Exhibition catalogue and series of letters to young women artists published in conjunction with the Feminist Art Festival at the California Institute of the Arts, Valencia, 1974. Edited by Miriam Schapiro, Sherry Brody, Molly Rhodes, and Lelia Amalfitano. ... [details]
Large-scale survey publication of "New Art," published in 1984. Edited by Phyllis Freeman, Eric Himmel, Edith Pavese, and Anne Yarowsky. Artists include: Vito Acconci, John Ahearn, Laurie Anderson, Giovanni Anselmo, Richard Artschwager, Alice Aycock, Luis Cruz Azaceta, Jennifer Bartlett, Georg Baselitz, Jean Michel Basquiat, Lynda Benglis, James Biederman, Jonathan Borofsky, Richard Bosman, Troy Brauntuch, James Brown, Roger Brown, Chris Burden, Johnathan Burke, Scott Burton, Deborah Butterfield, Louia Chase, Sandro Chia, Christo, Francesco Clemente, Tony Cragg, Enzo Cucchi, Agnes Denes, David Deutsch, Martha Diamond, Martin Disler, John Duff, Cynthia Eardley, Jonathan Ellis, Jackie Ferrara, Eric Fischl, Janet Fish, Luis Frangella, Jane Freilicher, Jedd Garet, Gérard Garouste, Gilbert & George, Gregory Gillespie, Nancy Graves, Rodney Alan Greenblat, Jan Groover, Dieter Hacker, Richard Hambleton, Keith Haring, Howard Hodgkin, Jenny Holzer, Bryan Hunt, Jörg Immendorff, Neil Jenney, Bill Jensen, Steven Keister, Anselm Kiefer, Ken Kiff, Komar and Melamid, Barbara Kruger, Stephen Lack, Lois Lane, Christopher le Brun, Richard Long, Robert Longo, Markus Lüpertz, Robert Mapplethorpe, Michael Mazur, Mario Merz, Melissa Miller, Mary Miss, Malcom Morley, Robert Moskowitz, Elizabeth Murray, Paul Narkiewicz, Nic Nicosia, Jim Nutt, Tom Otterness, Mimmo Paladino, Ed Paschke, A. ... [details]
Exhibition catalogue published in conjunction with show held March 2 - May 12, 2008. Curated by Ann Temkin. Essays by Ann Temkin, Briony Fer, Melissa Ho, and Nora Lawrence. Artists include Marcel Duchamp, Ellsworth Kelly, Yves Klein, Francois Morellet, Robert Rauschenberg, Jasper Johns, Andy Warhol, Frank Stella, Jim Dine, John Chamberlain, Giulio Paolini, Gerhard Richter, Blinky Palermo, On Kawara, Alighiero Boetti, Daniel Buren, Niele Toroni, Bruce Nauman, Dan Graham, Ed Ruscha, Sol LeWitt, Jennifer Bartlett, Richard Serra, Lawrence Weiner, André Cadere, Bas Jan Ader, Jan Dibbets, John Baldessari, Dan Flavin, Donald Judd, David Batchelor, Carrie Mae Weems, Byron Kim, Katharina Fritsch, Mike Kelley, Christopher Williams, Sherrie Levine, Damien Hirst, Liz Deschenes, Walid Raad, Jim Lambie, Angela Bulloch, and Cory Arcangel. [details]
Heresies issue on women and violence. Essays "Pink Victory," by Sharon Thompson; "The Vicki Tapes," by Martine Barrat; "August 2nd," by Lou McDonald; "With No Immediate Cause," by Ntozake Shange; "The Evolution of a Violent Act," by Paula Grey; "Politics of Rape in Primitive Society," by Paula Webster; "Dialogue with a Rapist," by Batya Weinbaum; "Dialogue with the Author," by Claire Pajaczkowska and Batya Weinbaum; "Codex Artaud XVII," by Nancy Spero; "Happy New Year: An Album of Violence (Excerpt)," by Stephanie Oursler; "The Pleasure Outing," by Anita Page; "The Violence of Power: The Genital Mutilation of Females," by Fran P. ... [details]
Issue edited by Ida Panicelli. Essays "Expertise: Neil Smith on Making M/other Nature," by Neil Smith; "The Cave: Greg Tate on 'Looking for Langston,'" by Greg Tate; "Books: Mira Schor on Remedios Varo," by Mira Schor; "Exits and Entrances: Peter Stellars on Opera," by Peter Stellars; "Troubleshooters: David Sternbach on the Trials of Men," by David Sternbach; "Special Effects: Carol Squiers on the New Racism," by Carol Squiers; "Lili Dujourie's Image and Afterimages," by Michael Tarantino; "We Eat We Are Eaten: A Project for Artforum," by David Byrne; "A Systematic Bewildering: The Art of John Baldessari," by Colin Gardner; "On Gérôme, Bouguereau, Ingres, and 'They Died with their Boots on: Notes from a Journal," by Sidney Tillim; "Stages of Strehler," by Maria Nadotti; "The Word Unspoken," by Pat Steir; "Critical Reflections," by Bice Curiger; "Narrative Art: Twelve Artists on the Year's Books," by Papo Colo, Jessica Diamond, Braco Dimitrijevic, Michele Oka Doner, Candida Höfer, Cristina Iglésias, Alfredo Jarr, Robert Kushner, Hirsch Perlman, Lucio Pozzi, Stephen Prina, Nancy Spero. ... [details]
Exhibition catalogue published in conjunction with show held at the American Pavilion at the 41st Venice Biennale, Italy, June 10 - September 30, 1984. Text by Marcia Tucker. Artists included in the exhibition are Richard Bosman, Roger Brown, Louisa Chase, Janet Cooling, Peter Dean, Reverend Howard Finster, Eric Fischl, Charles Garabedian, Jedd Garet, April Gornik, George Thurman Green, Barbara Kassel, Cheryl Laemmle, Robert Levers, Judith Linhares, John Mendelsohn, Melissa Miller, Ronald Morosan, Lee N. ... [details]
Exhibition catalogue published in conjunction with show held at the Museum of Fine Arts, Houston, Texas, 1985. Text by Barbara Rose and Susie Kalil. Artists included are John Alexander, Kelly Alison, Malinda Beeman, James Bettison, John Biggers, Derek Boshier, Jack Boynton, Joanne Brigham, Bob Camblin, Margarita Rivera Cantu, Patrick Cronin, Atanacio Davila, Jeff DeLude, Chuck Dugan, Ibsen Espada, Andy Feehan, Luis Fernando Garza, Joseph Glasco, Dorothy Hood, Ron Hoover, Perry House, Jimmy Jalapeeno, Lucas Johnson, Jimmy Kellough, Sharon Kopriva, Craig Lesser, Bert Long, Bert Luna, Robert McCoy, Melissa Miller, Kermit Oliver, Jim Poag, Basilios Poulos, Jim Robertson, Laura Russell, Bert Samples, Charles Schorre, Gael Stack, Earl Staley, Sara Stites, Richard Stout, Richard Thompson, Robin Utterback, and Dick Wray. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Issue edited by Ida Panicelli. Essays "Object," Alessandro Mendini on Design; "Like Art," Glenn O'Brien on Advertising; "Ground Up," Herbert Muschamp on Architecture; "Here, There & Otherwise," John Welchman on Elsewhere; "Curies' Children," Vilem Flusser on Discovery; "Between the Lines," Dan Cameron on Criticism; "Books," Melissa Harris on Dance and Photography; "Working Watteau," by Mike Glier; "Body Building," by Mario Pisani; "Vanishing Act: Philippe Thomas," by Claudia Hart; "Borrowed Shoes," Suzanne Bloom and Ed Hill; "Diffusions: A Project for Artforum," by Susan Rothenberg; "The History of X," by Mary Josephson; "Under the Singing Eucalyptus Tree. ... [details]
Issue edited by Ida Panicelli. Essays "Like Art," Glenn O'Brien on Advertising; "The Cave," Vera Dika on Film; "Exits and Entrance," Melissa Harris on Dancing in the Streets; "Special Effects," Carol Squiers on the News and Its Pictures; "Here There & Otherwise," John Welchman on Elsewhere; "Books," Max Wechsler on Sigmar Polke - Zeichnungen 1963 - 1969; "In Living Chaos: Joan Mitchell," by Bill Berkson; "Koudelka's Theater of Exile," by Max Kozloff; "Signs of the Cross," by Claudia Hart; "Fautrier: Through Paint, Alone," by Siegfried Gohr; "What Becomes of the Brokenhearted," by Maria Nadotti; "Venezia 23: Unter den Linden," by Alessandra Mammi; "The Four-Corners Game," by Daniel Soutif; "Said the Spider to the Fly," by Luciana Rogozinsky; "Dear Harry. ... [details]