Two sided postcard / announcement published in conjunction with show held November 21 - December 20, 1969. [details]
Publication produced in conjunction with Graham's Performance 1 (Live) which was presented at the Art Students' Association at NYU on December 14, 1970. Includes writings by Graham on pieces such as "("Like")," "Lax/Relax," "Dean Martin / Entertainment as Theatre" and "Country Trip. ... [details]
Artist's book composed of Kippenberger scribbles. [details]
Exhibition announcement / invitation published in conjunction with the opening preview of the exhibition "Marcel Duchamp," held April 6 - May 2, 1959. Accordion folded with each leaf printed with a letter of Marcel Duchamp's name in faded multicolor. ... [details]
First edition of Hunter S. Thompson's book about the Hell's Angels which he wrote after a year of embedded research with the group. [details]
A biography on Clement Greenberg written by Alice Goldfarb Marquis. [details]
A stellar biography of one the great lost treasures of New York, Books & Co., and it's owner Jeannette Watson. Witness the birth, trials, tribulations, glory and ultimate death - or murder by Whitney Museum - of what was an oasis on the Upper East Side. ... [details]
An opinionated non fiction look at the destruction of books and newspapers in American libraries and archives in favor of microfilm, arguing for the preservation rather than destruction of "brittle paper. ... [details]
Exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, Los Angeles, October 28, 2007 – February, 11, 2008. Texts by Paul Schimmel, Dick Hebdige, Midori Matsui, Scott Rothkopf, and Mika Yoshitake. ... [details]
"This limited edition is comprised of the Destroy All Monsters Magazine publication signed by the collective’s original members: Mike Kelley, Cary Loren, Niagara, and Jim Shaw. Also included is an 8×10 silver print by Cary Loren and a small glycine baggie of dirt from God’s Oasis–the commune Mike Kelley and Jim Shaw lived in from 1974 to 1976 and which served as the collective’s musical practice space. ... [details]
