Large-scale examination of the conceptual art network in it's years of inception, 1967, though to the time at which it had become highly formalized, 1977. An exacting examination by Sophie Richard, edited by Lynda Morris after Richard's unfortunate death. ... [details]
Catalogue published in conjunction with Creative Time's public project, "Democracy in America : The National Campaign", New York, NY, September 2008. Includes essays by Anne Pasternak, Nato Thompson, Yates McKee, Group Material and Daniel Tucker; interviews with Trevor Paglen, Steve Kurtz, Ayreen Anastas and Rene Gabri. ... [details]
Catalogue published in conjunction with auction held May 14 - 15, 2008. Artists include Richard Artschwager, John Baldessari, Bernd & Hilla Becher, Robert Bechtle, Marcel Broodthaers, Scott Burton, Richard Deacon, Richard Estes, Dan Flavin, Gilbert & George, Rodney Graham, Donald Judd, Anselm Kiefer, Ellsworth Kelly, Jeff Koons, Joseph Kosuth, Barbara Kruger, Guillermo Kuitca, Sol LeWitt, Sherrie Levine, Richard Long, Robert Mangold, Brice Marden, Robert Motherwell, Juan Munoz, Gabriel Orozco, Philip Pearlstein, Sigmar Polke, Ad Reinhardt, Thomas Ruff, Peter Saul, Thomas Schutte, Cindy Sherman, Robert Smithson, Frank Stella, Thomas Struth, Hiroshi Sugimoto, Sam Taylor-Wood, Richard Tuttle and Jeff Wall, Christopher Wool. [details]
Exhibition catalogue published in conjunction with show held November 21, 2006 - May 20, 2007. Curated by Maria de Corral and Charles Wylie. Edited and with contributions by Maria de Corral and John R. ... [details]
Reference catalogue of the collection at Virginia Museum of Fine Arts. Text by John B. Ravenal. Artists include Magdalena Abakanowicz, Ansel Adams, Ivan Albright, Robert Arneson, Richard Artschwager, Jennifer Bartlett, Lee Bontecou, Iona Rozeal Brown, Deborah Butterfield, John Cage, Alexander Calder, Patrick Caulfield, Vija Celmins, John Chamberlain, Sandro Chia, Francesco Clemente, Chuck Close, Willie Cole, Salvador Dali, Allan D'Arcangelo, Willem de Kooning, Philip-Lorca diCorcia, Richard Diebenkorn, Jim Dine, William Eggleston, Inka Essenhigh, Richard Estes, Rafael Ferrer, Barry Flanagan, Helen Frankenthaler, Gilbert & George, Gregory Gillespie, Adolph Gottlieb, Emmett Gowin, Nancy Grossman, Philip Guston, Ann Hamilton, Duane Hanson, Julie Heffernan, Bryan Hunt, Jörg Immendorff, Neil Jenney, Jasper Johns, Ray Johnson, Donald Judd, Alex Katz, Ellsworth Kelly, William Kentridge, Anselm Kiefer, Elizabeth King, Franz Kline, Nicholas Krushenick, Norman Lewis, Sol LeWitt, Roy Lichtenstein, Winston O. ... [details]
Exhibition catalogue published in conjunction with show held March 22 - July 15, 2007, at Kulturforum Potsdamer Platz, Berlin, Germany. Text by Andreas Schalhorn, Michael Lailach. "Spanning from Minimalism to Land Art, this selection of the most important drawings from the Marzona Collection at the Staatliche Museen zu Berlin features key American and European works, as well as all sorts of related studies and ephemera. ... [details]
Exhibition catalogue published in conjunction with show held December 1, 2006 - February 25, 2007. Texts by Kitty Scott, Jonathan Shaughnessy, Peggy Gale, AA Bronson. Documents the "top 100" works from the Art Metropole works in the Art Metropole Collection held by the National Gallery of Canada. ... [details]
Exhibition catalogue published in conjunction with show held at MACBA Museu d'Art Contemporani de Barcelona, Spain, February - April, 2006. Traveled to Kunsthaus Graz, Austrua, June - September, 2006. ... [details]
Zine published in conjunction with exhibition held in Paris which presented work from the JRP|Ringier publishing program. Artists and writers who had collaborated with JRP|Ringier in the past were invited by Gilles [Gavillet] and Ari Marcopolous to submit work on a 20. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]