Issue edited by Bice Curiger. Essays "Interview Sigmar Polke," by Bice Curiger; "Modernism And Günther Förg's Photographs," by John Caldwell; "At The Crossroads Of Disciplines," by Catherine Queloz; "We Are Not Afraid / An Impossible Comparison," by Wilfried Dickhoff; "Philip Taaffe: History Is In The Making," by Jeff Perrone; "A Propos Philip Taaffe," by Edmund White; "Fragment On Ornament," by Francesco Pellizzi; "Philip Of Naples And The Evocative Geometry Of History," by G. ... [details]
Issue edited by Bice Curiger. Essays "Jana Sterbak: Chaos and Self-Creation," by Richard Noble; "Max Neuhaus: Invisible sculpture-molded sound," by Doris von Drathen; "Three Impromptus on the Art of Gerhard Richter," by Jean-Pierre Criqui; "Endless Finalities," by Peter Gidal; "The tragic desire," by Birgit Pelzer; "Sequence of Time," by Gertrud Koch; "Richter in Tahiti," by Dave Hickey; "Lèche Vitrine," by Peter Fleissig; "Dieter Roth: Garbage Clarified," by Patrick Frey; "Meyer Vaisman flips the bird," by Trevor Fairbrother; "Les Infos Du Paradis," by Roselee Goldberg; "Cumulus From America," by Paul Taylor; "Cumulus Aus Europa," by Hans Rudolf Reust; "Balkon," by Claudia Gould. ... [details]
Issue number 40 of Galeries Magazine, edited by Florette Camard. Contents include: "Bajo el Volcàn," by Remo Guidieri; "La Page de Ben;" "Telegrammes," by Brigitte Cornand; "Auction News," by Jérôme Saglio; "L'intuition du Rouge," by Alain Bonfand; "Jean Prouvé," by Dominique Clayssen; "Ancêtres et Trophées," by Patrice Godin; "Ken Lum," by Jean-François Chevrier; "Gary Hill," by Jacinto Lageira and Christine van Assche; "Mind Over Matter," by Kay Larson; "Franz Graf," by Robert Fleck; "Hélène Delprat," by Pierre Courcelles; "Didier Vermeiren," by René Denizot; "Richard Long," by Roger Bevan; "Jean Baudrillard & Enrico Baj;" "Ulrich Loock,' by René Denizot; "Mary Boone," by Frederic Tuten; "Peter Fleissig," by Matthew Collings; "Vertigo - H. ... [details]
Exhibition catalogue published in conjunction with show held October 14 - November 6, 1999. Texts by Jeffrey Deitch and Peter Fleissig. Pages fold out to full color images. [details]