Issue edited by Tim Griffin. Essays "Editor's Letter: Personal Histories," by Tim Griffin; "Books: Ralph Ubl on George Baker's 'The Artwork Caught by the Tail,'" by Ralph Ubl; "Media: David Joselit on 'Mikes World' and 'Air Kissing,'" by David Joselit; "Performance: Caroline Busta on Ei Arakawa," by Caroline Busta; "On Site: André Rottmann on Andreas Siekmann," by André Rottmann; "Slant: David Salle on Julian Schnabel's 'The Diving Bell and the Butterfly,'" by David Salle; "Top Ten," by Raqs Media Collective; "Attention Span: The Art of Omer Fast," by Tom Holert; "Out of the Past a Conversation on Eva Hesse," by Lucy R. ... [details]
Issue edited by Tim Griffin. Essays "Editor's Letter: Notes on Jokes," by Tim Griffin; "Passages: Robert Pincus-Witten, Jeff Koons, and Haim Steinbach on Ileana Sonnabend," by Robert Pincus-Witten, Jeff Koons, and Haim Steinbach; "Film: Amy Taubin on Cristian Mungiu," by Amy Taubin; "Performance: Julia Bryan-Wilson on Kirstin Forkert and Mark Tribe," by Julia Bryyan-Wilson; "Sound: Damon Krukowski on David Tudor's 'Rainforest IV,'" by Damon Krukowski; "Slant: Sabeth Buchmann and Achim Hochdörfer on the Generali Foundation," by Sabeth Buchmann; "Top Ten," by Heather Rowe; "Winter 2008 Exhibitions: 50 Shows Worldwide"; "From the Vault: Joseph Leo Koerner on 'Dutch Primitives,'" by Joseph Leo Koerner; "International News: Brian Sholis on the 5th Berlin Biennale," by Brian Sholis; "On the Road: Traveling Exhibitions"; "Man with a Movie Camera: The Art of Phil Collins," by Helen Molesworth; "1000 Words: Harry Dodge and Stanya Kahn," by Rachel Kushner; "Paolo Virno: Jokes and Innovative Action," Gerald Raunig, Introduction; "A New Geometry: Paolo Virno and Autonomia," by Jason Smith; "Filling the Void: The Art of Mungo Thomson," by Martin Herbert; "Openings: Julia Meltzer and David Thorne," by Alan Gilbert; "Annette Kelm," by Jens Hoffmann. ... [details]
Prepublication variant of artist's book / exhibition catalogue published by JRP Ringier and Kunsthalle Zürich in conjunction with show held at Kunsthalle, Zürich, April 8 - May 28, 2006. Texts by Beatrix Ruf, John Kelsey, Bettina Funcke, Johanna Burton, Jay Sanders, Josh Smith, and Fia Backström. ... [details]
" 'The Signing' is a facsimile reproduction of the gallery sign-in book from the artist's 2007 exhibition 'Abstraction' at Luhring Augustine. Hardbound in black cloth to resemble the sketchbook on which it is based, the book consists of the signatures and notes left by visitors both famous and unknown. ... [details]
" 'The Signing' is a facsimile reproduction of the gallery sign-in book from the artist's 2007 exhibition 'Abstraction' at Luhring Augustine. Hardbound in black cloth to resemble the sketchbook on which it is based, the book consists of the signatures and notes left by visitors both famous and unknown. ... [details]
Artist's book by Josh Smith, edited by Todd Amicon. "Collection of drawings from New York City." -- publisher's statement. [details]
Collection of drawings by Josh Smith of varieties of Tennessee fish. Edited by Josh Smith and Todd Amicon. [details]
Two volume publication. First volume consisting of a quarterly journal that addresses contemporary art and culture. Includes contributions by Terence Koh, Maria Cornejo, Leigh Johnson, Takeshi Murata, Francine Spiegel, Kate and Laura Mulleavy, Aurel Schmidt, Michael Obert, Joe Bradley, B. ... [details]
"Can your monkey do the dog is the title for this book conceived jointly by Josh Smith and Christopher Wool. Thanks to digital imaging, they created together a series of pieces; one of them proposed an image from his corpus, which the other one reworked, by adding or removing elements. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
