Issue edited by Joseph Masheck. Essays "Magic of the Possible: Five California Artists," by Peter Clothier; "Sun Tunnels," by Nancy Holt; "In Pursuit of Acconci," by Edward Levine; "Troubles With British Art Now," by Peter Fuller; "James Collins' Double Portraits," by Margaret Sheffield; "Flavin 'According to His Lights,'" by Ross Skoggard; "Surrealism and New York Painting 1940-1948: A Reminiscence," by John Bernard Myers; "A Note on Surrealism and the Beat Generation," by Joseph Masheck. ... [details]
Issue edited by Joseph Masheck. Essays "Participation Performance," by Allan Kaprow; "Einstein on the Beach," by Barbara Baracks; "Diebenkorn Reconsidered," by Budd Hopkins; "Wayne Thiebaud from Phoenix to Des Moines," by Jeff Perrone; "Gustave Caillebotte: The 1970s and the 1870s," by Robert Rosenblum; "Artists' Sketchbooks," by Leo Rubinfien; "Purism: Straightening Up After the Great War," by Kenneth E. ... [details]
Issue edited by John Coplans. Essays "The Art Market: Affluence and Degradation," by Ian Burn; "Sol LeWitt: Modules, Walls, Books," by Lawrence Alloway; "A Proposal for The Museum of Modern Art," by Budd Hopkins; "Lee Friedlander's Guarded Strategies," by Martha Rosler; "Man Ray: The Homonymic Pun and American Vernacular," by Robert Pincus-Witten; "Richard van Buren," by Susan Heinemann; "Beaubourg: The Museum in the Era of Late Capitalism," by Annette Michelson; "Wilde About Harry," by Peter Plagens; "Book Review," by Alan Sekula. ... [details]
Issue edited by John Coplans. Essays "Pasadena's Collapse and the Simon Takeover, Diary of a Disaster," by John Coplans; "Museums and Unionization," by Lawrence Alloway; "Embalmed Objects: Design at the Modern," by Joseph Masheck; "Big Deals and Bitter Endings, The Hirshhorn Museum and Sculpture Garden," by Suzanne Stephens. ... [details]
Issue edited by John Coplans. Essays "Photography: The Coming to Age of Color," by Max Kozloff; "On the Invention of Photographic Meaning," by Alan Sekula; "DeKooning: Criticism and Art History," by Lawrence Alloway; "Richard Pousette-Dart: Toward an Invisible Center," by Lucy R. ... [details]
A critical anthology on Super Realism edited by Gregory Battcock. Essays "The Real Thing," by Gerrit Henry; "Rent is the Only Reality, or the Hotel Instead of the Hymns," by Ivan Karp; "The Deductive Image," by J. ... [details]
A great critical theory book on the works of Duchamp edited by Joseph Masheck. Essays by Guillaume Apollinaire, leon Kochnitzky, Harrriet and Sidney Janis, William Rubin, Werner Hofmann, John Cage, Louise Norton, George Heard Hamilton, Georges Charbonnier, Octavio Paz, Lawrence D. ... [details]
September 1974 issue of Studio International. Edited by Peter Townsend. Contents include: "Art Front," by Gerald M. Monroe; "The Hayward Biennale," Andrew Forge, Myles Murphy, Paul Huxley, John McEwen; "A Conversation with Henryk Stazewski," with Wieslaw Borowski; "Correspondence;" "The Origins of Modernism in England," by Charles Harrison; "Food as an Art Form," by Mary Douglas; "The mature portraitist: Richard Avedon," by Dore Ashton; "The Englishness of Caro," by Joseph Masheck; "Review. ... [details]
Issue edited by John Coplans. Essays "Brice Marden's Painting," by Jeremy Gilbert-Rolfe; "Incisions in History/Segments of Eternity," by Hollis Frampton; "Talking With William Rubin: 'The Museum Concept Is Not Infinitely Expandable;'" "Mondrian the New Yorker," by Joseph Masheck; "Leon Golub: Art and Politics," by Lawrence Alloway; "Jean Dupuy," by Alan Moore; "Reviews," by Peter Plagens. ... [details]
Issue edited by John Coplans. Essays "Just Another Rectangle Painter," by Peter Plagens; "Fooling the Eye," by Alfred Frankenstein; "Robert Grosvenor's Fractured Beams," by Joseph Masheck; "The Authoritarian Personality in Modern Art," by Max Kozloff; "Cecile Abish," by Lawrence Alloway; "Standish Lawder," by John W. ... [details]