Exhibition catalogue published in conjunction with show held March 22 - July 15, 2007, at Kulturforum Potsdamer Platz, Berlin, Germany. Text by Andreas Schalhorn, Michael Lailach. "Spanning from Minimalism to Land Art, this selection of the most important drawings from the Marzona Collection at the Staatliche Museen zu Berlin features key American and European works, as well as all sorts of related studies and ephemera. ... [details]
Artists' book of compiled double-page spreads by broad collection of artists. "What if an ordinary little coloring book were to be upgraded with a set of 54 energetic line drawings by some of today's best-known contemporary artists instead of the usual dumbed-down pedagogical renderings? And what if the proceeds from the sale of this high-art coloring book were to go to a worthy charitable organization that seeks to install upbeat, original contemporary artworks in participating hospitals? Well, then you would have Between the Lines, this lively new collection of work by Vito Acconci, Rita Ackermann, John Baldessari, Jeremy Blake, Will Cotton, R. ... [details]
Issue edited by Tim Griffin. Essays "Film: Best of 2006," by John Waters, Amy Taubin, James Wuandt, Barbara London, Jonathan Romney; "Music: Best of 2006," by John Baldessari, Christine Mehring, James Meyer, Claire Bishop, Sven Lütticken, Chris Kraus, Terry Eagleton, Yvonne Rainer, Greil Marcus, Josiah McElheny, Sylvère Lotringer; "The Artists' Artists," Amy Sillman, Francis Alÿs, Eric Wesley, Richard Tuttle, Su-Mei Tse, Vito Acconci, Cory Arcangel, Kalup Linzy, Michael Rakowitz, Jim Shaw, Annette Messager, Thomas Demand, Lara Favaretto, Jennifer Bornstein, Rebecca Warren, Mircea Cantor, Damián Ortega, Miranda Lichtenstein, Carolee Schneemann, Rob Pruitt, Donald Baechler, Jonas Mekas, Thomas Hirschhorn, Suzanne Lacy, Kristin Baker, Rachel Harrison, Marine Hugonnier, Mark Bradford, Evan Holloway, Ulla von Brandenburg, Luisa Lambri, Ryan Trecartin, Luc Tuymans, Terence Koh, Philippe Decrauzat, Yvonne Rainer, Daria Martin, Pierre Bismuth, Michael S. ... [details]
An amazing, complete, reprint of the classic artists' periodical "0 to 9," including "Streetworks" in full facimiley. "From 1967 to 1969, Vito Acconci & Bernadette Mayer collected the works of the some of the most exciting artists and writers for their mimeographed magazine, '0 to 9. ... [details]
Winner of the 2006 Specific Object Publication of the Year Award
Housed in a painted wood box, this edition of "0 to 9 : The Complete Magazine : 1967 - 1969" consists of seven staple bound volumes -- each replicating the original publications, and includes a numbered certificate signed by Acconci and Mayer.
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An interview with Vito Acconci by Thurston Moore conducted in 2003 and published in 2006. Includes a bibliography of 0 to 9 Press and a list of select prose / poetry published by Acconci. [details]
Exhibition catalogue published in conjunction with show held March 16 - May 6, 2006. Contributions by Constance de Jong, Tania Cross, Colin Kim, Justin Matherly, Andrea Merkx, Hugh Walton, Christopher Howard, Rachel Liebowitz, Lauren O'Neill-Butler and Rotem Ruff. ... [details]
Pioneering conceptual artist Vito Acconci began his career as a poet. In the 1960s, before beginning his work in performance and video art, Acconci studied at the Iowa Writers Workshop and published poems in journals and chapbooks. ... [details]
Exhibition catalogue published in conjunction with show held February 24 - March 18, 2006,Contributions by Joshua Decter, Markús Thór Andrésson, Kirin Buckley, Max Hernández Calvo, Özkan Cangüven, Ruba Katrib, Florencia Malbrán, Kate McNamara, Laura Mott, Rebeca Noriega-Costas, Amy Owen, Chen Tamir and Emily Zimmerman. ... [details]
"Between 1969 and 1973, Vito Acconci's creative output was focused on body pieces and performances, many of them seminal works now firmly lodged in the art historical cannon of the time. Whether he was transforming space by masturbating under a platform extension of the gallery floor or transforming the body by tucking his genitals between his legs, Acconci promoted a radical, corporeal method of working with the human presence that has remained relevant in these less performative times. ... [details]