Exhibition catalogue published in conjunction with show held at Newport Harbor Art Museum, Newport Beach, California, June 2 - July 22, 1979. Traveled to The Oakland Museum, Oakland, California, August 14 - September 30, 1979; and Seattle Art Museum, Seattle, Washington, November 15, 1979 - January 6, 1980. ... [details]
Exhibition catalogue published in conjunction with an exhibition at The Fine Arts Museum of San Francisco from October 5, 1974 - January 5, 1975 and traveling. Includes black-and-white images of the artist's work. ... [details]
Issue edited by Philip Leider. Essays "Cubist Object Treatment: A Perceptual Analysis," by Charles M. Rosenberg; "John Marin: Dynamism Codified," by Abraham A. Davidson; "Unveiling the Consort: Part II," by Jack Burnham; "An Interview with Herbert Ferber," by Phyllis Tuchman; "Peter Young: A Chronology of the Work," by Ellen H. ... [details]
Issue edited by Philip Leider. Essays "Cubism in Los Angeles," by Rosalind Krauss; "German Painting of the 19th Century at Yale," by Kenworth Moffett; "The Language of Pre-Abstract Art," by John Elderfield; "West Coast Blues," by Peter Plagens; "Talking to Alan Shields," by Emily Wasserman; "The Sculpture of James Reineking," by Knute Stiles; "The Tradition of Escape-From-Tradition," by M. ... [details]
Issue edited by Philip Leider. Essays "The Art of Existence: Three Extra-Visual Artists," by Robert Morris; "A Conversation with Hans Hofmann," by Irma B. Jaffe; "Problems of Criticism, IX: Art and Technology," by Jack Burnham; "Was There a San Francisco School?," by Mary Fuller; "Joseph Raffael, Carlos Villa, Hank Gobin," by Emily Wasserman; "Jackson Pollock's Drawings," by Rosalind Krauss; "An Interview with Jack Tworkov," by Phyllis Tuchman. ... [details]
Issue edited by Philip Leider. Essays "PheNAUMANology," by Marcia Tucker; "An Interview with Larry Poons," by Phyllis Tuchman; "Architecture as a Weapon: Hitler's Speer," by Bernhard Leitner; "Thomas Eakins and the Power of Seeing," by Patrick McCaughey; "Meditating at Fort Prank," by Emily Wasserman; "Art Deco," by Robert Pincus-Witten; "A New Wing at the Museum of the American Indian," by M. ... [details]
Issue edited by Philip Leider. Essays "Die Brücke at Cornell," by Reinhold A. Heller; "Morris Louis: Unfurleds and Omegas," by Kenworth Moffett; "A Synthesis," by Alan Saret; "Geometric Abstract Painting and Paris in the Thirties, Part I," by John Elderfield; "An Interview with Eva Hesse," by Cindy Nemser; "Paolo Soleri," by Donald Wall; "Excerpts from Speculation (1967-1970)," by Mel Bochner. ... [details]
Issue edited by Philip Leider. Essays "The Graphic Work of Jasper Johns," by Barbara Rose; "The Bauhaus Show in Toronto," by Robert Welsh; "The Early Work of Andy Warhol," by John Coplans; "Color Painting and the Map Problem," by Walter Darby Bannard; "Alan Saret's Studio Exhibition," by Emily Wasserman; "A Robert Morris Retrospective in Detroit," by Jack Burnham. ... [details]
Issue edited by Philip Leider. Essays "Brancusi and the Myth of Ideal Form," by Rosalind E. Krauss; "Notes on American Painting of the Sixties," by Walter Darby Bannard; "Tantric Art," by Emily Wasserman; "An Interview with Chuck Close," by Cindy Nemser; "The Iconography of Symbolist Art," by Robert Pincus-Witten. ... [details]
Issue edited by Philip Leider. Essays "Dennis Oppenheim," by Jean-Louis Bourgeois; "Keith Sonnier," by Robert Pincus-Witten; "Thomas Cole," by Alan Wallach; "The Possibilities of Drawing," by Peter Plagens; "The Last Work of Kurt Schwitters," by John Elderfield; "El Lissitzky's 'Prouns', Part I," by Alan C. ... [details]