Issue edited by Philip Leider. Essays "The Sculpture of Martisse, Part I," by Albert Elsen; "Systems Esthetics," by Jack W. Burnham; "New Work by Robert Murray," by Jane Harrison Cone; "Douglas Wheeler: Light Paintings," by John Coplans; "Degas Monotypes at Harvard," by Jerrold Lanes; "A Sedimentation of the Mind: Earth Proprosals," by Robert Smithson; "Ideal interlude: The Salons de la Rose-Croix," by Robert Pincus-Witten; "Looking at Canadian Art," by Terry Fenton. ... [details]
![S.M.S. [ aka : SMS / aka : Shit Must Stop ]](/objects/images/s8627.jpg "S.M.S. [ aka : SMS / aka : Shit Must Stop ]")
Issue number one of the journal of artists' multiples edited by William Copley. Works included: "Project for a Bridge," by Su Braden; "Black Dress," by James Lee Byars; "Store Front," by Christo; "Chicago Project," by Walter de Maria; "A Postal Card - For Mother," by Richard Hamilton; "Pharmaceuticals," by Julien Levy; "My Country 'Tis Of Thee : West Germany 1968 (4 Views)," by Kasper König; "Photograph - Hottentot Apron," by Sol Mednick; "Little Box of Earthquake and Cotton," by Irving Petlin; "Luggage Labels," by Nancy Reitkopf; "Two Propositions in Black," by LaMonte Young and Marian Zazeela. ... [details]
Exhibition catalogue published in conjunction with one-person show by Billy Al Bengston held at the Los Angeles County Museum of Art, Lytton Hall, November 26, 1968 - January 12, 1969. Traveled to the Corcoran Gallery, Washington, DC, and to the Vancouver Art Gallery. ... [details]
Issue edited by Philip Leider. Essays "American Sculpture at the Los Angeles County Museum," by Philip Leider; "Art Objecthood," by Michael Fried; "Notes on Sculpture, Part 3," by Robert Morris; "Claes Oldenburg's Soft Machines," by Barbara Rose; "Towards the Development of an Air Terminal Site," by Robert Smithson; "Mark di Suvero," by Max Kozloff; "Richard A. ... [details]
Contains Fried's "Art and Objecthood," Morris' "Notes on Sculpture, Part 3," Rose on Claes Oldenburg, Smithson's essay "Towards the Development of an Air Terminal Site," and LeWitt's essay "Paragraphs on Conceptual Art," as well as a letter to the editor by Andre. ... [details]
Issue edited by Philip Leider. Essays "The Genesis of Jackson Pollock," by Francis V. O'Connor; "Billy Al Bengston's 'Dentos,'" by Fidel A. Danieli; "Jackson Pollock and the Modern Tradition, Part IV," by William Rubin; "Talking with Roy Lichtenstein," by John Coplans; "The Collages of Arthur Dove," by Dorothy Rylander Johnson; "Walter Sickert," by David Sylvester; "Ingres Centennial at the Fogg," by Robert Pincus-Witten; "Paul Klee at the Guggenheim," by Gert Schiff; "Irving Petlin," by Max Kozloff. ... [details]
Issue edited by Philip Leider. Essays "Jackson Pollock and the Modern Tradition, Part III," by William Rubin; "The Value of Didactic Art," by Barbara Rose; "Ronald Davis," by Michael Fried; "Sol LeWitt: Non-Visual Structure," by Lucy Lippard; "Fahlstrom: Three Faces of Oyv," by Dennis Adrian; "Aubrey Beardsley," by Robert Pincus-Witten; "Gene Davis's New Paintings," by Max Kozloff. ... [details]
Issue edited by Philip Leider. Essays "Jackson Pollock and the Modern Tradition," by William Rubin; "Kandinsky's Paintings on Glass," by Rose-Carol Washton; "Nine Evenings of Theater and Engineering, 1. ... [details]
Promotional poster for the 5th Annual New York Avant Garde Festival presented by Charlotte Moorman in cooperation with the New York City Department of Marine and Aviation held September 29 - 30, [1967]. ... [details]
Exhibition catalogue published in conjunction with show held at the Los Angeles County Museum of Art, April 28 - June 25, 1967; and the Philadelphia Museum of Art, September 15 - October 29, 1967. Text by Maurice Tuchman, Lawrence Alloway, Wayne V. ... [details]
