Exhibition catalogue published in conjunction with the last physical exhibition mounted by Seth Siegelaub in his gallery, held January 5 - 31, 1969. Publication including three to four pages of exhibited works by Robert Barry, Douglas Huebler, Joseph Kosuth and Lawrence Weiner. ... [details]
Documentation of conceptual or internationally-located projects curated by Seth Siegelaub with works by Carl Andre, Robert Barry, Daniel Buren, Jan Dibbets, Douglas Huebler, Joseph Kosuth, Sol LeWitt, Richard Long, N. ... [details]
Exhibition catalogue for exhibition that did not take place outside the printed catalogue. I.E. a purely conceptual exhibition. Each artist was provided with a single page within the catalogue, representing a single day in the month of March 1969. ... [details]
An announcement card for Jan Dibbets three day performance piece in Amsterdam. One of the earliest Conceptual Art exhibitions. [details]
Two sided postcard printed as an announcement of a performance by Jan Dibbets in Amsterdam, May 9, 12, and 30, 1969. Text in English, French, German and Dutch. [details]
Two-sided picture postcard issued in conjunction with show held May 19 - June 19, 1969. Features image of the Mall of Simon Fraser University on recto and text on verso. Modified by Kosuth as a readymade by the addition of three lines of typescript:
VIII.
...
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Perhaps one of the most revered artists' publications of the 1960s, the "Xerox Book," published by dealers Siegelaub and Wendler is a xerox book in name only. Conceived by Siegelaub as an inexpensive artist's publication - each artist was afforded twenty-five pages [plus a cover / title page] to execute a site-specific project for the publication. ... [details]
Artist's book as exhibition catalogue for "show" held only within book format in November 1968.
The existence of each each sculpture is documented by its documentation.
The documentation takes the form of photographs, maps, drawings and descriptive language.
...
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Being Weiner's first artists' book simply is enough recognition regarding how important this book is in establishing a trend in the history of artists' publications. Be there no doubt - this book is the Godfather of not just the contemporary artists' book - alongside Ruscha's "Twentysix Gasoline Stations" - but holds parental rights to much of the history of contemporary art in general. [details]
Exhibition poster, printed in red ink, published in conjunction with opening of work by Pierre Clerk held at Seth Siegelaub's gallery at 16 West 56th Street, New York, on April 5, 1966. Poster design by Clerk. ... [details]