Exhibition catalogue published in conjunction with show held at the Walker Art Center, February 14-June 6, 1993; the Whitney Museum of American Art, New York, July 8 - October 10, 1993; the Museum of Contemporary Art, Chicago, November 13, 1993 - January 16, 1994; the Wexner Center for the Visual Arts, Columbus, Ohio, February 18 - April 17, 1994; the San Francisco Museum of Modern Art, May 12 - July 24, 1994; and the Fundació Antoni Tàpies, Barcelona, Spain, November 17, 1994 - January 21, 1995. ... [details]
Fall 1992 issue of October, edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, and John Rajchman. Contents include: "Aesthetics and Anaesthetics: Walter Benjamin's Artwork Essay Reconsidered," by Susan Buck-Morss; "Ernst Jünger and the Transformed World," by Brigitte Werneburg; "Spiritual Reactionaries After German Reunification: Syberberg, Foucault, and Others," by Diedrich Diederichsen; "Kiefer in Berlin," by Andreas Huyssen; "Painting Negation: Gerhard Richter's Negatives," by Peter Osborne; "Moments of Interpretation," by Desa Philippi; "Hand-Made Photographs and Homeless Representation," by Thomas Crow; and "The Richter-Scale of Blur," by Gertrud Koch. [details]
Anthology of critical essays edited by Charles Jencks. Includes writing by Tito Arecchi, John Barth, Jean Baudrillard, Daniel Bell, Charles Birch, David Bohm, Jim Collins, Norman K. Denzin, Umberto Eco, Edward Goldsmith, David Ray Griffin, Jürgen Habermas, David Harvey, Ihab Hassan, Linda Hutcheon, Andreas Huyssen, Heinrich Klotz, Hans Küng, David Lodge, Jean-François Lyotard, Robin Murray, Craig Owens, Paolo Portoghesi, Margaret Rose, Susan Rubin Suleima, Edward W. ... [details]
Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, Annette Michelson, and Terri L. Cafaro. Essays "Andy Warhol, or The Machine Perfected," by Thierry de Duve; "The Aesthetic Transformation of the Image of the Unimaginable," by Gertrud Koch; "Anselm Kiefer: The Terror of History, the Temptation of Myth," by Andreas Huyssen; "Fatal Attractions: Leni Riefenstahl's The Blue Light," by Eric Rentschler; "Contribution to Points of Reference 38/88," by Hans Haacke; "The Monument is Invisible, the Sign Visible," by Werner Fenz; "A Note on Gerhard Richter's October 18, 1977," by Benjamin H. ... [details]
Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, and Annette Michelson. Essays "Why Kluge?," by Stuart Liebman; "On New German Cinema, Art, Enlightenment, and the Public Sphere: An Interview with Alexander Kluge," by Stuart Liebman; "The Public Sphere and Experience: Selections," by Oskar Negt and Alexander Kluge; "Word and Film," by Edgar Reitz, Alexander Kluge, and Wilfried Reinke; "Why Should Film and Television Cooperate? Selections from New Stories, Notebooks 1 - 18: "The Uncanniness of Time," by Alexander Kluge; "An Analytic Storyteller in the Course of Time," by Andreas Huyssen; " "What is Different is Good": Women and Femininity in the Films of Alexander Kluge," by Heide Schlüpmann; "On Negt and Kluge," by Fredric Jameson; "Reinventing the Nickelodeon: Notes on Kluge and Early Cinema Alexander Kluge: Filmography," by Miriam Hansen; "Alexander Kluge: Selected Videography," "Alexander Kluge: Selected Publications in Chronological Order," "Selected Bibliography of Writings About About Alexander Kluge," "Acknowledgements," by Stuart Liebman. [details]
