Edited by Rosalind Krauss and Annette Michelson. Essays "Mimesis and Castration 1937," by Denis Hollier; "Mimicry and Legendary Psychasthenia," by Roger Caillois; "Rital and Raton," by Pier Paolo Pasolini; "A Note on Photography and the Simulacral," by Rosalind Krauss; "The New Caillebotte Affair," by Jeanne Laurent, Pierre Vaisse, and Jacques Chardeau; "The Fine Art of Gentrification," by Rosalyn Deutsche and Cara Gendel Ryan. [details]
Fall 1984 issue of October, edited by Rosalind Krauss and Annette Michelson. Essays include: "Broadness and Diversity of the Ludwig Brigade," by Hans Haacke; "An Unpublished Text for an Unpainted Picture," by Walter Grasskamp; "A Conversation with Hans Haacke," by Yves-Alain Bois, Douglas Crimp and Rosalind Krauss; "The Art of Exhibition," by Douglas Crimp; "From Faktura to Factography," by Benjamin H. ... [details]
Edited by Rosalind Krauss and Annette Michelson. Essays "On the Eve of the Future: The Reasonable Facsimile and the Philosophical Toy," by Annette Michelson; "Cinematographic Views," by Georges Méliès; "A Picturesque Stroll around Clara-Clara," by Yve-Alain Bois; "The Index of the Absent Wound (Monograph on a Stain)," by Georges Didi-Huberman; "Interview with Jonas Mekas," by Scott MacDonald; "On First Hearing about Hermeneutics," by Joseph Rykwert. [details]
Issue 28 of the periodical October. Edited by Rosalind Krauss and Annette Michelson. Contents include: "To Situate Sublimation," by Jean Laplanche; "Sexuality and Aesthetics," by Leo Bersani; "Freud's Reflexive Realism," by Perry Meisel; "Transference: Letters and The Unknown Woman," by Joan Copjec; "Uncertainty," by François Roustang; "Italian Freud: Gramsci, Giulia Schucht, and Wild Analysis," by Jennifer Stone; and "Of Mimicry and Man: The Ambivalence of Colonial Discourse," by Homi Bhabha. [details]
1984 issue of the art magazine Art Com edited by Carl E. Loeffler. Articles include "Beta Reports;" "Television Art;" "We Made Home TV," by Lynnette Taylor; "TV Art in New York;" photo essay by Jaime Davidovich; "Art That Gets 53 Miles Per Gallon: Ashley and Sanborn on Perfect Lives," by Mark Dery; "Sanborn and Winkler: The Making of Perfect Lives," by Lynnette Taylor: "Peter Gordon," interview with Mark Rubin; "Seven Templates: The Video Structure of Perfect Lives," by Lynnette Taylor; "Television Art and the Video Conference," by Carl E. ... [details]
Artist's book by Raymond Pettibon. Reference: #15 in "A Catalogue Raisonné of Artists' books by Raymond Pettibon, 1978 - 98," by Uwe Koch & Roberto Ohrt, pp. 876-77. [details]
A Pettibon publication with great full page drawings by the artist on all 28 of the pages. #13 in "A Catalogue Raisonné of Artists' books by Raymond Pettibon, 1978 - 98," by Uwe Koch & Roberto Ohrt, pp. ... [details]
Issue thirteen of Real Life Magazine, edited by Thomas Lawson. Contents include: "Portraits of the Artists / Composite Drawings," by Susan Morgan; "A Conversation with Hans Haacke," by Robert C. Morgan; "Namegame," by Paul Mahon; "Recent Work," by Ken Lum; "Morality and the Poetic," by John Miller; "Four Photographs," by B. ... [details]
Exhibition catalogue published in conjunction with show held in 1984. Preface by Jean Frémon in French and English. Fully illustrated in black-and-white and color and includes a checklist of the exhibition, an exhibition history, and bibliography. [details]
Issue edited by Ingrid Sischy. Essays "Forum: Art in Cuba," by Rudolf Baranik; "Audience and the Avant-Garde," by Donald Kuspit; "A Project by Louise Bourgeois: 'Child Abuse,'" by Louise Bourgeois; "The Field of Rhetoric: An Interview with Christopher LeBrun," by Stuart Morgan; "Elizabeth Murray's Colored Space," by Ronny H. ... [details]