Issue edited by Ingrid Sischy. Essays "Museum Piece: The Solomon R. Guggenheim Museum and Whitney Museum of American Art Additions. Round Two," by Joseph Giovannini; "A Canvas of Episodes: A Test. A Sentence. ... [details]
Issue edited by Ingrid Sischy. Essays "The Play's the Thing: The House that Bene's Built," by Franco Quadri; "Weavings: Anni Albers Reconciles the Hand and the Machine; Fifty Years Later, Jonathan Williams Picks Up Some Threads"; "Putty as a Picture: The By-products of a By-product," by Carlo McCormick; "On the Earth and in the Air: Panamarenko. ... [details]
Issue edited by Ingrid Sischy. Essays "Animarum Venator (Hunter of Souls): An Interpretation of Arcimboldo," by Massimo Cacciari; "'I Like the Free World.' Arcadian Settlements on the Edge of the Unknown from the 1600s to the Present: Part II of a Series on Different Styles of Vision," by Carter Ratcliff; "Louis Sullivan's Clay Gardens: Pod-Modernism," by Colin Westerbeck; "Harlequinade for an Empty Room: On David Salle, Classical Steps Toward the Year 2000," by Lisa Liebmann; "Jannis Kounellis and the Reenchantment of Contradiction: Diverting Fact to Possibility," by Kenneth Baker; "Who Told Thee That Thous Was't Naked: The Immaculate Commission in the Emperor's New Clothes," by Thomas McEvilley; "Museum Piece: Los Angeles' Recent Acquisitions," by Joseph Giovannini; "Icons at Large: Knowing Who Your Friends Are," by Lisa Liebmann; "Like Art: Birthday Suits for Different Parties," by Glenn O'Brien; "Speaker to Speaker: Listening to the Words," by Greil Marcus; "Books: A Review of Art Spiegelman's Maus: A Survivor's Tale," by Richard Gehr; "A Canvas of Episodes: On the Wings of Love, Rex Finds Out What Give-and-take is All About," by Frederic Tuten. ... [details]
Exhibition catalogue published in conjunction with show held at the Musée d'art Moderne de la Ville de Paris, May 13 - August 30, 1987. Writing by Joseph Abram, Armand Henry Amann, Bernard Barraqué, Dieter Bartetzko, Françoise Berthet, Marie Bouchard, Christian Bouqueret, Yvonne Brunhammer, Blandine Chavanne, Jean-Louis Cohen, Jean-Marie Dubois, Bruno Foucart, Amélie Granet, Catherine Gueissaz, Christiane Guttinger, Catherine Hodeir, Rosi Huhn, Alexandre Labat, Bertrand Lemoine, Paul Lemoine, David Littlejohn, Jean-Baptiste Minnaert, Akos Moravansky, Jean-Luc Olivié, Shanny Peer, Jean-François Pinchon, Gilles Plum, Gilles Ragot, Madeleine Rebérioux, Phillippe Rivoirard, Pierre Saddy, Maria Ida Talamona, Marthe Thorne, Danilo Udovicky, Piotr Ulrich, Pierre Vaisse, Anne Van Loo, Françoise Véry, Jean-Claude Vigato, Elisabeth Vitou, Corinne Wiktor, and Christophe Zagrodzki. ... [details]
Special UPFRONT annotated exhibition supplement. Published in conjunction with show organized by PADD and held at Exit Art, New York, February 19 - March 21, 1986. Introduction by Margia Kramer. Exhibition committee includes Tom Halsall, Karin Batten, Joel Cohen, Tim Hillis, Jerry Kearns, Rae Langsten, Lucy R. ... [details]
Fall 1985 issue of JOURNAL, edited by Lane Relyea. Featured edited by Jeremy Gilbert-Rolfe and John Johnston. Contents include: "Multiplicity, Proliferation, Reconvention," by Jeremy Gilbert-Rolfe and John Johnston; "Two Crowds with Shape of Reason Missing," by John Baldessari; "Century," by Robert Ryman; "To a Swan," by David Shapiro; "Multiplicity, Proliferation, Reconvention," The Editors; "Idea as Multiplicity," by Gilles Deleuze; "On Line," by Peter Halley; "Notes on the Kaleidoscope and Stereoscope," by Jonathan Crary; "Thomas Nozkowski: Painting and Proliferation," by Joseph Masheck; "Mass, Crowd and Pack," by Michel Feher; "Lui/un Autre," by Gary Parent; "Some Notes on Proliferation, Process, History," by Sandy Cohen; "Nature," by Kimball Lockhart; "False Works," by Gregory Rukavina; "L'enfant-Bulle," by Jean Baudrillard; "America's Borders Are Everywhere," by Allan Sekula; "The Ditmarsh Tale of Lies," by the brothers Grimm; "To a Swan," a poem by David Shapiro; "Travelog: Excerpts from Plato's Cave, Rothko's Chapel, Lincoln's Profile," by Mike Kelley; "Feature: Multiplicity, Proliferation, Reconvention," edited by Jeremy Gilbert-Rolfe, and Johnston; "Dialog: The Procession of Undine," by T. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location. Robert Ryman's Studio: A Wall of Reminders," by Amy Baker Sandback; "Ground Up. Science Fiction, Westerns, Odysseys, Romance, Head-Lines, Obits: Narrative Architects Design the City as it Lives, Stories on Top of Stories, A Plot on Every Plot," by Herbert Muschamp; "Remote Control: Television, the Permanent Guest - We'll Be Right Back," by Barbara Kruger; "Modern Life. ... [details]
Issue edited by Ingrid Sischy. Essays "Double Vision in Space City: 'The Houston School' of Barbara Rose and Susie Kalil; William Camfield's Houston Artists," by Thomas McEvilley; "American Medical Association," a project by Ida Applebroog; "Robert Morris, a Saint Jerome for Our Times," by Carter Ratcliff; "Richard Wentworth's Ad Hoc Esthetics," by Stuart Morgan; "Robert Smithson's Early Work - A Resurrection," by Stuart Morgan; "What's Natural?," A Conversation between Joseph Love and Jo Kondo; "American Prayers," by Kim Gordon; "John Duff's perfect Sculpture," by Donald Kuspit; "Endless Meaning at the Hirshhorn," by Roberta Smith; "Corrupting the Absolute," by Greil Marcus. ... [details]
Issue edited by Ingrid Sischy. Essays "William Klein and the Radioactive Fifties," by Max Kozloff; "Tattoo: the State of the Art," by Marcia Tucker; "Pressing On: Thomas Nozkowski's Paintings," by Joseph Masheck; "Leon Golub's Murals of Mercenaries: Aggression, 'Ressentiment,' and the Artist's Will to Power," by Donald B. ... [details]
Issue edited by Ingrid Sischy. Essays "A Chameleon in a State of Grace: Francesco Clemente," by Edit deAk; "American Abstract Sensationalism," by J. Hoberman; "STRIKE," a project by Jonathan Borofsky; "The Works and Writings of Daniel Buren: An Introduction to the Philosophy of Contemporary Art," by Jean-François Lyotard; "Smithson's Site/Non-Site: New York City Walk," by Amy Baker; "Scandal's Witnesses: Grafting Smithson on Bataille," by Nicolas Calas; "Books," by Parker Hodges, Joseph Masheck, Artforum; "Reviews by J. ... [details]