Fall 1992 issue of Film Culture, edited by Jonas Mekas. Contents include: "Pastario or Atlas of Italian Pastas," by Peter Kubelka; "Hollis Frampton at Anthology Film Archives - November 2nd, 1974;" "Parker Tyler's Own Scandal," by Charles Boultenhouse; "Free Association Interview with Jack Smith - April 23rd, 1964," by David Brooks; "American Intelligence Report on Leni Riefenstahl - May 30th, 1945;" "Natural Industry: A Review of Pat O'Neill's 'Water and Power,'" by Fred Camper; and "Books Received. ... [details]
Fall 1992 issue of October, edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, and John Rajchman. Contents include: "Aesthetics and Anaesthetics: Walter Benjamin's Artwork Essay Reconsidered," by Susan Buck-Morss; "Ernst Jünger and the Transformed World," by Brigitte Werneburg; "Spiritual Reactionaries After German Reunification: Syberberg, Foucault, and Others," by Diedrich Diederichsen; "Kiefer in Berlin," by Andreas Huyssen; "Painting Negation: Gerhard Richter's Negatives," by Peter Osborne; "Moments of Interpretation," by Desa Philippi; "Hand-Made Photographs and Homeless Representation," by Thomas Crow; and "The Richter-Scale of Blur," by Gertrud Koch. [details]
Summer 1992 issue of October, edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, and John Rajchman. Contents include: "Introduction: The Question of Identity," by John Rajchman; "Multiculturism and the Politics of Identity," by Joan Scott; "A Matter of Life and Death," by Cornel West; "Citizenship and Political Identity," by Chantal Mouffe; "Freedom's Basis in the Indeterminate," by Homi Bhabha; "Politics, Identification, and Subjectivization," by Jacques Ranciere; "The Inevitability of Nation: German Intellectuals After Unification;" "Universalism, Particularism, and the Question of Identity," by Ernesto Laclau; "Reflections on Identity," by Stanley Aronowitz; and "The Americans," by E. ... [details]
Issue edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, John Rajchman. Essays "Postscript on the Societies of Control," by Gilles Deleuze; "Marcel Duchamp's 'Monte Carlo Bond Machine,'" by David Joselit; "Oedipus Exploded: Pasolini and the Myth of Modernization," by Cesare Casarino; "The Art of Hitler," by Steven Kasher; "The Curse of the Pharaoh, or How Cinema Contracted Egyptomania," by Antonia Lant. ... [details]
July 1992 issue of Vanity Fair. Edited by Tina Braun. Contents include: "The Selling of Rodney King," by Peter J. Boyer; "Earth Angel," by Steven Bach; "Wild About Perry," by Kevin Sessums; "Chronicle of a Death Foretold," by Leslie and Andrew Cockburn; "Foreward March!," Helmut Newton spotlights Jane March; "Art Oasis: Painter and Sculptor Donald Judd is building an artists' Utopia in the wilds of West Texas," by Mark Stevens, photographs by Todd Eberle; "King Rap," an article on Russell Simmons by Lynn Hirschberg, photographs by Bruce Weber; "Eyre Apparent," by Richard Eyre; "Proud Mary," by Maureen Orth; "Don't Cry for Me, Indonesia," by Bob Colacello; "Editors Letter: 'The Untouchables'"; "Dispatches," by Jesse Kornbluth; "Mixed Media," by James Wolcott; "New Age," by John Seabrook; "Planetarium," by Michael Lutin; "Letters;" "Fanfair;" and "Flashback: Jesse Owens, September 1935. ... [details]
Collection of poems by Robert Hunter. Edited by George Scrivani and Paul Rickert for Raymond Foye and Francesco Clemente. [details]
2 essays by William S. Burroughs. Edited by George Scrivani and Paul Rickert for Raymond Foye and Francesco Clemente. [details]
Poems and short stories by Patti Smith. Edited by George Scrivani and Paul Rickert for Raymond Foye and Francesco Clemente. [details]
Autobiography of filmmaker Nick Zedd. Edited by George Scrivani and Paul Rickert for Raymond Foye and Francesco Clemente. [details]
Collection of writings selected posthumously from Candy Darling's journal. Introduction by Jeremiah Newton. Edited by George Scrivani and Paul Rickert for Raymond Foye and Francesco Clemente. [details]