Collection of essays published in Flash Art Magazine from it's inception in 1969 to 1989. Edited by Giancarlo Politi and Helena Kontova. Essays by Giancarlo Politi, Helena Kontova, Germano Celant, Piero Gilardi, Robert Smithson, Jean Baudrillard , Donald Karshan, Charles Harrison, Agnes Martin, Ann Wilson, Rosetta Brooks, Barbara Radice, François Pluchart, Charles Dreyfus, Peter Gorsen, Douglas Crimp, Thomas Lawson, David Salle, Carrie Rickey, Achille Bonito Oliva, Jeffrey Deitch, Annelie Pohlen, Ernst Busche, Sherrie Levine, Paul Groot, Nicolas A. ... [details]
Exhibition catalogue published in conjunction with show held at Bonner Kunstverein, Bonn, Germany from November 29, 1980 - February 1, 1981. Texts by Annelie Pohlen, Margarethe Jochimsen and Bazon Brock. ... [details]
Issue edited by Ida Panicelli. Essays "Troubleshooters: Barbara Ehrenreich on the Moral Majority," by Barbara Ehrenreich; "Democracy, Inc.: Gary Indiana on Censorship in the Arts," by Gary Indiana; "The Cave: Jeanne Silverthorne on 'Batman,'" by Jeanne Silverthorne; "Ground Up: Herbert Muschamp on Architecture," by Herbert Muschamp; "Environment: Molly Hankwitz on Ideal Cities," by Molly Hankwitz; "Like Art: Glenn O'Brien on Video Games," by Glenn O'Brien; "Remote Control: Barbara Kruger on Television," by Barbara Kruger; "Undertone: David Sternbach on Rap," by David Sternbach; "At First Light: A Glance at the Discovery and Early Years of Photography," by Amy Baker Sandback; "Parts and Parcels: Thomas Virnich," by Annelie Pohlen; "Cubist Hypochondria: On the Case of Picasso and Braque," by Donald Kuspit; "This is Only a Test: Chris Burden," by C. ... [details]
Issue edited by Ingrid Sischy. Essays "At the Whitney Biennial," "Good Morning America," by Charles Hagen, "Almost Home," by Lisa Liebmann; "The Marketplace," by Lucas Samaras; "From Inside the Whale," by Michael Newman; "Kitsch in Cuba," by Eva Sperling CockCroft, "I Think Therefore I Art," by Thomas McEvilley; "Farewell to Marc Chagall," by André Verdet; "An Art of Regret," by Rene Ricard; "Rosenquist's Rouge," by Carter Ratcliff; "From Sam Cooke in Heaven," by Greil Marcus. ... [details]
Issue edited by Ingrid Sischy. Essays "The Arc of a diver - Judy Pfaff," by John Yau; "Vienna and Her Sisters, A Parable, with Strings," by Lisa Liebmann; "The Art of Filming Painting: Derek Jarman and Caravaggio, Peter Greenaway and Jan Vermeer, Paul Leduc and Frida Kahlo," by Wolfram Schutte; "Taking Liberty with Symbols," by Herbert Muschamp; "The Tourist Industry's Dramamine Against Terrorism: Seeing the World Through Travel Ads," by Glenn O'Brien; "The Big Fight. ... [details]
Issue edited by Ingrid Sischy. Essays "Constantin Brancusi's Photographs," by Sanda Miller; "Architecture and Limits II," "Introduction," by Bernard Tschumi, "Collisions," by Raimund Abraham, "Transformations, Decompositions and Critiques," by Peter Eisenman, "Intimations of Tactility: Excerpts From a Fragmentary Polemic," by Kenneth Frampton; "Words and Pictures: Notes on Alexander Pope and William Carlos Williams," by John Bernard Myers; "Public Sculpture: The Pursuit of the Pleasurable and Profitable Paradise," by Kate Linker; "Kes Zapkus' Modern Warfare," by Ted Castle; "Pastiche/Prototype/Purity: 'Houses for Sale,'" by Hal Foster. ... [details]
Issue edited by Ingrid Sischy. "On Gregory Battcock," by Douglas Davis; "Dorothea Rockburne's 'Egyptian Paintings,'" by Kenneth Baker; "Last Call at Max's," by Bruce Kurtz; "Not All Chairs Are Equal," by John Perreault; "From Walker Evans to Robert Frank: A Legacy Received, Embraced and Transformed," by Tod Papageorge; "Signs," by Dan Graham; "Facing Paint: Michael Tetherow's Recent Work," by Klaus Kertess; "Cold Turkey: 'A New Spirit in Painting' at the Royal Academy of Arts, London," by Stuart Morgan; "Curatorial Conceptions; The Hirshhorn: Danger, Curves Ahead; The Whitney's Latest Sampler; The Guggenheim: Singular Pluralism," by Carrie Rickey. ... [details]
Issue edited by Ingrid Sischy. Essays "Post-Performance," by Douglas Davis; "Last Exit: Painting," by Thomas Lawson; "Paul Thek: Real Misunderstanding," by Richard Flood; "Painting Metaphorically: The Recent Work of Gary Stephan, Stephen Mueller, and Bill Jensen," by Klaus Kertess; "A Project," by Sol LeWitt; "Cashing in a Wolf Ticket (Activist Art and Fort Apache: The Bronx)," by Jerry Kearns and Lucy R. ... [details]
Issue edited by Ingrid Sischy. Essays "Public Sculpture II: Provisions for the Paradise," by Kate Linker; "Personal Sensibilities in Public Places," by John Beardsley; "Alexandra Exter's Designs for the Theater," by Ronny H. ... [details]
Issue edited by Ingrid Sischy. Essays "Tony Cragg and Industrial Platonism," by Germano Celant; "The New (?) Expressionism: Art as Damaged Goods," by Donald Kuspit; "A Project," by A.R. Penck; "Surrendering to Presence: Robert Irwin's Esthetic Integration," by Melinda Wortz; "Of Mice and Folly in 'The Garden of Delights,'" by Nicolas Calas; "Books: Kelly Wise on 'Slave to Beauty,'" by Kelly Wise; Books: Charles Hagen on 'Photodiscovery,'" by Charles Hagen; "Max Kozloff on 'Nicaragua,' 'Falkland Road,' and 'Rajasthan,'" by Max Kozloff. ... [details]