Fall 1994 themed issue of October dedicated to the work of Marcel Duchamp. Edited by Mignon Nixon. Contents include: "Introduction" by Benjamin H.D. Buchloh; "What's Neo about the Neo-Avant-Garde?" by Hal Foster; "Three Conversations in 1985: Claes Oldenburg, Andy Warhol, Robert Morris" by Benjamin H. ... [details]
A monograph showing work by photographers Bernd & Hilla Becher. Complete with black-and-white images and an essay by Thierry de Duve. Text in German. [details]
Collection of critical essays on Marcel Duchamp. Introduction by Rudolf E. Kuenzli, with texts by Beatrice Wood, Arturo Schwarz, Francis M. Naumann, Thierry de Duve, William A. Camfield, Peter Read, Carol P. ... [details]
Edited by Joan Copjec, Rosalind Krauss, Annette Michelson, and Terri L. Cafaro. Essays "The Temptation of New Perspectives," by Stephen Melville; "The Kinetic Icon in the Work of Mourning: Prolegomena to the Analysis of a Textual System," by Annette Michelson; "Bachelors," by Rosalind Krauss; "Marcel Duchamp, or The Phynancier of Modern Life," by Thierry de Duve; "Documentary Is / Not a Name," by Trinh T. ... [details]
Anthology of critical texts by Serge Guilbaut, Jean Baudrillard, John O'Brian, Benjamin H.D. Buchloh, Timothy J. Clark, Thomas Crow, Thierry de Duve, Françoise-Marc Gagnon, John-Franklin Koenig, Lary May, Laurie J. ... [details]
Issue 49 of the periodical October. Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, Annette Michelson, and Terri L. Cafaro. Contents include: "Some Functions of Feminist Criticism, or The Scandal of the Mute Body," by Tania Modleski; "Van Gogh, or The Insufficiency of Sacrifice," by Eric Michaud; "French Customs, Literary Borders," by Denis Hollier; "The Orthopsychic Subject: Film Theory and the Reception of Lacan," by Joan Copjec; "Yves Klein, or The Dead Dealer," by Thierry de Duve; "Sontag's Urbanity," by D. ... [details]
Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, Annette Michelson, and Terri L. Cafaro. Essays "Andy Warhol, or The Machine Perfected," by Thierry de Duve; "The Aesthetic Transformation of the Image of the Unimaginable," by Gertrud Koch; "Anselm Kiefer: The Terror of History, the Temptation of Myth," by Andreas Huyssen; "Fatal Attractions: Leni Riefenstahl's The Blue Light," by Eric Rentschler; "Contribution to Points of Reference 38/88," by Hans Haacke; "The Monument is Invisible, the Sign Visible," by Werner Fenz; "A Note on Gerhard Richter's October 18, 1977," by Benjamin H. ... [details]
Collection of critical essays on Marcel Duchamp. Introduction by Rudolf E. Kuenzli, with texts by Beatrice Wood, Arturo Schwarz, Francis M. Naumann, Thierry de Duve, William A. Camfield, Peter Read, Carol P. ... [details]
Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, and Annette Michelson. Essays "Techniques of the Observer," by Jonathan Crary; "The Ends of Art according to Beuys," by Eric Michaud; "Joseph Beuys, or The Last of the Proletatians," by Thierry de Duve; "Haacke, Broodthaers, Beuys," by Stefan Germer; "The Sound of O in Othello: The Real of the Tragedy of Desire," by Joel Fineman; "Lacan's Psychoanalysis, or The Figure in the Screen," by Shoshana Felman; "Reproducing Nature: The Museum of Natural History as Nonsite," by Ann Reynolds. [details]
Issue edited by Ingrid Sischy. Essays "On Location: Balancing Bigger and Smaller, Alberto Burri's Studio," by Ida Panicelli; "Modern Life: Close Encounters with Unidentified Flying Zeitgeists," by Carter Ratcliff; "Turned Out: Biology 101 invades Art History 407. ... [details]