Survey of the work of L.A. based artists before 1980. Edited by Lyn Kienholz with contributing editors Elizabeta Betinski and Corinne Nelson. Includes appendix. "'L.A. Rising SoCal Artists Before 1980' is the first comprehensive pictorial showcase of the diverse universe of artists working in the Los Angeles area during the formative period of Los Angeles' art history. ... [details]
Exhibition catalogue published in conjunction with show held at the Nasher Museum of Art, Duke University, Durham, North Carolina, July 2 - October 18, 2009. Curated by J. Andrew Armacost. Artists included Mathew Brady, Timothy O''Sullivan, William Bell, John Hillers, William Henry Jackson, Félix Bonfils, Eugène Atget, Julia Margaret Cameron, Peter Henry Emerson, Alfred Stieglitz, F. ... [details]
Reference catalogue of the collection at Virginia Museum of Fine Arts. Text by John B. Ravenal. Artists include Magdalena Abakanowicz, Ansel Adams, Ivan Albright, Robert Arneson, Richard Artschwager, Jennifer Bartlett, Lee Bontecou, Iona Rozeal Brown, Deborah Butterfield, John Cage, Alexander Calder, Patrick Caulfield, Vija Celmins, John Chamberlain, Sandro Chia, Francesco Clemente, Chuck Close, Willie Cole, Salvador Dali, Allan D'Arcangelo, Willem de Kooning, Philip-Lorca diCorcia, Richard Diebenkorn, Jim Dine, William Eggleston, Inka Essenhigh, Richard Estes, Rafael Ferrer, Barry Flanagan, Helen Frankenthaler, Gilbert & George, Gregory Gillespie, Adolph Gottlieb, Emmett Gowin, Nancy Grossman, Philip Guston, Ann Hamilton, Duane Hanson, Julie Heffernan, Bryan Hunt, Jörg Immendorff, Neil Jenney, Jasper Johns, Ray Johnson, Donald Judd, Alex Katz, Ellsworth Kelly, William Kentridge, Anselm Kiefer, Elizabeth King, Franz Kline, Nicholas Krushenick, Norman Lewis, Sol LeWitt, Roy Lichtenstein, Winston O. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Exhibition catalogue published in conjunction with show held by The Marie Walsh Sharpe Art Foundation at Ace Gallery in New York, May 17 to June 1, 2002. Artists in the catalogue include Foundation, Jennifer Adams, Alice Albert, Bill Davenport, Rafael Fuchs, David Greenstein, Katia Gushue, Michiko Itatani, Pamela Keech, Paul Laffoley, Lim Choong Sup, Kathryn Myers, Jill O'Bryan, Blake Stimson, Terry Ray Thompson, Rosa Valado, Rhonda Zwillinger, Xenobia Bailey, Tom Burckhardt, Susanna Coffey, Peter Dudek, Garth Evans, Christopher Giglio, Edward M. ... [details]
Exhibition catalogue published in conjunction with show held October 23 - December 15, 2000. Essays by Catherine Tedford, Gary D. Sampson and Esther Parada, further contributions by Michael Hoffman, Mark C. ... [details]
"Andrew Benjamin offers in this book a sustained and unique interpretation of painting and the question of the art object. Both topics raise questions that are central to the understanding of art in the twentieth century. ... [details]
Issue edited by Rod Smith, cover by John Cage. Contents include "Art Is Either A Complaint Or Do Something Else," by John Cage; "from Post-Oblique Series, 1990," by John Byrum; "Species of Fit (My Red Room Hangs There)," "from Civil Noir," by Melanie Neilson; "Money," "Chapters of Verse," by Bob Perelman; "Renga and the New Sentence," by Tosa Motokiyu, Ojiu Norinaga, and Okura Kyojin; "Mimed," by Tyrus Miller; "from Draft X: Letters," by Rachel Blau DuPlessis; "Prosopagnosia," "East," by Elizabeth Robinson; "'Plainsong,'" "Responses to Some Questions," "subtracted words," by P. ... [details]
Comprehensive survey of American painting in the twentieth century. Text by Barbara Rose. Includes essays "Introduction : The Polarities of American Art," "The Armory Show and Its Aftermath," "The Crisis of the Thirties," "The New York School," "The Sixties," "The Seventies : American Art Comes of Age," "Images of the Eighties. ... [details]
Parachute magazine of contemporary art, 29th issue released Winter 1982-1983. Essays include: "The Enduring of the Artsystem," by Gary Kibbins; "Deassaisissement et Réappropriation : De L'émergence du "Photographique" dans l'art Américain," by Guy Bellavance; "Colour Video/ Vulgar Potential," by Peggy Gale; "Colin Campbell," interview by Peggy Gale; "L'éloquence des Moyens: Aperçu des Peintures de Jean-Marie Martin," by Paul-Albert Plouffe; "Andrew Jackson," by Stephen Horne; "Mirrorings," by V. ... [details]