Issue edited by Joseph Masheck. Essay "Alexander Rodchenko: The Simple and the Commonplace," by Hugh Adams; "The Photomontages of José Renau," by Carole Naggar; "Franz Kline's Color Abstractions: Remembering and Looking Afresh," by Budd Hopkins; "Michael Goldberg's New Paintings," by John Johnston; "Angela Jansen, Printmaker," by Francine Tyler; "Seven Artists of Israel," by Steven Kasher; "Oliver Lee Jackson: Forms that Feeling Takes," by Regina Hackett; "Planar Constructions and the Planar Dimension," by Erik Saxon; "Books: 'The Third Mind,'" by Nicolas Calas. ... [details]
Issue edited by Joseph Masheck. Essays "Two Critics: Thomas B. Hess and Harold Rosenberg," by Donald B. Kuspit; "Beginning Again," by Marcia Hafif; "Chicago's Emotional Realists," by Joanna Frueh; "William Baziotes: Primeval Sentiment," by Peter Plagens; "Death and Maternal Love: Psychological Speculations on Robert Motherwell's Art," by Jonathan Fineberg; "Composite Imagery and the Origins of Photomontage, Part I: The Naturalistic Strain," by Robert A. ... [details]
Issue edited by Joseph Masheck. Essays "Mark Cohen: Recognized Moments," by Carol Squiers; "The Substance of Paper," by Steven Kasher; "Background of a Minimalist: Carl Andre," by Phyllis Tuchman; "The Expressionist Cézanne," by Donald E. ... [details]
Issue edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, John Rajchman. Essays "Postscript on the Societies of Control," by Gilles Deleuze; "Marcel Duchamp's 'Monte Carlo Bond Machine,'" by David Joselit; "Oedipus Exploded: Pasolini and the Myth of Modernization," by Cesare Casarino; "The Art of Hitler," by Steven Kasher; "The Curse of the Pharaoh, or How Cinema Contracted Egyptomania," by Antonia Lant. ... [details]
