Issue edited by Ingrid Sischy. Essays "The Sublime and the Avant-Garde," by Jean-François Lyotard; "From Imitation, to the Copy, to Just Effect: On Reading Jean Baudrillard," by Kate Linker; "Hiroshi Sugimoto: No Such Thing as Time," by John Yau; "The Critic Sees Through the Cabbage Patch," by Edit deAk; "Cheez Whiz (Roy Lichtenstein)," by Richard Armstrong; "The View from Past 50," by Sidney Tillim; "Forum," by Thomas McEvilley; "Books: Joe Lewis on 'How to Commit Suicide in South Africa," by Joe Lewis; "Books: Donald Kuspit on 'Art Worlds' and 'Patrons Despite Themselves," by Donald Kuspit. ... [details]
Issue edited by Ingrid Sischy. Essays "Bill Woodrow: Material Truths," by Mark Francis; "In the Heart of the Tinman. An Essay on John Chamberlain," by Duncan Smith; "A Project by Pontus Hulten and Jean Tinguely;" "Freeing Dance from the Web: On Collaboration, Trisha Brown's 'Set and Reset,' and 'Lucinda Childs' Available Light," by Thomas McEvilley; "Two Sides of the Brain: Molissa Fenley's Hemisphere's," by RoseLee Goldberg; "Up Rocking, Locking, Old Style, 1990 Moves," by Michael Holman; "Selected Funk Lessions: a project," by Adrian Piper; "A Use for Beauty," by Kenneth Baker; "Executioner's Song," by Greil Marcus; "Books: Gilles Deleuze on Francis Bacon," by Gilles Deleuze; "Forum," by Kate Linker. ... [details]
Issue edited by Ingrid Sischy. Essays "The Real Experiment," by Allan Kaprow; "Triumph of Representation, a project," by Giulio Paolini; "Against the Return to Order," by Nicolas Calas; "A Project," by Sigmar Polke; "Dispensable Friends, Indispensable Ideologies: Andre Bréton's Surrealism," by Donald Kuspit; "Popcorn and Canvas," by Carrie Rickey; "Books: Frederic Tuten on 'Ranxerox' (continued)," by Frederic Tuten; "Forum," by Glenn O'Brien. ... [details]
Issue edited by Ingrid Sischy. Essays "A Note Concerning Francis Picabia," by Harald Szeemann; "Imagining Nowhere: Richard Tuttle's 'Monkey's Recovery,'" by Klaus Kertess; "Breaking the Contract: A Conversation with Peter Greenaway," by Stuart Morgan; "Triple Entendre," a project by General Idea; "Enchantment and Revolution - Joan Miró," by Roland Penrose; "Jack Goldstein: The Trace of Absence," by Jean Fisher; "Vija Celmins: Drawings without Withdrawing," by Kenneth Baker; "Susan Sontag's Unguided Tour," by Gary Indiana; "'Books': Frederic Tuten on 'Ranxerox,'" by Frederic Tuten; "Gulliver Speaks," by Greil Marcus; "Forum," by John Howell and Lisa Liebmann. ... [details]
Issue edited by Ingrid Sischy. Essays "Who's Afraid of Red, Yellow, and Blue?," by Thierry de Duve; "Tadanori Yokoo: Between Painting and Graphic Art," by Yoshiaki Tono; "Richard Artschwager," by Coosje van Bruggen; "Marina Abramovic," by Thomas McEvilley; "Der Hang zum Gesamtkunstwerk," by Germano Celant; "Brice Marden: Two Drawings"; "Photograph into Sculpture," by Sam Wagstaff; "Books: Carrie Rickey on 'Overlay,'" by Carrie Rickey; "Airtime," by Greil Marcus; "Forum," by Richard Armstrong. ... [details]
Issue edited by Ingrid Sischy. Essays "Robert Cumming's Subject Object," by Charles Hagen; "Unpopular Culture (Travels in Kienholzland)," by Carrie Rickey; "A Project," by Nancy Graves; "Carroll Dunham: Painting Against the Grain - Painting with the Grain," by Klaus Kertess; "Getting Ready for the Golden Eighties: A Conversation with Chantal Akerman," by Gary Indiana; "Art in the Dark," by Thomas McEvilley; "A Fvnny Thing Happened on the Way to the Forvm (In the Name of Love)," by Duncan Smith. ... [details]
Issue edited by Ingrid Sischy. Essays "Books: Peter Galassi on 'Photography: A Concise History,'" by Peter Galassi; "David True's 'Pendulums,'" by John Yau; "William Eggleston's Color Photographs: Matters of Record"; "Eikoh Hosoe and Yukio Mishima: The Shadow in the Time Machine," by Mark Holborn; "Statuary Versus Idols," by Alain Kirili; "Escher or Newman: Who Puts the Ghosts in the Machine?" by Gary Stephan; "Bracusi + Mondrian: A Sum, a Summa," by Sidney Geist. ... [details]
Issue edited by Ingrid Sischy. Essays "Issue edited by Ingrid Sischy. Essays "The Extravagant Depression: John Gutmann's Photographs of the Thirties," by Max Kozloff; "The Pledge of Allegiance," by Rene Ricard; "Portrait of Patti Astor," by Jimmy de Sana; "Heads It's Form, Tail It's Not Content," by Thomas McEvilley; "The Dark Side of the Bright Light," by Thomas Lawson; "Constructive Issues in Relief," by Joseph Masheck; "Venice Biennale 1982: No Form, Little Contentment," by Kate Linker and Ida Panicelli. ... [details]
Summer 1982 issue of Artforum edited by Ingrid Sischy. Contents include: "Forum: Waking Up to How We Sleepwalk," by Lawrence Weschler; "Great Expectations: Artists' TV Guide," by Robin White; "Book for Nigel Greenwood," a project by Richard Tuttle; "Framed: Innocence or Gilt?" by Germano Celant; "Three Color + within +," a project by Robert Mangold; "Negative Presences in Secret Spaces: The Art of Eric Orr," by Thomas McEvilley; "In the Absence of Heroes: The Early Work of Georg Baselitz," by Dr. ... [details]
Issue edited by Ingrid Sischy. Essays "Fluxus Focus: Photographs by Peter Moore," by Peter Moore; "George Maciunas: A Finger in Fluxus," by Barbara Moore; "Growing Up," by Patricia C. Phillips and James Wines; "Paikvision," by Bruce Kurtz; "Dali's Dreadful Relevance," by Carter Ratcliff; "Documenta 7: Continued," by Richard Flood, Donald Kuspit, Lisa Liebmann, Stuart Morgan, Annelie Pohlen, and Schuldt. ... [details]