"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
"The Pennsylvania Academy of the Fine Arts, Philadelphia, America's oldest museum and school of fine arts, was founded in 1805. Today, the Academy boasts one of the nation's finest collections of American art and a roster of alumni representing the greatest artists this country has produced. ... [details]
Exhibition catalogue published in conjunction with show held at The Jewish Museum San Francisco, San Francisco, March 7 - June 27, 2004. Traveled to Laguna Art Museum, Laguna Beach, July 24 - October 3, 2004; and Contemporary Art Center of Virginia, Virginia Beach, June 9 - September 4, 2005. ... [details]
Exhibition catalogue published in conjunction with the inaugural iteration of the quinquennial exhibition "Greater New York" held February 27 - May 14, 2000. The exhibition marked the first curatorial collaboration between PS. ... [details]
Exhibition catalogue published in conjunction with show held at Haus der Kunst, Munich, August 3 - December 10, 1997. Traveled to Nationalgalerie SMPK, Berlin, December 1997 - January 1998; Kunstmuseum Düsseldorf in the Ehrenhof, February 1998; P. ... [details]
Reference catalogue of the American art collection at Smith College. Contributions by Linda Muehlig, Cynda L. Benson, Deborah Chotner, Kristen Erickson, Elizabeth C. Evans-Iliesiu, Betsy B. Jones, Patricia Junker, Elizabeth Mankin Kornhauser, Linda Merrill and Daniel J. ... [details]
Exhibition catalogue published in conjunction with show held at Haus der Kunst, Munich, August 3 - December 10, 1997. Traveled to Nationalgalerie SMPK, Berlin, December 1997 - January 1998; Kunstmuseum Düsseldorf im Ehrenhof, February 1998; P. ... [details]
Summer 1992 issue of October, edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, and John Rajchman. Contents include: "Introduction: The Question of Identity," by John Rajchman; "Multiculturism and the Politics of Identity," by Joan Scott; "A Matter of Life and Death," by Cornel West; "Citizenship and Political Identity," by Chantal Mouffe; "Freedom's Basis in the Indeterminate," by Homi Bhabha; "Politics, Identification, and Subjectivization," by Jacques Ranciere; "The Inevitability of Nation: German Intellectuals After Unification;" "Universalism, Particularism, and the Question of Identity," by Ernesto Laclau; "Reflections on Identity," by Stanley Aronowitz; and "The Americans," by E. ... [details]
Issue edited by Ida Panicelli. Essays "Exits and Entrances: Maria Nadotti on Reinterpreting Chekov," by Maria Nadotti; "Remote Control: Barbara Kruger on Television," by Barbara Kruger; "Appetizers: Barbara Kirshenblatt-Gimblett on Edible Art," by Barbara Kirshenblatt-Gimblett; "Undertone: Scott Gutterman on Rhythm and Rage," by Scott Gutterman; "Books: Diedrich Diederichsen on Greil Marcus' European Dream," by Diedrich Diederichsen; "Icons at Large: Maureen Connor on Modesty," by Maureen Connor; "Another Alphabet: The Art of Marcel Broodthaers," by Thomas McEvilley; "On Fire: A Project for Artforum," by Nic Nicosia; "Critical Reflections," Cornel West; "Listen Carefully: The Mahabharata on Film," by Ida Panicelli; "Contents Under Pressure: Equipo Crónica," by Dan Cameron; "Hapless Figures in an Artificial Storm," by Max Kozloff; "Satanic Paintings: A Project for Artforum," by Mario Nigro; "Nancy Dwyer Makes Trubble," by Marcia Tucker. ... [details]
Issue edited by Ingrid Sischy. Essays "Melodramatic Tactics," by Kate Linker; "Swallowing Dali," by Carter Ratcliff; "Thieves Like Us," by Judith Russi Kirshner; "Allegorical Procedures: Appropriation and Montage in Contemporary Art," by Benjamin H. ... [details]