"Edited by Walter Robinson, Edit DeAk, and Joshua Cohn, Art-Rite was published in New York City between 1973 and 1978. The periodical has long been celebrated for its underground/overground position and its cutting, humorous, on-the-streets coverage and critique of the art world. ... [details]
Transcript of a conference held at the Nova Scotia College of Art and Design (NSCAD) in Halifax, Nova Scotia, Canada, October 5 and 6, 1970. Transcript adapted by Craig Leonard. Conference organized by Seth Siegelaub. ... [details]
Exhibition catalogue published in conjunction with show held April 15 - June 12, 2016. Essays by Claire Gilman and Béatrice Gross. Artists included William Anastasi, Carl Andre, Stephen Antonakos, Richard Artschwager, Alice Aycock, Jo Baer, John Baldessari, Robert Barry, Gene Beery, Franco Bemporad, Mel Bochner, Alighiero Boetti, John Cage, Enrico Castellani, Lucinda Childs, Chuck Close, Hanne Darboven, Honoré Daumier, Jan Dibbets, Peter Downsbrough, Sam Durant, Jackie Ferrara, Dan Flavin, Charles Gaines, Gilbert & George, Philip Glass, Dan Graham, Nancy Graves, Hans Haacke, Eva Hesse, Channa Horwitz, Shirazeh Houshiary, Clarence John Laughlin, Ray Johnson, Donald Judd, Alex Katz, On Kawara, Emily Kame Kngwarreye, Jannis Kounellis, Jacques Lacombe, Barry Le Va, Sol LeWitt, Jane Logemann, Richard Long, Lee Lozano, Alvin Lucier, Robert Mangold, Mario Merz, Kazuko Miyamoto, Ree Morton, Eadweard Muybridge, Maurizio Nannucci, Giulio Paolini, Henry Pearson, Adrian Piper, Sylvia Plimack Mangold, Steve Reich, Dorothea Rockburne, Fred Sandback, Jan Schoonhoven, Robert Smithson, Pat Steir, Allyson Strafella, Old Tutuma Tjapangati, David Tremlett, Yoshiiku Utagawa, Georges Vantongerloo, Bernar Venet, Ruth Vollmer, Hannah Weiner, Lawrence Weiner and Franz West. ... [details]
Two volume exhibition catalogue published in conjunction with two-part show held March 14 – May 18, 2014 and May 25 – August 3. "Other Primary Structures revisited the premise of and built upon the Museum's seminal 1966 exhibition Primary Structures: Younger American and British Sculptors, the first American museum exhibition to survey the style now known as Minimalism. ... [details]
Exhibition catalogue published in conjunction with show held at M-Museum Leuven, Belgium, June 21 - October 14, 2012. Traveled to Centre Pompidou-Metz, France, March 7, 2012 - July 29, 2013. Text by Sol LeWitt, Susanna Singer, John Hogan, Béatrice Gross, Lucy Lippard, Rosalind Krauss, Mel Bochner, Dan Graham, Robert Smithson. ... [details]
Exhibition catalogue published in conjunction with show held at Fondazione Prada, ca' Corner della Regina, Venice, Italy, June 1 – November 3, 2013. Exhibition was based on the original 1969 show—"Live in Your Head : When Attitudes Become Form : Works, Concepts, Processes, Situations, Information / wenn Attitüden Form werden : Werke, Konzepte, Vorgänge, Situationen, Information / quand les attitudes deviennent forme : oeuvres, concepts, processus, situations, information / quando attitudini diventano forma : opere, concetti, processi, situazioni, informazione"—held at Kunsthalle Bern, Bern, Switzerland, March 22 - April 27, 1969, curated by Harold Szeemann. ... [details]
Monograph on Robert Smithson focusing on his land art installation "Broken Circle/Spiral Hill" conceived of for the exhibition "Sonsbeek 71" in Emmen, the Netherlands, in 1971. Edited by Ingrid Commandeur and Trudy van Riemsdijk-Zandee. ... [details]
"This book brings together new texts written to accompany 79 exhibitions organized by Bob Nickas between 1984 and 2011. Nickas chose one work to represent the memory of each exhibition, and through this visual "lens" he reflects on his activity as a curator, offering many behind-the-scenes views to the art world of the 1980s and 90s, as well as intimate recollections of the artists he worked with, and the art works he encountered over the years. ... [details]
"Institutional Critique" is an artistic practice that reflects critically on its own housing in galleries and museums and on the concept and social function of art itself. Such concerns have always been a part of modern art but took on new urgency at the end of the 1960s, when—driven by the social upheaval of the time and enabled by the tools and techniques of conceptual art—institutional critique emerged as a genre. ... [details]
Large-scale examination of the conceptual art network in it's years of inception, 1967, though to the time at which it had become highly formalized, 1977. An exacting examination by Sophie Richard, edited by Lynda Morris after Richard's unfortunate death. ... [details]