Issue edited by Joseph Masheck. Essays by "Five Unpublished Letters from Ad Reinhardt to Thomas Merton and Two in Return"; "Illusive Spaces: The Art of Mary Miss," by Ronald J. Onorato; "Lucio Pozzi: From the Particular to the General," by Tiffany Bell; "Malevich and Khlebnikov: Suprematism Reinterpreted," by Rainer Crone; "Matisse the Representational Artist," by Jeremy Gilbert-Rolfe; "Four British Painters," by John McEwen; "Coming to Terms with the 'Treasures of Mexico,'" by Barbara Bloom; "Some Nice Books," by Joseph Masheck. ... [details]
Issue edited by Joseph Masheck. Essays "Two Critics: Thomas B. Hess and Harold Rosenberg," by Donald B. Kuspit; "Beginning Again," by Marcia Hafif; "Chicago's Emotional Realists," by Joanna Frueh; "William Baziotes: Primeval Sentiment," by Peter Plagens; "Death and Maternal Love: Psychological Speculations on Robert Motherwell's Art," by Jonathan Fineberg; "Composite Imagery and the Origins of Photomontage, Part I: The Naturalistic Strain," by Robert A. ... [details]
Issue edited by Joseph Masheck. Essay "Meret Oppenheim: Confrontations," by Nicolas Calas; "Saul Steinberg's 'Written' Pictures," by Joseph Masheck; "On Joel Shapiro's Sculptures and Drawings," by Marc Fields; "Pat Adams' Modernity," by Richard Lorber; "Servant of Time," by Richard Hennessy; "Love/Hate Relations," By Leo Rubinfien; "Domestic Tranquility," by Peter Fuller; "Joshua Neustein: Static Fragile, Massive, Gray, Torn, Impermanent," by Jeremy Gilbert-Rolfe; "Problems in Synchromism," by Janet Funston; "Book Review: Malcolm Le Grice's 'Abstract Film and Beyond,'" by Regina Cornwell. ... [details]
Issue edited by Joseph Masheck. Essays "Naum Gabo, 1890-1977," by George Rickey; "Some Exercises in Slow Perception," by Kenneth Baker; "Issues in Pattern Painting," by John Perreault; "Richard Meier's Architecture of Purity and Possibility," by Lindsay Stamm Shapiro; "Symbolism and Modernity in Russia," by John E. ... [details]
Edited by Jeremy Gilbert-Rolfe, Rosalind Krauss, and Annette Michelson. Essays "Fragments from the Rodin Museum," by Robert Morris; "Magnification and Other Writings on Film," by Jean Epstein; "Blue Poem for B. ... [details]
Edited by Jeremy Gilbert-Rolfe, Rosalind Krauss, and Annette Michelson. Essays "Notes for a Film of Capital," by Sergei Eisenstein; "Reading Eisenstein Reading Capital," by Annette Michelson; "Film About a Woman Who. ... [details]
Issue edited by Herbert George. Essays "Brief Tales," by Wendy Walker; "Plot," by Vito Acconci; "Project for Five Wells Descending a Hillside," by Alice Aycock; "To Be Compared with Your Own Experience," by Jiri Kolar; "Playing at Acting," by Jiri Kolar; "A Statement," by Rudolf Baranik; "74 Characteristics of the World," by Alan Sondheim; "Characterizations of the Word," by Alan Sondheim; "Peril," by Dorothy Alexander; "Discourse," by Jud Fine; "Painting and Its Double," by Marc Devade; "On Some Criticisms of My Criticism, with Particular Regard to Those of the Confessional and Exculpatory Variety," by Jeremy Gilbert-Rolfe; "Untitled," by Robert J. ... [details]
Inaugural issue of the periodical "October," published in the Spring of 1976. Edited by Jeremy Gilbert-Rolfe, Rosalind Krauss, and Annette Michelson. Contents include: "'Ceci n'est pas une pipe,'" by Michel Foucault; "The Carrot and the Stick," by Richard Foreman; "To the Distant Observer: Towards a Theory of Japanese Film," by Noël Burch; "The Giant on Giant-Killing," by Richard Howard; "Video: The Aesthetics of Narcissism," by Rosalind Krauss; "Gravity's Rainbow and the Spiral Jetty," by Jeremy Gilbert-Rolfe and John Johnston; "Star," by Jean-Claude Lebensztejn; and "Notes on Composing in Film," by Hollis Frampton. [details]
Fall 1975 issue of Art-Rite, on Performance, edited by Edit deAk and Walter Robinson. Contents include: "Warm-Up," by David Antin; "Ralston Farina," by A.R.; "A Few Things We Know About Her," by John Howell; "Performance: A comment from Outside," by Jeremy Gilbert-Rolfe; "Performance: State of the Art in Arts," by John Howell; "Camoflage: Films by Holt & Horn," by Lucy R. ... [details]
Spring 1975 issue of Art-Rite focused on Painting, edited by Walter Robinson and Edit deAk. Contents include: "Conventional Wisdom"; "Untitled Statement," by Jeremy Gilbert-Rolfe; "Painting Matters," by Lucio Pozzi; "On Jumping," by David Reed; "On Intermediate Cases," by David Reed; "Random Notes on Painting From A Critic's Daybook," by Robert Pincus-Witten; "The Whitney Biennial," by Anthony Mascatello; "A Pained Expression," by Dennis Kardon; "About Painting," by Lawrence Alloway; "Photographic Realism," by The Staff; "Lilly Brody"; "John Mendelsohn"; "Nancy Spero"; "Julian Schnabel"; "Evriah Bader"; "Peter Grass"; "Niel Jenney:" "Painters (Group One)"; "Bruce Boice (with Irving Sandler)"; "Painters (Group Two)"; "Conversation with Brice Marden. ... [details]
