Large-scale compendium of artists' writings edited by Kristine Stiles and Peter Selz. Artists include Jackson Pollock, Mark Rothko, Robert Motherwell, Helen Frankenthaler, Joan Mitchell, Louise Bourgeois, Alfred H. ... [details]
May 1976 issue of Artforum, edited by John Coplans. Contents include: "Chris Burden," by Robert Horvitz; "Carol Andre: Art Versus Talk," by Jeff Perrone; "Carl Andre: Art Versus Talk," by Jeff Perone; "Marcel Broodthaers' Throw of the Dice," by Nicholas Calas; "Frida Kahlo: Her Life, Her Art," by Hayden Herrera; "Non-Theatrical Performance," by Allan Kaprow; "Nancy Spero," by Lawrence Alloway; "Drawing the Line," by Nancy Foote; "The Ideal and the Literal Sublime," by Sidney Tillim. ... [details]
September 1971 Special Film Issue of Artforum, edited by Philip Leider. Contents include: "Foreword in Three Letters," by Peter Gidal, Annette Michelson, Jonas Mekas; "For a Metahistory of Film: Commonplace Notes and Hypothese," by Hollis Frampton; "'True Patriot Love': The Films of Joyce Wieland," by Regina Cornwell; "'Zorns Lemma'," by Wanda Bershen; "'Tom, Tom, the Piper's Son"; by Lois Mendelson and Bill Simon, "A Cinematic Atopia," by Robert Smithson; "Paul Sharits: Illusion and Object," by Regina Cornwell; "Passage," by Michael Snow; "Statements," by Richard Serra; "Paul Revere," by Joan Jonas and Richard Serra; "The Films of Man Ray and Moholy-Nagy," by Barbara Rose; "The Calisthenics of Vision: Open Instructions on the Films of George Landow," by Paul Arthur; "On Negative Space," by Max Kozloff; and "'The Chelsea Girls,'" by Stephen Koch. ... [details]
Exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, Cambridge, MA, March 4 - July 16, 2007, organized by Cornelia H. Butler and Lisa Gabrielle Mark. "There had never been art like the art produced by women artists in the 1970s--and there has never been a book with the ambition and scope of this one about that groundbreaking era. ... [details]
1981 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "Editor's Notes," by Linda Burnham; "Plimtonization," MO David; "Skit in Defense of Poetry," by Michael Andre; "Stephen Seemayer's 'Young Turks,'" review by Hunter Drohojowska; "Still Missing After All These Years? A Response to L. ... [details]
1979 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "Chris Burden: 'The Curse of Big Job,' 'Interviewed by Jim Moisan,' 'Coals to Newcastle;'" "Gina Pane," interviewed by Barbara T. ... [details]
August-September 1975 issue of Journal, edited by Peter Clothier. Contents include: "Editorial Comment," by Peter Clothier; "'We the People,' a Proposal," by Joyce Shaw; "Thoughts Toward Two Art Pieces," by David MacDermott; "Up from the Hole," by Tom Edwards; "Cast Aspersions," by Tim Spain; "Libra Piece," by David Antin; "Of What Use Are They: Women in Industry," by Barbara T. ... [details]
Winter 1980/1981 issue of the quarterly periodical Cover, edited by Judith Aminoff. Contents include: "The Heart of the Pigeon," by Henry Korn; "Conversation," a conversation between Marcia Hafif, Olivier Mosset, Howard Smith, and Jerry Zeniuk; "Currents," artwork by Christian Poveda, Shirly Pu & R. ... [details]
Issue 1 of 125 Newbury Free Press, published in conjunction with the inaugeral exhibition, "Wild Strawberries," held at 125 Newbury, New York, September 30 - November 19, 2022. Edited by Oliver Schultz. ... [details]
March 1974 issue of Studio International with cover specially designed for this issue by Roger Hilton. Edited by Peter Townsend. Contents include: "XII Bienal de São Paulo: a prototype for vaudeville," by Regina Cornwell; "L'Exposition des Impressionnistes," by Louis Leroy; "Correspondence;" "No isms in Hungary," by Anik Cs. ... [details]