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100 New York Painters
  • critical theory
  • paper boards with dust jacket
  • offset-printed
  • sewn bound
  • color
  • 29 x 22 cm.
  • 224 pp.
  • edition size unknown
  • unsigned and unnumbered
  • ISBN 0764325434

100 New York Painters

Cynthia Maris Dantzic, Kelynn Zatarain Adler, Emma Amos, Arthur Anderson, Lennart Anderson, Benny Andrews, Richard Anuszkiewicz, Steven Assael, Donald Becher, Richard Baker, Will Barnett, Jack Beal, Miriam Beerman, Leigh Behnke, Siri Berg, Robert Birmelin, Jane Bolmeier, Richmond Burton, Charles Cajori, Virginia Hoyt Cantarella, Nicolas Carone, Bernard Chaet, Ellen Cibula, Ed Clark, Marcia Clark, Chuck Close, Lisa Callado, Arthur Coppedge, Judy Cutler, Lisa Corinne Davis, Francks Francios Deceus, Dorothy Deon, Harvey Dinnerstein, Rachel Dinnerstein, Simon Dinnerstein, Marylyn Dintenfass, Lois Dodd, Martha Mayer Erlebacher, Richard Estes, Paul Fabozzi, David Ferrando, Eric Fischl, Janet Fish, Louise Fishman, Audrey Flack, Helen Frankenthaler, Sondra Freckelton, Jane Freilicher, Sonia Gechtoff, Bob Goodnough, Cheryl Gross, Sue Ferguson Gussow, Mary Hambleton, Glen Hansen, Esther Hyneman, Yvonne Jacquette, Valerie Jaudon, Cecily Kahn, Wolf Kahn, Alex Katz, Barbara Kulicke, Marion Lerner-Levine, Jack Levine, Dik Liu, Vincent Longo, Robert Mangold, Helene K. Manzo, Anthony Martino, Emily Mason, Richard Mayhew, Mary Beth McKenzie, Lee Anne Miller, Don Nice, Doug Ohlson, Philip Pearlstein, Tracy Phillips, Howardena Pindell, Stephanie Rauschenbusch, Catherine Redmond, Paul Resika, Robert Richenburg, Faith Ringgold, Marie Roberts, Dorothea Rockburne, Shunji Sakuyama, William Scharf, Laura Schiavina, Johan Sellenrad, Kendall Shaw, Susan Sills, Pat Steir, Posoon Park Sung, Robert Swain, Barbara Takenaga, Bob Tomlinson, George Tooker, Vivian Tsao, Audrey Ushenko, Gian Berto Vanni, Ella Yang, Darryl Zudeck

Critical theory by Cynthia Maris Dantzic, "...an extensive review of New York painters and their widely diverse works. It presents an overview of styles, mediums, subjects, even philosophies of art found in galleries, museums, and artists' studios of present-day New York, the oft-acknowledged Art Capital of the contemporary world. ... [details]

October
  • periodical
  • wrappers
  • offset-printed
  • glue bound
  • black-and-white
  • 23.1 x 18.1 cm.
  • 216 pp.
  • edition size unknown
  • unsigned and unnumbered
  • ISBN 0262751968

October

Alexander Kluge: Theoretical Writings, Stories, and an Interview / No. 46 (Fall 1988)

Stuart Liebman, Oskar Negt, Alexander Kluge, Edgar Reitz, Wilfried Reinke, Andreas Huyssen, Heide Schlüpmann, Fredric Jameson, Miriam Hansen

Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, and Annette Michelson. Essays "Why Kluge?," by Stuart Liebman; "On New German Cinema, Art, Enlightenment, and the Public Sphere: An Interview with Alexander Kluge," by Stuart Liebman; "The Public Sphere and Experience: Selections," by Oskar Negt and Alexander Kluge; "Word and Film," by Edgar Reitz, Alexander Kluge, and Wilfried Reinke; "Why Should Film and Television Cooperate? Selections from New Stories, Notebooks 1 - 18: "The Uncanniness of Time," by Alexander Kluge; "An Analytic Storyteller in the Course of Time," by Andreas Huyssen; " "What is Different is Good": Women and Femininity in the Films of Alexander Kluge," by Heide Schlüpmann; "On Negt and Kluge," by Fredric Jameson; "Reinventing the Nickelodeon: Notes on Kluge and Early Cinema Alexander Kluge: Filmography," by Miriam Hansen; "Alexander Kluge: Selected Videography," "Alexander Kluge: Selected Publications in Chronological Order," "Selected Bibliography of Writings About About Alexander Kluge," "Acknowledgements," by Stuart Liebman. [details]

Cambridge, MA : MIT Press, 1988
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