November 1979 issue of Artforum, edited by Joseph Masheck. Contents include: "Sean Scully's Absolute Paintings," by Sam Hunter; "Joseph Glasco: Painting Under Construction," by Vered Lieb; "Jene Highstein: A Full Roundness," by Ted Castle; "Nothing/Not Nothing/Something," by Joseph Masheck; "Ideas and Earth," by David Shapiro; "Jackie Ferrara's Il-lusions," by Kate Linker; "A Tournament of Rose's," by Hal Foster; "Books: 'The Decorative Designs of Frank Lloyd Wright," by Alice van Buren. ... [details]
Issue edited by Joseph Masheck. Essays "'Magritte's Inaccessible Woman," by Elena Calas; "Mikhail Vrubel: Madness and Art," by Ann Farkas; "Charles Simonds' Emblematic Architecture," by Kate Linker; "Existential Formalism: The Case of Sharon Gold," by Donald B. ... [details]
Contains Calas "Challenge of Surrealism," Masheck "Iconicity," Perrone "Jan Groover," Perrone on Dorothea Rockburne, and Jan van der Marck on Bernar Venet. [details]
Issue edited by Joseph Masheck. Essays by "Five Unpublished Letters from Ad Reinhardt to Thomas Merton and Two in Return"; "Illusive Spaces: The Art of Mary Miss," by Ronald J. Onorato; "Lucio Pozzi: From the Particular to the General," by Tiffany Bell; "Malevich and Khlebnikov: Suprematism Reinterpreted," by Rainer Crone; "Matisse the Representational Artist," by Jeremy Gilbert-Rolfe; "Four British Painters," by John McEwen; "Coming to Terms with the 'Treasures of Mexico,'" by Barbara Bloom; "Some Nice Books," by Joseph Masheck. ... [details]
Issue edited by Joseph Masheck. Essays "Two Critics: Thomas B. Hess and Harold Rosenberg," by Donald B. Kuspit; "Beginning Again," by Marcia Hafif; "Chicago's Emotional Realists," by Joanna Frueh; "William Baziotes: Primeval Sentiment," by Peter Plagens; "Death and Maternal Love: Psychological Speculations on Robert Motherwell's Art," by Jonathan Fineberg; "Composite Imagery and the Origins of Photomontage, Part I: The Naturalistic Strain," by Robert A. ... [details]
Issue edited by Joseph Masheck. Essay "Meret Oppenheim: Confrontations," by Nicolas Calas; "Saul Steinberg's 'Written' Pictures," by Joseph Masheck; "On Joel Shapiro's Sculptures and Drawings," by Marc Fields; "Pat Adams' Modernity," by Richard Lorber; "Servant of Time," by Richard Hennessy; "Love/Hate Relations," By Leo Rubinfien; "Domestic Tranquility," by Peter Fuller; "Joshua Neustein: Static Fragile, Massive, Gray, Torn, Impermanent," by Jeremy Gilbert-Rolfe; "Problems in Synchromism," by Janet Funston; "Book Review: Malcolm Le Grice's 'Abstract Film and Beyond,'" by Regina Cornwell. ... [details]
Issue edited by Joseph Masheck. Essays "Freedom, Love and Poetry," by Nicolas Calas; "Alan Kirili's Form and Craft," by Jan van der Marck; "Thoughts on Samuel Yellin and Blacksmithing," by Alain Kirili; "Henri Gaudier-Brzeska: The Process of Discovery," by Brice Rhyne; "Problems 'Relating to' Andy Warhol's 'Still Life 1976," by Peter Gidal; "Thomas Bang's Recent Work," by Tiffany Bell; "'Konstruktivism' and 'Kinematografiya,'" by Jennifer Oille; "Peter Berg: Filling In the Holes," by Robert Hurwitz; "Book Review: Nan Rosenthal's 'George Rickey,' by Herbert George. ... [details]
Issue edited by Joseph Masheck. Essays "Mark Cohen: Recognized Moments," by Carol Squiers; "The Substance of Paper," by Steven Kasher; "Background of a Minimalist: Carl Andre," by Phyllis Tuchman; "The Expressionist Cézanne," by Donald E. ... [details]
Issue edited by Joseph Masheck. Essays "False Objects: Duplicates, Replicas and Types," by John Perreault; "Elizabeth Murray's Dandyish Abstraction," by Donald B. Kuspit; "Chicago Dialectic," by C.L. Morrison; "To Be or To Act: On the Problem of Content in Nonobjective Art," by Andréi B. ... [details]
Issue edited by Joseph Masheck. Essays "Mel Bochner: Getting from A to B," by Jeff Perrone; "Bodyworks and Porpoises," by Nicolas Calas; "Komar and Melamid and the Luxury of Style," by Marc Fields; "The Russianness of "Petrouchka," by Ann Farkas; "Inside Europe Outside Europe," by Jan van der Marck; "Taking the Long View," by Colin L. ... [details]