Issue edited by Joseph Masheck. Essays "Robert Irwin'S Recent Work," by Edward Levine; "Peter Hutchinson: From Earth Art to Story Art," by Eric Cameron; "The Man in the Crowd," by Leo Rubinfien; "Technique and Meaning: The Example of Andean Textiles," by Barbara Blum; "Drawing Toward Architectural Drawings," by James Hoekema; "Andy Warhol's 'Folk and Funk,'" by John Brooks; "The New York Film Festival: A Cultural Landmark?" by Regina Cornwell; "Tepid Yesterdays," by Carrie Rickey; "David Hare's 'Cronus' Series," by Deborah Perlberg. ... [details]
Issue edited by Joseph Masheck. Essays "Johns the Pessimist," by Rolf-Dieter Herrmann; "Cézanne on Solids and Spaces," by Theodore Reff; "Back on the Material: Rodchenko's Photographic Ideology," by Andréi B. ... [details]
Issue edited by Joseph Masheck. Essays "Oskar Schlemmer's Performance Art," by RoseLee Goldberg; "Art Criticism: Where's the Depth?" by Donald B. Kuspit; "Richard Foreman's 'Book of Levers,'" by Peter Frank; "Gustave Courbet: All the World's a Studio," by Alex Seltzer; "Madness in the Arena," by Nicolas Calas; 'Eva Hesse,' Book Review," by Jeff Perrone; "A View of Kassel," by David Shapiro; "Alice Aycock: Mystery Under Construction," by Margaret Sheffield; "The Private and the Public: Feminist Art in California," by Martha Rosler. ... [details]
Issue edited by Joseph Masheck. Essays "American Women Architects," by John Lobell; "'Words': When Art Takes a Rest," by Jeff Perrone; "The Icon and Russian Modernism," by Margaret Betz; "Donald Judd: Past Theory," by Kenneth Baker; "Terry Fox Meanders," by Knute Stiles; "Outerbridge from Cubism to Fetishism," by Graham Howe; "Cruciformality," by Joseph Masheck. ... [details]
Issue edited by Joseph Masheck. Essays "Minimalism and Critical Response," by Phyllis Tuchman; "Clyfford Still: The Ethics of Art," by Donald B. Kuspit; "Notes on Narrative and History Painting," by Sidney Tillim; "On George Segal's Reliefs," by Leo Rubinfien; "Snelson and Structure," by Deborah Perlberg; "Garry Kennedy: Painting Painting Itself," by Eric Cameron; "Shape and Form in Ron Gorchov's Painting," by Morris Kearse; "Ensor in His Milieu," by Diane Lesko. ... [details]
Issue edited by Joseph Masheck. Essays "Magic of the Possible: Five California Artists," by Peter Clothier; "Sun Tunnels," by Nancy Holt; "In Pursuit of Acconci," by Edward Levine; "Troubles With British Art Now," by Peter Fuller; "James Collins' Double Portraits," by Margaret Sheffield; "Flavin 'According to His Lights,'" by Ross Skoggard; "Surrealism and New York Painting 1940-1948: A Reminiscence," by John Bernard Myers; "A Note on Surrealism and the Beat Generation," by Joseph Masheck. ... [details]
Issue edited by Joseph Masheck. Essays "Participation Performance," by Allan Kaprow; "Einstein on the Beach," by Barbara Baracks; "Diebenkorn Reconsidered," by Budd Hopkins; "Wayne Thiebaud from Phoenix to Des Moines," by Jeff Perrone; "Gustave Caillebotte: The 1970s and the 1870s," by Robert Rosenblum; "Artists' Sketchbooks," by Leo Rubinfien; "Purism: Straightening Up After the Great War," by Kenneth E. ... [details]
Issue edited by Nancy Foote. Essays "Robert Rauschenberg," by Jeff Perrone; "Sweet Reason: Marcel Ophuls' 'The Memory of Justice," by Colin L. Westerbeck, Jr.; "David Alfaro Siqueiros' 'Portrait of the Bourgeoisie,'" by Laurance Hurlburt; "Walter Benjamin's 'Short History of Photography,'" translated by Phil Patton; "Waiting for Gloire," by Nancy Marmer; "Bill Beckley's Lies," by Eric Cameron; "Book Review: Ada Louise Huxtable's 'Kicked a Building Lately,'" by Robert Jensen. ... [details]
Issue edited by John Coplans. Essays "Duane Michals: The Self as Apparition," by Jeff Perrone; "Trouble in Paradise," by Allan Wallach; "Validating Modern Art: The Impact of Museums on Modern Art History"; "Design Deformed," by Suzanne Stephens; "Beating the System," by Leo Rubinfien; "Italo Scanga's Torn Loyalties," by Eric Cameron; "Oldenburg's Monuments to the Sixties," by Nancy Foote. ... [details]
Issue edited by John Coplans. Essays "Approaching the Decorative," by Jeff Perrone; "Alexis Smith: The Narrative Act," by Nancy Marmer; "Night Light: Brassai and Weegee," by Colin L. Westerbeck, Jr.; "The Size of Non-Size," by Douglas Davis; "Cézanne's 'Bather' and a Found Self-Portrait," by Diane Lesko; "Frank Stella's New Work: A Personal Note," by Budd Hopkins; "Book Review: The Cultural Contradictions of Capitalism," by Tim Yohn. ... [details]
