September 1987 issue edited by Ingrid Sischy. Essays "The Tale That Wags the Dog: Documenta 8. A Bite Before the Show"; "What Was that Masked Museum? The Mind's Construction in the Face. Gaetano Pesce," by Germano Celant; "Hugo: Ink into Ocean," by Donald Kuspit; "A Foundry of the Figure: Antonin Artaud, To be Somebody," by Stephen Barber; "Nuclear Towers Town & Country: A Project for Artforum," by Ilona Granet; "An Encounter with a Secret: The Sculpture of Susana Solano," by Gloria Moure; "Untitled Drawings: A Project for Artforum," by William Bailey; "The Critics' Way: Sculpture Goes to Town," by Donald Kuspit, Max Wechsler, Dan Cameron, Pier Luigi Tazzi, and Ingrid Rein, with photography by Shigeo Anzai; "Icons at Large: Icontact," by Lisa Liebmann; "Like Art: Amaretto di Ollie," by Glenn O'Brien; "Believe it or Not: Comrades in People," by J. ... [details]
July 1988 issue of Art in America, edited by Elizabeth C. Baker. Contents include: "The Marriage of Art and Money," by Carter Ratcliff; "Interviews: 13 Dealers Talk," Leo Castelli, Ivan Karp, Paula Cooper, Lawrence Rubin, Phyllis Kind, Irving Blum, Bess Cutler, Larry Gagosian, Diane Brown, Joe Helman, Douglas Baxter, Holly Solomon, Richard Flood; "Pricing New York Galleries," by Dwight V. ... [details]
January 1972 issue of Artforum, edited by John Coplans. Contents include: "On Albers' Color," by Margit Rowell; "A Note on Dan Flavin," by Kenneth Baker; "A Better World in Birth," by Joseph Masheck; "Chuck Ginnever," by Kenneth Baker; "Boston Painting 1880-1930," by Jerrold Lanes; "Cork: Irish Painting in the 19th Century," by John Elderfield; "New Work of Helen Frankenthaler," by Kermit S. ... [details]
Catalogue for a juried exhibition curated by scientists conceived by Art & Technology guru Billy Klüver. Organized by Experiments in Art and Technology in conjunction with the Brooklyn Museum and The Museum of Modern Art, a call for submissions was placed in the New York Times on November 12, 1967 [reproduced in this catalogue] the show drew budding technologists / artists with the chosen work ultimately exhibited at the Museum. ... [details]
Critical anthology of writings on environmental art, edited and with an introduction by Alan Sonfist. Essays by Joshua C. Taylor, Carol Hall, Mark Rosenthal, Elizabeth C. Baker, Jeffrey Deitch, Michael Auping, Jack Burnham, Lawrence Alloway, Jonathan Carpenter, Pierre Restany, Donald B. ... [details]
Two volume exhibition catalogue published in conjunction with show held November 6, 1999 - March 26, 2000. Essays by Richard Armstrong, Madeleine Grynsztejn, Jonathan Crary, Jean Fisher, Saskia Sassen, Slavoj Žižek, and Alyson Baker. ... [details]
Exhibition catalogue published in conjunction with show held March 13 - September 26, 2005. Curated by Klaus Biesenbach, Alanna Heiss, Glenn Lowry, Bob Nickas, Amy Smith-Stewart and Ann Temkin. Introduction and text by Klaus Biesenbach. ... [details]
Exhibition catalogue published in conjunction with show held June 12 - August 19, 1972. Designed by The Institute for Architecture and Urban Studies for The New York State Urban Development Corporation. ... [details]
Monograph on the artwork of Marjorie Welish, Edited by Aaron Levy and Jean-Michel Rabaté. Introduction by Aaron Levy. Additional texts by Kenneth Baker, Norma Cole, Carla Harryman, Gans & Jelacic Architecture and Design, Olivier Gourvil, Ron Janssen, Joseph Masheck, Bob Perelman, Frances Richard, Osvaldo Romberg, Keith Tuma, Chris Tysh, and Thomas Zummer. ... [details]
Program for series of performances staged at the Judson Memorial Church on May 22, 23, 24, 26, 27, 28 and June 3, 4, 5, 1966. Program included "Patter for Soft-Shoe Dance" by George Dennision with music by Al Carmines and choreography by Remy Charlip; "March" choreographed and danced by Jame Waring; The Mind is a Muscle" by Yvonne Rainer; "Tambourine Dance" by Waring; "Home Movies" by Rosalyn Drexler with music by Carmines and directed by Lawrence Kornfeld and paintings by Jon Hendricks; "Promenade" by Maria Irene Fornes with music by Barmines and directed by Kornfeld; "Morning Raga with Yellow Chair" choreographed and danced by Arlene Rothlein; "April and December" choreographed by Charlip and danced by Aileen Passloff; "What Happened" by Gertrude Stein with music by Carmines, directed by Kornfled and performed by Joan Baker, Lucinda Childs, Passloff, Rainer, Rothlein, Carmines, Hunt Cole, Masato Kawasaki and Burton Supree with set by Geoffrey Hendricks; "Pomegranada" by H. ... [details]
