"This book Inaugurates Artadia's Biennial Publications Program and features a complete two-year awards cycle through all five Artadia program cities during 2008 and 2009." -- publisher's statement. Texts by Franklin Sirmans, Andrea Barnwell Brownlee, Jen Mergel, Stephanie Smith, Michelle White and René de Guzman. ... [details]
Exhibition catalogue published in conjunction with show held at The Menil Collection, November 19, 2010 - February 20, 2011. Traveled to Los Angeles County Museum of Art, March 13 - June 5, 2011. Text by Franklin Sirmans and Michelle White. ... [details]
Edited by Tod Lippy. Essays "Off-Off-Broadway: Four Vietnam veterans recount their experience of touring the war's front lines with a 1969 production of The Fantasticks," by Rick Holen, Joe Mauro, John Nutt, and Bob Sevra; "Bern Porter: A Found Essay: A composite portrait of the late artist, philosopher, poet, and scientist," by Mark Melnicove; "Where to go / What to do / When in New York / Week of June 17, 1972: Long before there were mashups, there was Bern Porter: a fascimile edition of the underground legend's 1974 artist's book," by Bern Porter; "100 Frames: Killer of Sheep (1977): Stills from director Charles Burnett's first feature, recently inducted into the Library of Congress's National Film Registry," introduction by Armond White; "Chamber Pieces: Striking images of-and from-an obsolete tool of 20th-century physics," by Peter Galison; "Modern Artifacts: States of Grace: This latest offering from the MoMA Archives features materials relating to the late painter Grace Hartigan," by Michelle Elligott; "Esopus CD #12: Black and White. ... [details]
Issue edited by Tim Griffin. Essays "Editor's Letter: Uses and Abuses," by Tim Griffin; "Passages: Liza Béar and Hans Haacke on Willoughby Sharp," by Liza Béar and Hans Haacke; "Books: Liz Kotz on Primary Information," by Liz Kotz; "Film: Amy Taubin on Kiyoshi Kurosawa's 'Tokyo Sonata,'" by Amy Taubin; "On Site: Catherine Wood on Jeff Koons and Tino Sehgal," by Catherine Wood; "Slant: Helen Molesworth on Catherine Opie and 'theanyspacewhatever,'" by Helen Molesworth; "Slant: Ina Blom on 'Whatever Happened to Sex in Scandinavia?" by Ina Blom; "Top Ten," by Stefan Tcherepnin; "In Conversation: Dara Birnbaum and Cory Arcangel"; "Cover Versions: The Reinvention of Music Video," by Michel Gondry, Barbara London, Rodney Graham, Michael Bell-Smith, Steina, Cao Fei, E*Rock; "Cut and Paste: The Collage Impulse Today," by Charlie White; "Authorial Intervention: The Art of Jacques Villeglé," by Tom McDonough; "1000 Words: Trevor Paglen," by Tom Vanderbilt; "Openings: Chu Yun," by Philip Tinari. ... [details]
Issue edited by Tim Griffin. Essays "Passages: Blake Stimson and Thomas Struth on Bernd Becher," by Blake Stimson and Thomas Struth; "Passages: Maria Morris Hambourg on John Szarkowski," by Maria Morris Hambourg; "Books: Elizabeth Schambelam on 'The So-Called Utopia of the Centre Beaubourg," by Elizabeth Schambelan; "Film: Jason Simon on Chris Marker," by Jason Simon; "Media: Julia Bryan-Wilson on '9 Scripts from a Nation at War,'" by Julia Bryan-Wilson; "Sound: Bennett Simpson on David Grubbs and Susan Howe," by Bennett Simpson; "Architecture: Aaron Betsky on Steven Holl's Bloch Building," by Aaron Betsky; "Slant: Rosalind Krauss on 'Invisible Colors,'" by Rosalind Krauss; "Top Ten," by Rosalind Nashashibi; "The Art of Production: Introduction," by Scott Rothkopf; "Industrial Revolution: The History of Fabrication," by Michelle Kuo with production notes by Andrea Zittel and Roni Horn; "The Server/User Mode: The Art of Olafur Eliasson," by Caroline A. ... [details]
Edited by Tod Lippy. Essays "A Short Film About Andy Warhol: One night in the life of the Pop artist, imagined by the late filmmaker Jim Lyons," by Jim Lyons; commentary by Amy Taubin; "Deconstruction Construction: A New York Times crossword creator details the process of composing a puzzle-and offers another for readers," by David Quarfoot; "I'm with the Band: What compels a shy girl from Missouri to become a Japanese drummer?," by Heather McPherson; "Found Object: Stalag Journal: An American P. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. ... [details]