A collection of texts by Dan Graham on rock music. Includes essays: "Live Kinks," "Country Trip," "Subject Matter," "Punk : Political Pop," "New Wave Rock and the Femine," "Rock My Religion," "Les enfants de McLaren," "L'artiste comme producteur," and "Conversation avec Dan Graham with Eric de Bruyn. ... [details]
Artist's book by Peter Fend issued as issue no. 3 of the periodical ISSUE. Consists of description of Ocean Earth Development Corporation, an architecture firm without architects created by artists. Text by Peter Fend. [details]
Exhibition catalogue published in conjunction with show held in 1999 c. Includes exhibition checklist. [details]
Set of three artist's books by Sophie Calle housed in a slipcase published in conjunction with show held at the Muse´e d'art Moderne et Contemporain de Strasbourg, November 6, 1999 - January 30, 2000. ... [details]
Exhibition catalogue published in conjunction with show held September 18 - December 15, 1999. Includes notes on the process behind 7 of the 9 works in the exhibition written by Hawkinson, in parallel English and Japanese. ... [details]
Issue number 123 of New Observations: "The Magazine that Lets the Artists Speak for Themselves." Guest edited by Gene Kraig. Essays "Introduction," by Gene Kraig; "The Sentence," by Gene Kraig; "Cellblock Visions," by Phyllis Korfeld and Arthur Keigney; "The Criminal Us: Anonymous Confessions Juxtaposed," by Troy Richards; "So Sad, So, Sorry, So What," by Jane Gillooly; "Working at the Massachusetts Correctional Institute," by Jane Gillooly; "The Art of Michael Reddick," by Margaret Bodell; "Life in Prison," by Simon Grennan and Christopher Sperandio; "Notes to a Brick Epic: 'A Cage Went in Search of a Bird," by Cynthia Manning Crosby. ... [details]
Issue number 122 of New Observations: "The Magazine that Lets the Artists Speak for Themselves." Guest edited by Todd Ayoung. Essays "Hows Angels Travel," by Todd Ayoung; "Iyali (Family)," by Fatimah Tuggar; "Frugality and the Urban," by May Joseph; "On Archives (A Fragment) by Brian Wallis; "Isis," by Fred Wilson; "Untitled (Hathor and Attendants)," by Fred Wilson; "Museum City," by Janet Koenig; "2nd Official Game," by Jun Ozaki; "Interface Passages," by Rainer Ganahl; "Place de La Chapelle," by Henry Du Moulin; "Transaction Profile," by Jim Costanzo; "Painting, Demography, and Global Communication," by Carsten Juhl; "Since '72," by Allison Smith; "Untitled (Excerpt from Paraiso en el Nuevo Mundo)," by Sergio Vega; "Toto, I Have a Feeling We're Not in Texas Anymore. ... [details]
Issue number 121 of New Observations: "The Magazine that Lets the Artists Speak for Themselves." Guest edited by Charlie Citron. Essays "A Global House: From Place to Place," by Charlie Citron; "Star Studded Strangler," by Bernhard Geyer; "You Don't Know Me," by Susanne Greven; "I am You Poster Project," by Daniel Dewaele; "Vogue," by Odili Donald Odita; "News Memory," by Ann Rosén; "Insert Breath," by Jennie C. ... [details]
Issue number 120 of New Observations: "The Magazine that Lets the Artists Speak for Themselves." Guest edited by Alan Sondheim. Essays "Populating Cyberspace," by Alan Sondheim; "Technocrazy Subsumes Democracy!" by Michael W. ... [details]
Artist's book by Thomas Liljenberg featuring black rectangles with white text printed over the pages of Sigmund Freud's "The Interpretation of Dreams." Originally a free book, the text of the book alludes to it's de-commodification. [details]
