Fall 1984 issue of October, edited by Rosalind Krauss and Annette Michelson. Essays include: "Broadness and Diversity of the Ludwig Brigade," by Hans Haacke; "An Unpublished Text for an Unpainted Picture," by Walter Grasskamp; "A Conversation with Hans Haacke," by Yves-Alain Bois, Douglas Crimp and Rosalind Krauss; "The Art of Exhibition," by Douglas Crimp; "From Faktura to Factography," by Benjamin H. ... [details]
Edited by Rosalind Krauss and Annette Michelson. Essays "On the Eve of the Future: The Reasonable Facsimile and the Philosophical Toy," by Annette Michelson; "Cinematographic Views," by Georges Méliès; "A Picturesque Stroll around Clara-Clara," by Yve-Alain Bois; "The Index of the Absent Wound (Monograph on a Stain)," by Georges Didi-Huberman; "Interview with Jonas Mekas," by Scott MacDonald; "On First Hearing about Hermeneutics," by Joseph Rykwert. [details]
Issue 28 of the periodical October. Edited by Rosalind Krauss and Annette Michelson. Contents include: "To Situate Sublimation," by Jean Laplanche; "Sexuality and Aesthetics," by Leo Bersani; "Freud's Reflexive Realism," by Perry Meisel; "Transference: Letters and The Unknown Woman," by Joan Copjec; "Uncertainty," by François Roustang; "Italian Freud: Gramsci, Giulia Schucht, and Wild Analysis," by Jennifer Stone; and "Of Mimicry and Man: The Ambivalence of Colonial Discourse," by Homi Bhabha. [details]
"Against Epistomology is in essence a long essay against Western metaphysics or, as Adorno put it, 'the lordship of the subject.' Traditional philosophy, he noted, leads in practice to fascism. In this book, he combines analytic philosophy, social theory, and cultural criticism to try to show how epistemology betrays experiences, using Husserl's work as a concrete model. ... [details]
Catalogue raissonné of the work of Herbert Bayer in painting, sculpture, environments, graphic design, photography, exhibition and architectural design, as well as selected writings. 350 black-and-white plates, 43 color plates. ... [details]
Edited by Rosalind Krauss and Annette Michelson. Essays "Ointments, Makeup, Polen," by Jean Clay; "Plato and the Simulacrum," by Gilles Deleuze; "Introduction to The Tables of Destiny," by Paul Schmidt; "An Excerpt from The Tables of Destiny," by Velimir Khlebnikov; "To Be Continued: A Note on Some Recent Mondrians," by Nancy Troy; "A Reply to Heath," by Noël Carroll. [details]
Edited by Rosalind Krauss and Annette Michelson. Contains the photo essay "Arrangements of Pictures" by Louise Lawler, "The Dodécadédale, or In Praise of Heuristics" by Pierre Rosenstiehl, "Writer, Artisan, Narrator" by Yves-Alain Bois, "A Mnemonic Art? : Calotyple Aesthetics at Princeton" by Christopher Phillips, "Le Père Noël" by Stephen Heath. [details]
Edited by Rosalind Krauss and Annette Michelson. Essay "The Sexuality of Christ in Renaissance Art and in Modern Oblivion," by Leo Steinberg. [details]
Edited by Rosalind Krauss and Annette Michelson. Essays "Interview with Beth and Scott B," by Scott MacDonald; "Foucault, or the Ends of Modernism," by John Rajchman; "The Rivière Beast, or the Unfinished Trial of the Creature Who Tortured Birds and Frogs," by Jean-Marie Alliume; "Six Poems," by F. ... [details]
Edited by Rosalind Krauss and Annette Michelson. Essays "Philosophy and/as Film and/as if Philosophy," by Arthur C. Danto; "Reading Hitchcock," by Fredric Jameson; "The Anxiety of the Influencing Machine," by Joan Copjec; "Documenting the Left," by Stuart Liebman; "The Formalist's Dreyer," by Nick Browne; "Address to the Heathen," by Noël Carroll. [details]