Issue edited by Jack Bankowsky. Essays "First Break: Vince Aletti on Larry Clark," by Vince Aletti; "News: Steven Henry Madoff on the Venice Biennale," by Steven Henry Madoff; "News: Peter Plagens on Neal Benezra," by Peter Plagens; "Film: Geoffrey O'Brien on Eric Rohmer," by Geoffrey O'Brien; "Slant: Bruce Hainley on Ron Galella," by Bruce Hainley; "Hotlist," by Maciej Wisniewski; "Hotlist: Rachel Greene on 'Open_Source_Art_Hack,'" by Rachel Greene; "Books: Simon Watney on Douglas Crimp," by Simon Watney; "Top Ten," by Steve Lafreniere; "10-20-30: Eric C. ... [details]
Issue edited by Jack Bankowsky. Essays "Q & A: David Colman on the Toronto Film Festival," by David Colman; "Books: Lisa Liebmann on Guy Trebay's 'In the Place to Be,'" by Lisa Liebmann; "Film: David Rimanelli on Gus Van Sant's 'To Die For,'" by David Rimanelli; "Gadget Love: Brian D'Amato on ädaweb," by Brian D'Amato; "Preview: Carnegie International 1995," Allan Schwartzman talks with Richard Armstrong; "Weather Report: Andrew Ross on Shiny Clothes," by Andrew Ross; "Music: Olivier Zahm on Dominque A. ... [details]
Issue edited by Jack Bankowsky. Essays "Q & A: David Colman on Cybersalons," by David Colman; "Books: Andrew Hultkrans on Mark Leyner's Hyper Text," by Andrew Hultkrans; "Brian Massumi on Nicholas Negroponte's 'Being Digital,' Michael Hammer and James Champy's 'Reengineering the Corporation,' Emily Martin's 'Flexible Bodies,' and John Naisbitt's 'Global Paradox,'" by Brian Massumi; "Books: R. ... [details]
Issue edited by Jack Bankowsky. Essays "Q & A: Jeffrey Slonim on the Sundance Film Festival," by Jeffrey Slonim; "Film: David Rimanelli on David Salle's 'Search and Destroy,'" by David Rimanelli; "Theater: Steven Drukman on Peter Brook's 'The Man Who,'" by Steven Drukman; "Essay: Homi K. ... [details]
Large-scale exhibition catalogue published in conjunction with show held March 3 - May 14, 1995. Texts by exhibition curator Lisa Dennison. Additional essays by Thomas Crow, Simon Watney. Fully illustrated. ... [details]
Issue edited by Bice Curiger. Essays "Robert Frank: From Compromise to Collaboration," by Vince Leo; "Weiner's Werkatätte," by Brooks Adams; "Providing Metaphor Needs: Lawrence Weiner's Specific & General Works," by Frances Richard; "Public Freehold," by Dieter Schwarz; "The Meaning that Comes Away from the Work of Art," by Daniela Salvioni; "The Public Reacts to Smashed To Pieces (In The Still Of The Night)," by unattributed artists; "But Can She Bake a Cherry Pie?," by Lane Relyea; "& Vers les Etoiles," by Edward Leffingwell; "Rachel Whiteread: Separation Anxiety and the Art of Release," by Neville Wakefield; "Whiteread's Ghost," by Trevor Fairbrother; "The Curbed Monumentality of the Invisible," by Rudolf Schmitz; "About the House," by Simon Watney; "Cursive," by Ingrid Schaffner; "Les Infos Du Paradis: Claude Ritschard on Markus Raetz," by Claude Ritschard; "Cumulus Aus Europa," by Guy Brett; "Cumulus From America," by Martha Fleming; "Balkon," by Robert Ohrt. ... [details]
Issue edited by Bice Curiger. Essays "Orozco in Paris," by Claude Gintz; "Kasseböhmer's Trees," by Walter Grasskamp; "Felix Gonzalez-Torres: Travelogue," by Nancy Spector; "In Purgatory: The Work of Felix Gonzalez-Torres," by Simon Watney; "Felix Gonzalez-Torres: Social Works," by Susan Tallman; "A Room by Wolfgang Laib in the Centre Pompidou," by Didier Semin; "More than Myself," by Clare Farrow; "A Waxroom in the Mountain," by Jean-Marc Avrilla; "Medicine Man - Proposing a Context for Wolfgang Liab's Work," by Thomas McEvilley; "Matthew Barney's Fornication with the Fabric of Space," by Neville Wakefield; "Les Infos Du Paradis: On Burt Barr," by Lynne Cooke and Klaus Kertess; "Cumulus Aus Europa," by Eric Troncy; "Cumulus From America," by Meyer Vaisman; "Balkon," by Laura Arici. ... [details]
Issue edited by Jack Bankowsky. Essays "American Myths: J. Hoberman on 'Catch-22 Redux,'" by J. Hoberman; "Glamour Wounds: Rhonda Lieberman on the Hirsch Farm Project," by Rhonda Lieberman; "Fashion: Deborah Drier on the Corset," by Deborah Drier; "Agitpop: Collier Schorr on Poster Girls," by Collier Schorr; "Music: Simon Watney on the Remix Generation," by Simon Watney; "Real Life Rock: Greil Marcus' Top Ten," by Greil Marcus; "Clair Voyant: Saint Clair Cemin," by John Ash; "Carol Barks: 'Die Stadt der goldenen Dächer," by Diedrich Diederichsen; "The Accidental Curator," Bruce Ferguson talks with Robert Storr; "Deviations on a Theme: Paul McCarthy," by Ralph Rugoff; "Being by Numbers," Lauren Sedofsky talks with Alain Badiou; "Absence Makes the Art: Doris Salcedo," by Dan Cameron; "His Common Sense: Marcel Duchamp," by Molly Nesbit; "Openings: Inez Lamsweerde," by Collier Schorr; "Focus: 'Sense and Sensibility,'" by Jan Avgikos. ... [details]
Issue edited by Jack Bankowsky. Essays "Glamour Wounds: Rhonda Lieberman on Helmut Newton," by Rhonda Lieberman; "Agitpop: Andrew Ross' Weather Report," by Andrew Ross; "Agitpop: Diedrich Diederichsen on 'Lipstick Traces' the CD," by Diedrich Diederichsen; "Special Effects: Carol Squiers on the Massacre in Hebron," by Carol Squiers; "Real Life Rock: Greil Marcus' Top Ten," by Greil Marcus; "Creatures of the Plane," Klaus Kertess visits Carroll Dunham; "As Is: Wolfgang Tillman's Live Style," by Hilton Als; "Louise Fishman: Valles Marineris," by Bertha Harris; "April 4, 1994: A Project for Artforum," by Craigie Horsfield; "Derek Jarman, 1942-1994: A Political Death," by Simon Watney; "Bad Girl Blues: Toot Toot," by Jan Avgikos; "Bad Girl Blues: (Sigh)," by Benjamin Weissman; "Bad Girl Blues: Beep Beep," by Michael Corris; "Once More with Intellect: Italy's New Idea Art," by Giorgio Verzotti; "Openings: Ted Byfield and Lincoln Tobier," by Thad Ziolkowski. ... [details]
Issue edited by Jack Bankowsky. Essays "All Around Esthetes: Jeffrey Slonim Canvases Fear," by Jeffrey Slonim; "American Myths: J. Hoberman on 'Jaws(n),'" by J. Hoberman; "Gadget Love: Vincent Leo on 'Full Disclosure,'" by Vincent Leo; "Books: Robert Farris Thompson on 'Thornton Dial: Image of the Tiger,'" by Robert Farris Thompson; "Real Life Rock: Greil Marcus' Top Ten," by Greil Marcus; "Sean Sucks. ... [details]