Issue edited by Ida Panicelli. Essays "Object," Alessandro Mendini on Design; "Like Art," Glenn O'Brien on Advertising; "Ground Up," Herbert Muschamp on Architecture; "Here, There & Otherwise," John Welchman on Elsewhere; "Curies' Children," Vilem Flusser on Discovery; "Between the Lines," Dan Cameron on Criticism; "Books," Melissa Harris on Dance and Photography; "Working Watteau," by Mike Glier; "Body Building," by Mario Pisani; "Vanishing Act: Philippe Thomas," by Claudia Hart; "Borrowed Shoes," Suzanne Bloom and Ed Hill; "Diffusions: A Project for Artforum," by Susan Rothenberg; "The History of X," by Mary Josephson; "Under the Singing Eucalyptus Tree. ... [details]
Issue edited by Ingrid Sischy. Essays "Not Utopia: Jan Vercruysse: The Present Unclosed," by Pier Luigi Tazzi; "Three's a Company: James Ivory, Ismail Merchant, and Ruth Prawer Jhabvala Talk Talkies," by Anthony Korner; "Baptism: A Project for Artforum," by Jeff Koons; "Renovating the New: The Art of Lucio Fontana," by Jole de Sanna; "Black and White Light: Getting Home in Charcoal and Pastel," by John Yau; "Artist Envy: The Art of Interpretation and its Interpretation of the Artist," by Donald Kuspit; "A Song to the Avant-Garde: 'Tadeusz Kantor and the Duck, Robert Wilson Riding Hood, Un Mélange de Styles,' and Six More Plays by Kenneth Koch Here Staged on the Page in a Project for Artforum by Larry Rivers"; Book Preview: The sounds of Silents. ... [details]
Issue edited by Ingrid Sischy. Essays "Museum Piece: On the Job," by Jan Hoet; "Ground Up: Dresser and Bureaus of Internal Affairs," by Herbert Muschamp; "Like Art: H-h-h-heads and Tails," by Glenn O'Brien; "Speaker to Speaker: S--f-censorship," by Greil Marcus; "What in the World: Missing Sign Language," by Andrew Solomon; "Production Values: Tinkering with Toys," by Dan Cameron; "On Location: At Noriyuki Haraguchi's Studio on Tokyo Bay," by Kazue Kobata; "Customs: A Roman Correspondent Observes a New York Instituition," by Ida Panicelli; "A Canvas of Episodes: Mazel Tov," by Frederic Tuten; "The Dictatorship of Clement Greenberg: A Critic Looks at a Critic," by Kay Larson; "The Adventure of the Third Essay: In Which We Lose Our Bearings and Gain Our Freedom. ... [details]
Issue edited by Ingrid Sischy. Essays "The Play's the Thing: The House that Bene's Built," by Franco Quadri; "Weavings: Anni Albers Reconciles the Hand and the Machine; Fifty Years Later, Jonathan Williams Picks Up Some Threads"; "Putty as a Picture: The By-products of a By-product," by Carlo McCormick; "On the Earth and in the Air: Panamarenko. ... [details]
Issue edited by Ingrid Sischy. Essays "Remembrance of Objects Past," by Rosetta Brooks; "Andy Warhol: Top Gun and Brancusi," by J. Hoberman; "Flurries of Design," by Joost Elffers; "Decoding the Coating," by Seigow Matsuoka; "An Ornamented Joke," by Joyce Kozloff; "Representing Paper," by Sidney Tillim; "The Lovers," by Ulay & Marina Abramovic; "Art to the Power N," by Germano Celant; "Ground Up," by Herbert Muschamp; "Icons at Large," by Lisa Liebmann; "Objects," by Alessandro Mendini; "Like Art," by Glenn O'Brien; "A Canvas of Episodes," by Frederic Tuten; "The Cave," by Wolfram Schutte; "Speaker to Speaker," by Greil Marcus. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: Alan Shields' Works of Paper"; "Marginalia: Will it Last, Does it Matter?," by Thomas McEvilley; "Modern Life: How Scale Works," by Carter Ratcliff; "Turned Out: In America, Love Means Never Having to Say Sari," by Sunil Sethi; "Like Art," by Glenn O'Brien; "Ground Up: The Piazza in the Living Room, Communion by Communication," by Herbert Muschamp; "Remote Control: Lip-Syncing Free Speech," by Barbara Kruger; "Speaker to Speaker: In the Kingdom of the Invisible," by Greil Marcus; "Liberations: The Minus Works of Michelangelo Pistoletto," by Denys Zacharopoulos; "The Cowboy Philospher: Adventures as Metaphor," by Greil Marcus; "Rainer Werner Fassbinder: A Comet Passed by - Energy Burnt Against Oppression," by Wolfram Schutte; "Toward Another Laocoon, Or, the Snake Pit: Sunday in the Park with Art. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: Milton Resnick, New York City," by Milton Resnick; "Turned Out: Christo in Paris, The Bridge Wore Beige," by John Howell; "Speaker to Speaker: Heart from the Heartland," by Greil Marcus; "Modern Life: AIDS, A Buried Allegory," by Carter Ratcliff; "Ground Up: Parabuilding - The Postmodern Tick on the Modern Elephant," by Herbert Muschamp; "Like Art: The Model Critic, A New Face in the Empire of Signs," by Glenn O'Brien; "Remote Control: Waiting for Gloria," by Barbara Kruger; "Books: Sarah Bodine on 'Moholy-Nagy;' Mark Francis on 'Ian Hamilton Finlay: A Visual Primer;' Charles Hagen on 'The Indelible Image: Photographs of War - 1846 to the Present;' Mark Holborn on 'Tokyo 1970 - 1985;' Donald Kuspit on 'The Sense of Sight;' Greil Marcus on 'Dada/Dimensions;' 'Herbert Muschamp on 'Ballet' and 'Balanchine's Tchaikovsky: Interviews with George Balanchine;' Carter Ratcliff on 'Painters and Public Life in Eighteenth-Century Paris;' Barry Schwabsky on 'Jim Dine Drawings;' Frederic Tuten on 'History of the Universe;'" "Hysterical Painting: Civilization and Francis Bacon's Exhibition of its Discontents," by Donald Kuspit; "A Project for Artforum: Written Leaf," by Mario Merz; "Cultivated Canvases: Richard Diebenkorn's Uneasy Grace," by Susan C. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: Cindy Sherman's Camera Kabuki," by Ingrid Sischy; "Marginalia: Who Will Occupy the Deep Space in Recent Painting?" by Thomas McEvilley; "The Cave: Claude Lanzmann's Film 'Shoah' (Annihilation) and the Ethics of Reconstructing the Third Reich," by Wolfram Schutte; "Ground Up: Time-Sharing," by Herbert Muschamp; "Object: Duchampian Chance and Poetry in Japanese-Language Word Processors. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: Sculpture and Painting in Emilio Vedova's Studio in Venice," by Germano Celant; "Ground Up: Architecture without Architecture Critics: Ideal for the Architects," by Herbert Muschamp; "Turned Out: Richard Avedon, Sam Shepard, Joan Didion, and the Pull of the American West," by William Wilson; "Modern Life: Utopianism become Survialism - the Quantum Mechanics of Body-Building, in the West and in the East," by Carter Ratcliff; "Like Art: The New Ads and their Gift of Art. ... [details]
![Journal [LAICA Journal]](/objects/images/s17608.jpg "Journal [LAICA Journal]")
Edited by Cindy Berry and cover by William Brice. Essays "Guy de Cointet, In Memorium," by unattributed artists; "History Repeats Itself, Part II," by unattributed artists; "Why I Go to the Movies Alone," by Richard Prince; "Representational Drawing Today," Phyllis Plous; "After the Revolution, Cuba in Photographs," by Emily Hicks; "Big Folks," by Suzanne Muchnic; "Is It Curtains for the T. ... [details]
