"Originally published in the mid-1970s, Womens Work was a magazine that sought to highlight the overlooked work of female artists working at the cusp of the visual arts, music, and performance. The magazine was edited by Alison Knowles and Annea Lockwood and featured text-based and instructional performance scores by the following 25 artists, composers, and choreographers: Beth Anderon, Ruth Anderson, Jacki Apple, Barbara Benary, Sari Dienes, Nye Ffarrabas (participating as Bici Forbes), Simone Forti, Wendy Greenberg, Heidi Von Gunden, Françoise Janicot, Alison Knowles, Christina Kubisch, Carol Law, Annea Lockwood (also included as Anna Lockwood), Mary Lucier, Lisa Mikulchik, Ann Noël (included as Ann Williams), Pauline Oliveros, Takako Saito, Carolee Schneemann, Mieko Shiomi, Elaine Summers, Carole Weber, Julie Winter, and Marilyn Wood. ... [details]
Large-scale critical overview of alternative art spaces in New York City since the 1960s, developed from an exhibition of the same title held at Exit Art, New York, September 24 – November 24, 2010. Edited by Lauren Rosati, Mary Anne Staniszewski. ... [details]
Exhibition catalogue published in conjunction with show held January 10 - March 21, 2004. Traveled May 29 - August 15, 2004, Norton Museum of Art, West Palm Beach, Florida; October 9, 2004 - January 2, 2005, The Hudson River Museum, Yonkers, New York; September 2 - October 7, 2005 McDonough Museum of Art, Youngstown State University, Ohio. ... [details]
Exhibition catalogue published in conjunction with show held September 13 - October 20, 2002. curated by Ingrid Schaffner, contributions by Catherine Morris, Dara Birnbaum, Lauren Ross, Anna Chave, Laura Cottingham, Jill Fields, Lucy R. ... [details]
Guest edited by Martha Wilson. Cover by Tseng Kwong Chi. Essays "Editor's Statement," by Martha Wilson; "Artist's Pages," by Alastair MacLennan; "Resurrecting the 'Disappeared': Recollections of Artists in absentia," by Jacki Apple; " 'Presence' in absentia: Experiencing Performance as Documentation," by Amelia Jones; "Postcolonialism and Androgyny: The Performance Art of Grace Jones," by Miriam Kershaw; "Interperformance: The Live Tableaux of Suzanne Lacy, Janine Antoni, and Mariana Abramovic," by Jennifer Fisher; "Some Relations between Conceptual and Performance Art," by Frazer Ward; "Wendy Geller's '48-Hour Beauty Blitz': Gender, Glass, and the Pleasures of Popular Culture," by Jayne Wark; "Saint Orlan Faces Reincarnation," by Jill O'Bryan; "A History of Performance," by Moira Roth. ... [details]
Exhibition catalogue published in conjunction with show held at the Cleveland Center for Contemporary Art, Ohio, February 11 - May 1, 1994; and the Snug Harbor Cultural Center, Staten Island, New York, February 26 - June 18, 1995. ... [details]
Exhibition catalogue published in conjunction with shows held in 70 different New York City galleries, the sales of which benefited the American Foundation for AIDS Research. Text by Robert Rosenblum and Matilde Krim, Ph. ... [details]
Documents exhibitions from the first eight years of the New York alternative art space 112 Workshop. Entries are organized in chronological order, with textual information on the artists involved in each exhibition, as well as full page reproductions of works shown. ... [details]
Exhibition catalogue published in conjunction with show held May 9 - July 16, 1981. Exhibition examines the social, cultural, and political elements of the sixties that birthed the "alternative" movement -- specifically Gain Ground, Apple, 98 Greene Street, 112 Greene Street Workshop, Idea Warehouse, 3 Mercer -- and charts the effects it had on the art world. ... [details]
Exhibition catalogue published in conjunction with show held at South Hill Park Arts Centre, Backnell, March 28 - April 26, 1981. Traveled to Ikon Gallery, Birmingham, July 4 - 25, 1981 ; Bluecoat Gallery, Liverpool, August 8 - 29, 1981 ; Sunderland Arts Centre, Tyne and Wear, October 5 - 31, 1981 ; The Victoria Art Gallery, Bath, November 7 - 28, 1981 ; Regional Craft Centre, Lincoln, December 1981 - January 1982 ; Gardner Centre for the Arts, Univsercity of Sussex, Brighton, February 4 - 26, 1982 ; New Metropole Arts Centre, Folkestone, March 6 - April 4, 1982 ; and other venues. ... [details]
