspects of Islamic pattern," by Keith Albarn; "An Interview with Dennis Oppenheim," by Willoughby Sharp; "UK Commentary," by Mark Haworth-Booth, Norbert Lynton, Richard Morphet; "The Synoptic Loft," by Dore Ashton; "The State and the arts in Great Britain," by Andrew Faulds MP; "Supplement: new and recent art books," reviews by John Gage, Tim Hilton, William Vaughan, Tim Clark, Peter Wollen, Peter Gidal, Andrew Forge, Frank Whitford, and Laura Mulvey. [details]
September 1971 issue of Studio International, with a cover specially designed for this issue by Eduardo Paolozzi. Edited by Peter Townsend. Contents include: "Some Concerns in fine-arts education," by Philip Pilkington, Kevin Lole, David Rushton, and Charles Harrison; "Report from Canada," by Charlotte Townsend; "Correspondence;" "News and notes;" "The Inflation of art media," by Jonathan Benthall; "The Los Angeles look today," by Helene Winer; "A question of epistemic adequacy," by Ian Burn and Mel Ramsden; "Speculative illustrations," Eduardo Paolozzi in discussion with J. ... [details]
September 1971 issue of Studio International, with a cover specially designed for this issue by Eugenio Carmi. Edited by Peter Townsend. Contents include: "The State of the Arts," by Lord Eccles; "Correspondence;" "News and Notes;" "Anatomy of an Anomaly," by Jonathan Benthall; "A Joseph Beuys Primer," by Georg Jappe; "Sculpture at Sonsbeek," by Carel Blotkamp; "Signals for the Imagination," by Eugenio Carmi; "A procedural proposition: selection, repetition, extension, exchange," by Michael Craig-Martin; "Ensor's 'Entry of Christ into Brussels,'" by Frank Whitford; "New Public Galleries: Tel Aviv, Belfast, project for Les Halles," by J. ... [details]
July / August 1971 issue of Studio International. Edited by Peter Townsend. Contents include: "What is Reality? The Theme of Documenta 5," by Georg Jappe; "This Spring in West Germany," by Robert Kudielka; "Science in Art," by Marcello Salvadori; "Correspondence;" "News and Notes;" "Experimental Art: Stubbs to Sonfist," by Jonathan Benthall; "Sydney: Art in the Universities," by Donald Brook; "'True Patriot Love': Joyce Wieland at the National Gallery of Canada;" "Bridget Riley," by David Thompson; "Three Shows at the Hayward: Hodler and Böcklin," by Frank Whitford and "Henri Laurens," by William Tucker; "Letter from Bucharest," by Radu Varia; "A Tail of Two Exhibitions," by Barbara Reise; "Background to the Foreground: The Haacke Exhibition History," by Edward Fry and Thomas M. ... [details]
June 1971 issue of Studio International. Edited by Peter Townsend. Contents include: "Gurgles around the Guggenheim," statements and comments by Daniel Buren, Diane Waldman, Thomas M. Messer, Hans Haacke; "Correspondence;" "David Bohm and the Rheomode," by Jonathan Benthall; "Letter from Prague," by Jindrich Chalupecky; "Some Thoughts on 'Art and Technology,'" by Jane Livington; "The information fall-out," by Les Levine; "UK Commentary," by Tim Hilton; "The Rothko Chapel at Houston," by Dore Ashton; "Dutch Artists on Television," by Carel Blotkamp; "The art-lesson," by Richard Wollheim; "Inno 70," by John Latham; "Supplement on prints and graphics," including Donald H. ... [details]
May 1971 issue of Studio International. Edited by Peter Townsend. Contents include: "Art and design education," by David Warren Pipe; "Correspondence;" "News and Notes;" "Art in Recession," by Jonathan Benthall; "Aquisition versus Exhibition / The British Avant Garde," by Donald Karshan; "Virgin soils and old land," by Charles Harrison; Artists projects by Bruce MacLean, Keith Arnatt, David Dye, David Tremlett, Roelof Louw, Sculptures by Barry Flanagan and Roelof Louw, Barry Flanagan, Gilbert & George, Gerald Newman, Sue Arrowsmith, Colin Crumplin, and Richard Long; "De Legibus Naturae," Terry Atkinson and Michael Baldwin; "Toward an understanding of the within," by Andrew Dipper; and "Rules of thumb," by Victor Burgin. ... [details]
Special edition of Studio International featuring Seth Siegelaub and Robert [Bob] Projansky's "Artists' Reserved Rights Transfer and Sale Agreement" and essay by Siegelaub describing the Agreement's background and its application. ... [details]
March 1971 issue of Studio International, edited by Peter Townsend. Contents include: "Project 84," by David Dickson; "Date with fate at the Tate," by Felipe Ehrenberg; "News and Notes;" "Correspondence;" "Haacke, Sonfist and Nature," by Jonathan Benthall; "Christo," by Lawrence Alloway; "Tantric imagery: affinities with twentieth-century abstract art," by Virginia Whiles; "Robert Medley's new paintings," by Bryan Robertson; "Commentary," by John Russell; "Albert Irvin," by Andrew Forge; "Andy Warhol and Ad Reinhardt," by Max Kozloff; "The conditional probability machine: a new work by Eduardo Paolozzi," by Diane Kirkpatrick; "Between spring and ocean," by Klaus Rinke; "Lawrence Weiner," by Anthony Lovell; "Works by Lawrence Weiner;" "Supplement: new and recent art books," reviews by Jonathan Benthall, Bernard Denvir, Andrew Forge, Peter Gidal, Andrew Higgens, Timothy Hilton, Colin Moorcraft, John Picton, Barbara Reise, and Frank Whitford. ... [details]