Trifold exhibition announcement and invitation to the opening reception for "Off Limits: Rutgers University and the Avant-Garde, 1957 - 1963," held February 17 and continuing through May 16, 1999 at the Newark Museum of Art, Newark, NJ. ... [details]
Large-scale compendium of artists' writings edited by Kristine Stiles and Peter Selz. Artists include Jackson Pollock, Mark Rothko, Robert Motherwell, Helen Frankenthaler, Joan Mitchell, Louise Bourgeois, Alfred H. ... [details]
Exhibition catalogue published in conjunction with show held November 24, 1996 - January 26, 1997. Texts by Marcia Tucker, Dan Cameron, Kristine Stiles, David Levi Strauss. Includes catalogue of selected works, works in exhibition, biography, selected bibliography. [details]
Artist's book / monograph collecting 200 of the 1000 drawings Dan Perjovschi made during his first visit to America, a trip sponsored by the Mid-America Arts Alliance and spent in part at Atlantic Center for the Arts in New Smyrna Beach, Florida. ... [details]
Exhibition catalogue published in conjunction with show held at the Walker Art Center, February 14-June 6, 1993; the Whitney Museum of American Art, New York, July 8 - October 10, 1993; the Museum of Contemporary Art, Chicago, November 13, 1993 - January 16, 1994; the Wexner Center for the Visual Arts, Columbus, Ohio, February 18 - April 17, 1994; the San Francisco Museum of Modern Art, May 12 - July 24, 1994; and the Fundació Antoni Tàpies, Barcelona, Spain, November 17, 1994 - January 21, 1995. ... [details]
Spring 1992 issue of Discourse dedicated to happenings, body, spectacle and virtual reality. Guest edited by Valie Export and Herbert Blau. Essays include "The Prospect Before Us," by Herbert Blau; Persona, Proto-Performance, Politics: A Preface," by Valie Export; "The Spectacle of the Anti-Spectacle: Happenings and the Situationist International," by Jon Erickson; "Viennese Actionism and the Vienna Group: The Austrian Avant-Garde after 1945," by Ferdinand Schmatz; "Survival Ethos and Destruction Art," by Kristine Stiles; "The Rope Trick," by David Crane; "Performance Art / Life Art / Mediafication," by Gerhard Johann Lischka; "What is Left of Performance Art? Autopsy of a Function; Birth of a Genre," by Josette Féral; "Binary Terror and Feminist Performance: Reading Both Ways," by Vivian M. ... [details]
Exhibition catalogue published in conjunction with show held at Hallwalls Contemporary Arts Center, Buffalo, February 23 - March 27, 1991; and The New Museum of Contemporary Art, New York, May 10 - August 16, 1992. ... [details]
Exhibition catalogue published in conjunction with show held at the Massachusetts Institute of Technology, Cambridge, Massachusetts, 1982. Edited by Antonio Muntadas and Peter D'Agostino. Artists include Sanja Ivekovic, Reese Williams, John Brumfield, Hans Haacke, David Craven, Erika Rothenberg, Kristine Stiles, Les Levine, Dan Graham, Chip Lord, Richard Kriesche, Victor Burgin, General Idea, Robert Morgan, Joan Rabascall, Hal Fischer, Catalina Parra, Jusy Malloy, and Judith Barry. ... [details]
Edited by Debra Burchett and Bridget Johnson. Cover by Ed Ruscha. Essays "For An Art Against the Mythology of Everyday Life," by Martha Rosler; "Exploring the Mathematical Option in Art," by Bernar Venet; "No Money Back Anytime," by Kristine Stiles; "A Diamond is Forever," by Gregory Battcock; "Chymical Wedding," by Carole Caroompas; "To Pico," by Peter Schjeldahl; "Conceptual Art and the Continuing Quest for a New Social Context," by Robert Morgan; "The Level of Water," by Lawrence Weiner; "A The A The," by Alan Sondheim; "Conceptual Comments," by Douglas Huebler; "On Art Writing/Part I," by Clair Wolfe; "L Three Leers/W Three Whys," by John Baldessari; "Media: TeleVisions," by Christopher Knight; "The Dinner Party," by Melinda Wortz; "With a Dinner Party You Get Cheerleaders," by Suzanne Muchnic; "Photographs from the Dinner Party," by Ruth Askey; "The Chelsea Girls Return," by David James; "Photography: Two Photographic Books: Speaking About the Process of Making," by James Hugunin; "Painting: Back to Back," by Melinda Wortz. [details]
Edited by Debra S. Burchett and Bridget Reak-Johnson. Cover by Richard Jackson. Essays "Re the Production of Work in the Age of Mechanical Art," by Jim Pomeroy; "A Proposal," by Kristine Stiles; "Fetish to Physics," by Melinda Wortz; "History / Art," by Christopher Knight; "Paragraphs," by Sanda Agalidi; "Notes for "Progress, Not Adventure," " by Al Ruppersberg; "Isolated Imagery: Joe Goode," by Michele De Angeles; "A Conversation with Vija Celmins," by Susan Larsen; "Chandlerism," by Alexis Smith; "Untitled," by Elyn Zimmerman; "The Hydrogen Jukebox: Terror, Narcissism and Art," by Peter Schjeldahl. [details]