Fall 1992 issue of October, edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, and John Rajchman. Contents include: "Aesthetics and Anaesthetics: Walter Benjamin's Artwork Essay Reconsidered," by Susan Buck-Morss; "Ernst Jünger and the Transformed World," by Brigitte Werneburg; "Spiritual Reactionaries After German Reunification: Syberberg, Foucault, and Others," by Diedrich Diederichsen; "Kiefer in Berlin," by Andreas Huyssen; "Painting Negation: Gerhard Richter's Negatives," by Peter Osborne; "Moments of Interpretation," by Desa Philippi; "Hand-Made Photographs and Homeless Representation," by Thomas Crow; and "The Richter-Scale of Blur," by Gertrud Koch. [details]
Autumn 1986 issue of Real Life Magazine, edited by Thomas Lawson. Contents include: "David Hammons," interviewed by Kellie Jones; "Swiss Family Robbins," by John Miller; "Geography Notes: A Survey," by Gregg Bordowitz; "Context - Come Together Textere - To Weave," by Jaime Davidovich; "Pluralism as the Accommodation of Style," by Robert C. ... [details]
February 1988 issue of Artforum, edited by Ingrid Sischy. Includes the following artists in conversation with Thomas McEvilley, Lucas Samaras, and Ingrid Sischy: Arthur Danto, Peter Schjeldahl, C. Carr, Robert Rosenblum, Gary Indiana, Jack Burnham, Roberta Smith, Glenn O'Brien, Thomas Lawson, Bernard Tschumi, Rosetta Brooks, Sidney Geist, Ben Lifson, Brian O'Doherty, Donald Kuspit, Guerrilla Girls, Carter Ratcliff, Kay Larson, Germano Celant, Thomas McEvilley, and Lucas Samaras. ... [details]
March 1987 issue of Artforum, edited by Ingrid Sischy. Contents include: "The Opposite of Emptiness: On the Spirit in Art," by Thomas McEvilley; "Excuse Me Madame But It Seems To Me Unless I'm Mistaken That I've Met You Somewhere Before: A Conversation with Eugène Ionesco," by Sanda Miller; "Nine Beatitudes on Eight Pages: After 'Four Saints in Three Acts,' Another Act, with Pictures," by Ingrid Sischy; "Hans Haacke's Corporate Muse: 'Unfinished Business,'" by Jean Fisher; "The Sleeping Beauty in the Castle of Modern Art: A Slumberer Stirs," by Ida Panicelli; "Louise Bourgeois: Where Angels Fear to Tread, A Profile in Courage," by Donald Kuspit; "Museum Piece: Rain. ... [details]
May 1988 issue of Artforum, edited by Ida Panicelli. Contents include: "Ground Up," Herbert Muschamp on Architecture; "Special Effects," Carol Squiers on the News and It's Pictures; "Marginalia," Thomas McEvilley on Son of Sublime; "Believe it or Not," J. ... [details]
September 1987 issue edited by Ingrid Sischy. Essays "The Tale That Wags the Dog: Documenta 8. A Bite Before the Show"; "What Was that Masked Museum? The Mind's Construction in the Face. Gaetano Pesce," by Germano Celant; "Hugo: Ink into Ocean," by Donald Kuspit; "A Foundry of the Figure: Antonin Artaud, To be Somebody," by Stephen Barber; "Nuclear Towers Town & Country: A Project for Artforum," by Ilona Granet; "An Encounter with a Secret: The Sculpture of Susana Solano," by Gloria Moure; "Untitled Drawings: A Project for Artforum," by William Bailey; "The Critics' Way: Sculpture Goes to Town," by Donald Kuspit, Max Wechsler, Dan Cameron, Pier Luigi Tazzi, and Ingrid Rein, with photography by Shigeo Anzai; "Icons at Large: Icontact," by Lisa Liebmann; "Like Art: Amaretto di Ollie," by Glenn O'Brien; "Believe it or Not: Comrades in People," by J. ... [details]
Inaugural issue of Boxcar: A Magazine of the Arts, edited by Paul Vangelisti. Contributors include : Gretchen Lanes, Keisho Okayama, Roger Herman, Charles Garabedian, Llyn Foulkes, Richard Diebenkorn, Peter Liashkov, Tony Berlant, John Lees, Robert Kelly, John Thomas, Michael Palmer, Lyn Hejinian, Paul Vangelisti, Ron Silliman, Holly Prado, Bruce Fier, Paul Forte, Robert Crosson, Charles Bernstein, Clark Coolidge, John Yau, Jed Rasula, Dennis Phillips, Marina La Palma, Barbara Einzig, Martha Lifson, Peter Levitt, Robert Trammell, David Searcy, George Herms, Jeffrey Vallance, Michael C. ... [details]
The Museum of Modern Art Bulletin documenting MoMA's 25th Anniversary Exhibition "Paintings From Private Collections with Six Important Gifts." Introduction by Alfred H. Barr Jr. "Six Important Gifts" includes works by Paul Cezanne (from David Rockefeller), Henri Matisse (from Mr. ... [details]
Issue edited by Bice Curiger. Essays "Vija Celmins," by Sheena Wagstaff; "Larry Clark: What Is This?," by Jim Lewis; "Working With Success - Working With Unsuccess," by Rudolf Bumiller; "Imi Knoebel and Grace Kelly: The High," by Rainer Crone / David Moos; "Imi Knoebel First Impressions," by Lisa Liebmann; "The Transgressions of Sherrie Levine," by Daniela Salvioni; "Presence Withdrawn," by Erich Franz; "Looking After Sherrie Levine," by Howard Singerman; "Making Work And Turning York Back On It: Bethan Huws," by Liam Gillick; "The Work of Art as the Ideal Center for Human Beings Walter De Maria's the 2000 Sculpture," by Thomas Kellein; "Les Infos Du Paradis," by International Time Capsule Society; "Cumulus From America," by Ralph Rugoff; "Cumulus Aus Europa," by Robert Fleck; "Balkon," by Jeanne Silverthorne. ... [details]
Issue edited by Bice Curiger. Essays "William Forsythe: Where Balance is Lost and the Unfinished Begins," by Heidi Gilpin; "Geoff Lowe and Tower Hill," by Robyn McKenzie; "Matthew Barney's Gonadotrophic Cavalcade," by Norman Bryson; "Mannerist Variations on Matthew Barney," by Michel Onfray; "Matthew Barney and Beyond," by Keith Seward; "Matthew Barney 95: Suspension, Secretion, Secret," by Thyrza Nichols Goodeve; "She Gives as Good as She Gets," by Jerry Saltz; "Where Does It All End?," "A Conversation with Sarah Lucas," by Jan van Adrichem; "The Fine Line Between This and That," by Collier Schorr; "Bollocks," by Carl Freedman; "Roman Signer: Prometheus's Delay," by Jean-Yves Jouannais; "Roman Signer's Sculptural Events," by Konrad Bitterli; "Sculptural Laboratory Experiments," by Christoph Doswald; "Rupture or Continuity," by Pia Viewing; "Action With a Fuse: Modifying the Denotation of Detonation," by Max Wechsler; "In Sachen Roman Signer," by Colin Deland; "It's Not Just an Image," by Michael Tarantino; "Cumulus Europa," by Thomas McEvilley; "Cumulus from America," by Neville Wakefield; "Garderobe," by unattributed artists. ... [details]