Issue edited by Ingrid Sischy. Essays "On Location: Balancing Bigger and Smaller, Alberto Burri's Studio," by Ida Panicelli; "Modern Life: Close Encounters with Unidentified Flying Zeitgeists," by Carter Ratcliff; "Turned Out: Biology 101 invades Art History 407. The Canary Graduates, with Flying Colors," by William Wilson; "Remote Control: Private Eyes and their Parts. Prime-time Sex Crimes," by Barbara Kruger; "Like Art: Smoke Signals," by Glenn O'Brien; "Speaker to Speaker: The Substance of Nobody's Voice," by Greil Marcus; "Object. Kohei Sugiura: Contemporary Offerings to the Shrine of the Book," by Seigow Matsuoka; "Books: An Afterword to 'Inside the White Cube,'" by Brian O'Doherty; "Standing in the Shadow: Crisscrossing Culture's Compass, the Art and Ideas of Tatsumi Hijikata, William Klein, Daido Moriyama, Min Tanaka, and Shuji Terayama Draw an Other Map," by Mark Holborn; "Ronald Bladen from X to Now: Light-Struck Sculpture," by Ronny Cohen; "Dreaming Awake: Albert Hien's Upside-Down World," by Annelie Pohlen; "The Colors of Dirt: How Lovis Corinth's Painting, Unclassifiable in its Time, Matters Today," by Klaus Fussmann; "The Readymade and the Tube of Paint: Marcel Duchamp, Still Unraveling," by Thierry de Duve; "On the Riverbank: Project for Artforum," by Salvo with a note by Lisa Licitra Ponti; "Of Art and Language: The Museum and the Harrowing Machine," by Donald Kuspit; "Hic Jacet Beuys: Fat, a Knapsack, Felt; the Hareskin Coat, the Cymbals. Artifacts of Life," by Thomas McEvilley. Reviews by Donald Kuspit, Ronny Cohen, Thomas McEvilley, John Yau, Ida Panicelli, Annelie Pohlen, Carlo McCormick, Jeanne Silverthorne, Jean Fisher, John Yau, Patricia C. Phillips, Suzaan Boettger, John Howell, Bill Berkson, Kenneth Baker, Colin Gardner, Susan Freudenheim, Ed Hill, Suzanne Bloom, Mason Riddle, Colin Westerbeck, Pier Luigi Tazzi, Max Wechsler, Wolfgang Max Faust, Paul Groot, and Barbara Maestri. Cover: David McDermott and Peter McGough.