Book of critical theory outlining the intersection of mediums in art after 1950. Edited by Gerald Woods, Philip Thompson and John Williams. Artists include Valerio Adami, Michelangelo Antonioni, Dennis Bailey, Saul Bass, Lester Beall, Max Bill, Derek Birdsall, Jan Bons, Walerian Borowczyk , Mark Boyle, Bill Brandt, Robert Brownjohn, Alberto Burri, Pol Bury, Mel Calman, Antonio Carena, Eugenio Carmi, Mario Ceroli, Chermayeff and Geismar, Christo, Chryssa, Roman Cieslewicz, Giulio Cittato, Bob Cobbing, Crosby / Fletcher / Forbes, Wim Crouwel, Allan D'Arcangelo, Rudolph De Harak, Eric De Maré, Walter de Maria, Feder, Jean-Michel Folon, Lucio Fontana, André François, Anthony Froshaug, Geoffrey Gale, Pietro Gallina, Frank Gallo, Winfred Gaul, Juan Genoves, Jean-Luc Godard, Franco Grignani, Richard Hamilton, Dick Higgins, David Hockney, Dom Sylvester Houédard, John Kaine, William Klein, Ferdinand Kriwet, Jan Lenica, Sol LeWitt, Romek Marber, Robert Massin, Hansjorg Mayer, Raymond Moore, Joseph Müller-Brockmann , Siegfried Odermatt, Rosemarie Tissi, Claes Oldenburg, Giovanni Pintori, Michelangelo Pistoletto, Paul Rand, Robert Rauschenberg, Roger Raveel, Alain Robbe-Grillet, Diter Rot, Hans Schleger, Peter Schmidt, Richard Smith, Stefan and Franciszka Themerson, Jan Tschichold, Stan Vanderbeek, Tom Wesselmann, Kurt Wirth, Henry Wolf and Edward Wright. ... [details]
Exhibition catalogue published in conjunction with show of privately held works and works from the New Realism exhibition, held at the Neue Galerie der Stadt Aachen, Germany, July 1972. Book features thick-board covers with lenticular / holographic image of works by Duane Hanson bolted onto front. ... [details]
Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. ... [details]
First of two issues of the critical theory periodical edited by Kevin Lole, Philip Pilkington and David Rushton, not dissimilar from Art-Language in style and substance. Essays include "Don Judd's Dictum and Its Emptiness," by Philip Pilkington and David Rushton; "On Asserting," by Rushton; "Duchampian Delinquency and the Constitutive Cure," by Pilkington; "Progress in Art and in Science," by Lole; "Obligations," by Terry Atkinson & Michael Baldwin; "Hierarchies: A Note," by Graham Howard; "The Grammarian," by Ian Burn & Mel Ramsden; "Phenomenology as a Hermeneutic of Art," by Peter Smith; and "The Myth of the Aesthetic Attitude," by Christopher Willsmore. [details]
September 1971 Special Film Issue of Artforum, edited by Philip Leider. Contents include: "Foreword in Three Letters," by Peter Gidal, Annette Michelson, Jonas Mekas; "For a Metahistory of Film: Commonplace Notes and Hypothese," by Hollis Frampton; "'True Patriot Love': The Films of Joyce Wieland," by Regina Cornwell; "'Zorns Lemma'," by Wanda Bershen; "'Tom, Tom, the Piper's Son"; by Lois Mendelson and Bill Simon, "A Cinematic Atopia," by Robert Smithson; "Paul Sharits: Illusion and Object," by Regina Cornwell; "Passage," by Michael Snow; "Statements," by Richard Serra; "Paul Revere," by Joan Jonas and Richard Serra; "The Films of Man Ray and Moholy-Nagy," by Barbara Rose; "The Calisthenics of Vision: Open Instructions on the Films of George Landow," by Paul Arthur; "On Negative Space," by Max Kozloff; and "'The Chelsea Girls,'" by Stephen Koch. ... [details]
Catalogue of editions produced by Multiples, Inc. between 1965 and 1971 with order form. Artists include Cecile Abish, Josef Albers, Peter Alexander, Richard Anuskiewicz, Billy Apple, Arakawa, Arman, Richard Artschwager, Mary Bauermeister, Herbert Bayer, Larry Bell, Billy Al Bengston, Ilya Bolotowsky, Lee Bontecou, Dan Christensen, Christo, Chryssa, Cruz Diez, Allan D'Arcangelo, Alan Davie, Gene Davis, Niki de Saint Phalle, Sonia Delaunay, Jim Dine, Jean Dupuy, Jean Dubuffet, Fred Eversley, Dean Fleming, Lucio Fontana, Helen Frankenthaler, Karl Gerstner, Joseph Goode, Philip Guston, Auguste Herbin, Charles Hinman, David Hockney, Robert Indiana, Robert Creeley, Jasper Johns, Allen Jones, William Katz, Ellsworth Kelly, Nicholas Krushenick, Gerald Laing, Le Parc, Sol LeWitt, Roy Lichtenstein, Richard Lindner, René Magritte, Marisol, Mayumi Miyawaki, Robert Morris, Barnett Newman, Kenneth Noland, Claes Oldenburg, Edouard Paolozzi, Karl Pfahler, Larry Poons, Robert Rauschenberg, Ad Reinhardt, Bridget Riley, Larry Rivers, Edward Ruscha, Fred Sandback, Tony Smith, Robert Smithson, Soto, Saul Steinberg, Wayne Thiebaud, Ernest Trova, Vasarely, Andy Warhol, Jack Youngerman, Larry Zox and others. ... [details]
Two-volume catalogue published in conjunction with exhibition held at Sonsbeek Park, Arnhem, June 19 - August 15, 1971. Includes supplementary information for Part 1, as well as a bibliography of exhibition documentation. ... [details]
Volume two of the two-volume catalogue published in conjunction with exhibition at Sonsbeek Park, Arnhem, June 19 - August 15, 1971. Includes supplementary information for Part 1, as well as a bibliography of exhibition documentation. ... [details]
First volume of the two-volume catalogue published in conjunction with exhibition held at Sonsbeek Park, Arnhem, June 19 - August 15, 1971. Sonsbeek Park had been the site of international sculpture exhibitions periodically from 1949. ... [details]
Issue Number 8 of "Aspen Magazine : The Fluxus Issue," edited by Dan Graham and designed by George Maciunas, published in 14 sections housed in a printed envelope. Contents include: Section 1: "Editorial Note; Ends," by Dan Graham, printed on the envelope of the publication; Section 2: "In Place of a Lecture: Three Musics for Two Voices," by David Antin; Section 3: "Hot/Cold Book," by Terry Atkinson and Michael Baldwin; Section 4: "1 + 1 for One Player and Amplified Table-Top Score," by Philip Glass; Section 5: flexi-disc recording featuring "Young Turtle Asymmetries," by Jackson MacLow and "Drift Study 31 1 69," by La Monte Young; Section 6: "Pendulum Music for Microphones, Amplifiers, Speakers and Performers," by Steve Reich on recto and "Lead Shot," by Richard Serra on verso; Section 7: "Notes on the Continuous Periodic Composite Sound Waveform Environment Realizations," by La Monte Young; Section 8: "Three Distributions," by Yvonne Rainer; Section 9: "Art & Vision : March Bands," by Jo Baer; Section 10: "Introduction to the Young Turtle Asymmetries," by Jackson Mac Low; Section 11: "Ecological Projects," by Dennis Oppenheim and "Los Angeles Project," by Robert Morris; Section 12: "Strata: A Geophotographic Fiction" by Robert Smithson; Section 13: "Parking Lot," by Edward Ruscha; and Section 14: Aspen Magazine Order Form. ... [details]
