"Originally published in 1974 by the Nova Scotia College of Art and Design, Yvonne Rainer''s Work 1961-73 documents the artist''s landmark early works at the intersection of dance, performance, and art. ... [details]
"Edited by Walter Robinson, Edit DeAk, and Joshua Cohn, Art-Rite was published in New York City between 1973 and 1978. The periodical has long been celebrated for its underground/overground position and its cutting, humorous, on-the-streets coverage and critique of the art world. ... [details]
Large-scale critical overview of alternative art spaces in New York City since the 1960s, developed from an exhibition of the same title held at Exit Art, New York, September 24 – November 24, 2010. Edited by Lauren Rosati, Mary Anne Staniszewski. ... [details]
"How did a small art college in Nova Scotia become the epicenter of art education--and to a large extent of the postmimimalist and conceptual art world itself--in the 1960s and 1970s? Like the unorthodox experiments and rich human resources that made Black Mountain College an improbable center of art a generation earlier, the activities and artists at Nova Scotia College of Art and Design (aka NSCAD) in the 1970s redefined the means and methods of art education and the shape of art far beyond Halifax. ... [details]
Exhibition catalogue published in following show held at Office for Contemporary Art Norway, Oslo, Norway, November 8, 2008 - January 31, 2009. "''Whatever Happened to Sex in Scandinavia?'' is a reader that brings together essays, artists'' writings and works, and countercultural publications to examine the juncture of the political and the erotic during the 1960s and 70s. ... [details]
Exhibition catalogue published in conjunction with show held at the Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, December 15 - June 29, 2008. Essays by Achim Hochdörfer, Susanne Neuberger, Liz Kotz, Michelle Kuo, and Wilfried Kuehn. ... [details]
Large-scale examination of the conceptual art network in it's years of inception, 1967, though to the time at which it had become highly formalized, 1977. An exacting examination by Sophie Richard, edited by Lynda Morris after Richard's unfortunate death. ... [details]
Monthly periodical published in Berlin. With written contributions by Martin Saar, Chris Kraus, Tom Holert, Peter Geimer, Douglas Crimp, Yvonne Rainer, Michaela Meise, Sabeth Buchmann, Dietmar Dath, Ulrich Gutmair, Joseph Imorde, Ei Arakawa, Eric de Bruyn, Jutta Koether, Rainer Bellenbaum, Walead Beshty, Mark Godfrey, Roger M. ... [details]
"In her dance and performances of the 1960s, Yvonne Rainer famously transformed the performing body--stripped it of special techniques and star status, traded its costumes and leotards for T-shirts and sneakers, and asked it to haul mattresses or recite texts rather than leap or spin. ... [details]
Exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, Cambridge, MA, March 4 - July 16, 2007, organized by Cornelia H. Butler and Lisa Gabrielle Mark. "There had never been art like the art produced by women artists in the 1970s--and there has never been a book with the ambition and scope of this one about that groundbreaking era. ... [details]