Issue edited by Philip Leider. Essays "The Art of H.C. Westermann," by Dennis Adrian; "The Constructivist Ethos, Part I," by Ronald Hunt; "New Paintings by Albert Stadler," by Kermit Champa; "Chuck Ginnever," by Lawrence Alloway; "Problems of Criticism, I: Varieties of Critical Experience," by Robert Goldwater; "Morandi: A Critical Note and a Memoir," by Sidney Tillim; "The Trouble with Russian Painting," by Robert Pincus-Witten; "Bruce Conner Makes a Sandwich," by Bruce Conner. ... [details]
Issue edited by Philip Leider. Essays "The Genesis of Jackson Pollock," by Francis V. O'Connor; "Billy Al Bengston's 'Dentos,'" by Fidel A. Danieli; "Jackson Pollock and the Modern Tradition, Part IV," by William Rubin; "Talking with Roy Lichtenstein," by John Coplans; "The Collages of Arthur Dove," by Dorothy Rylander Johnson; "Walter Sickert," by David Sylvester; "Ingres Centennial at the Fogg," by Robert Pincus-Witten; "Paul Klee at the Guggenheim," by Gert Schiff; "Irving Petlin," by Max Kozloff. ... [details]
Issue edited by Philip Leider. Essays "Jackson Pollock and the Modern Tradition, Part III," by William Rubin; "The Value of Didactic Art," by Barbara Rose; "Ronald Davis," by Michael Fried; "Sol LeWitt: Non-Visual Structure," by Lucy Lippard; "Fahlstrom: Three Faces of Oyv," by Dennis Adrian; "Aubrey Beardsley," by Robert Pincus-Witten; "Gene Davis's New Paintings," by Max Kozloff. ... [details]
Issue edited by Philip Leider. Essays "Walker Evans: Photography as Representation," by Sidney Tillim; "Brancusi," by Sidney Geist; "Ronald Bladen's 'Black Triangle,'" by Lucy Lippard; "Jackson Pollock and the Modern Tradition, Part II,'" by William Rubin; "Medieval Manuscripts at Berkeley," by Palmer D. ... [details]
Issue edited by Philip Leider. Essays "Jackson Pollock and the Modern Tradition," by William Rubin; "Kandinsky's Paintings on Glass," by Rose-Carol Washton; "Nine Evenings of Theater and Engineering, 1. ... [details]
Issue edited by Philip Leider. Essays "Gothic Parallels," by Sidney Tillim; "Olitski and Shape," by Michael Fried; "Manet at Philadelphia," by Clement Greenberg; "David Novros," by John Coplans; "Walter de Maria," by Dennis Adrian; "10 x 10," by Annette Michelson; "Yves Klein," by Ronald Hunt; "Edward Higgins," by Dennis Adrian; "The Age of Rembrandt," by Palmer D. ... [details]
Issue edited by Philip Leider. Essays "Talking to Tony Smith," by Samuel Wagstaff, jr; "A Conversation with Joe Raffaele," by Robert Pincus-Witten; "Man Ray Retrospective in Los Angeles," by Carl I. Belz; "Some Remarks," by Dan Flavin; "Two Views of Post-Abstract Expressionist Styles: "Present-Day Art and Ready-Made Styles," by Darby Bannard, and "Present-Day Styles and Ready-Made Criticism," by Peter Plagens; "Reinhardt: The Purist Blacklash," by Irving Sandler; "Tiepolo Acquisitions at the Met," by Sidney Tillim; "Lloyd Hamrol's 'multiples," by John Coplans; "Michael Egan's Modular Paintings," by Carl I. ... [details]
Issue edited by Philip Leider. Essays "Philip Pearlstein and the New Philistinism," by Sidney Tillim; "Allusion and Illusion in Donald Judd," by Rosalind Krauss; "A Georgia O'Keeffe Retrospective in Texas," by Peter Plagens; "James Dine Designs Sets for 'A Midsummer Night's Dream,'" by David Zack; "New Forms in Architecture," by John Jacobus; "Looking at Kinetic Sculpture," by Philip Leider. ... [details]
Issue edited by Philip Leider. Essays "Gemini LTD: A New Lithography Studio in Los Angeles," by Fidel A. Danieli; "A Central European Miscellany," by Edward F. Fry; " "Joseph Cornell," by Alexandra Cortesi; "Darby Bannard's New Work," by Rosalind Krauss; "Color, Paint and Present-Day Painting," by Darby Bannard; "Edward Kienholz's 'Barney's Beanery,'" by Sidney Tillim; "A Decade of Edward Kienholz," by Maurice Tuchman. ... [details]
Issue edited by Philip Leider. Essays "An Interview with Peter Stroud," by John Coplans; "Joe Goode and the Common Object," by Philip Leider; "Matisse and the Strategy of Decoration," by Nancy Marmer; "Three Statements," by Ad Reinhardt; "The Happenings are Dead - Long Live the Happening," by Allan Kaprow; "The Inert and the Frenetic," by Max Kozloff. ... [details]