Issue edited by Michelle Kuo. Essays "Editor's Letter: Forms and Functions," by Michelle Kuo; "Passages: Lynne Cooke on Louis Bourgeois;" "Passages: Arthur C. Danto on Arakawa," by Arthur C. Danto; "Books: Graham Bader on Gerhard Richter," by Graham Bader; "Media: Cory Arcangel on Internet Links Pages," by Cory Arcangel; "Film: Steven Watson on Rob Epstein and Jeffrey Friedman's 'Howl,'" by Steven Watson; "Film: Tom Gunning on the Oberhausen Film Festival," by Tom Gunning; "Dispatch: Sofía Hernández Chong Cuy Reports from Mexico City," by Sofía Hernández; "Slant: Sarah Lehrer-Graiwer on Stephen Kaltenbach," by Sarah Lehrer-Graiwer; "Performance: David Velasco on Ann Liv Young," by David Velasco; "Top Ten," by Michael Rother; "Fall 2010 Exhibitions: 40 Shows Worldwide;" "Rachel Harrison on Paul Thek;" "From the Vault: Alastair Wright on Paul Gauguin," by Alastair Wright; "Questions of Style," by Ina Blom, Tauba Auerbach, Alexander Nagel, Ryan McGinley, Peter Saville, Sturtevant, Partha Mitter, David Bordwell, Francesco Vezzoli, Denise Scott Brown, Haegue Yang, Donald Moffett, Tom Burr, Adrian Piper, Fia Backström, Jil Sander; "Public Options: The Art of Charlotte Posenenske," by Christine Mehring; "In Conversation: Lucy Raven and Thom Andersen;" "The Universal Addressability of Dumb Things;" by Mark Leckey; "1000 Words: Alice Creischer, Max Jorge Hinderer, and Andreas Siekmann," by André Rottmann; "Unspeakable Desire: The Films of João Pedro Rodrigues," by Dennis Lim; "Openings: Simon Fujiwara," by Jessica Morgan. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
"The Pennsylvania Academy of the Fine Arts, Philadelphia, America's oldest museum and school of fine arts, was founded in 1805. Today, the Academy boasts one of the nation's finest collections of American art and a roster of alumni representing the greatest artists this country has produced. ... [details]
Collection of texts by Carl Andre. Introduction by James Meyer, bibliography compiled by Jeffrey Thompson. Figures mentioned or included in the anthology include Tibor de Nagy, John Myers, Sol LeWitt, Leif Nylen, Bernd and Hilla Becher, Marcel Duchamp, Robert Smithson, Hollis Frampton, Arshile Gorky, Eva Hesse, Konrad Fischer, Lee Lozano, Karl Marx, Robert Morris, John Chamberlain, Damien Hirst, David Novros, Brice Marden, Henri Matisse, Joseph Wright, Reno Odlin, Ezra Pound, David Sylvester, Auguste Rodin, Alexander Rodchenko, Vladimir Tatlin, Constantin Brancusi, EC Goossen, Michelangelo, David Smith, Gertrude Stein, Frank Stella, and George W. ... [details]
Issue edited by Jack Bankowsky. Essays "Passages: W.J.T. Mitchell on Nelson Goodman," by W.J.T. Mitchell; "Film: Craig Seligman on François Truffant," by Craig Seligman; "Music: Jack Pierson on Dusty Springfield," by Jack Pierson; "Hot List: Matthew Ritchie," by Matthew Ritchie; "Hot List: Andrew Hultkrans on Mark Napler," by Andrew Hultkrans; "Books: David Joselit on T. ... [details]
Critical theory by Andrew Graham-Dixon. "... Graham-Dixon argues decisively against the preconception that the British are not a visual people. Starting with a revelatory account of the almost unknown masterpieces of the Catholic Middle Ages, [Dixon] celebrates the beauty and the brilliance of Britain's artistic heritage - from Thomas Gainsborough to Damien Hirst, William Hogarth to David Hockney, John Constable to Henry Moore. ... [details]
Exhibition catalogue published in conjunction with show held June 11 - October 15, 1995 at the XLVI Venice Biennale. Essays by Gregor Muir and James Roberts. Artists include Dinos and Jake Chapman, Fiona Banner, Adam Chodzko, Cerith Wyn Evans, Douglas Gordon, Tom Gidley, Dalziel and Scullion, Gary Hume, Jaki Irvine, Jane and Louise Wilson, Elizabeth Wright, Ceal Floyer, Lucy Gunning, Sam Taylor-Wood and Tacita Dean. ... [details]
Exhibition catalogue published in conjunction with show held jointly at Kent Fine Art and Curt Marcus Gallery, New York, November 17 - December 31, 1987. Curated by Douglas Blau, with essay by Blau. Includes works by Troy Brauntuch, Ralph Albert Blakelock, Thomas Moran, Charles Wilson Peale, Johannes Vermeer, William Merritt Chase, Randy Dudley, Chesley Bonestell, Norman Rockwell, John Bowman, Thornton Oakley, Caspar David Friedrich, James Abbott McNeill Whistler, Cindy Sherman, Hans W. ... [details]
Large-scale anthology of video art images and texts. Compiled and edited by Ira Schneider, Beryl Korot, and Mary Lucier. Texts by Rebecca Lawrence, George Bolling, Robert Stearns, James Beck, Russell Connor, David Antin, Anne Focke, Peter Frank, John Hanhardt, Wulf Herzogenrath, Bruce Kurtz, David Ross. ... [details]
Anthology of American poetry compiled and edited by Richard Kostelantz. Contributors include Randall Jarrell, Delmore Schwartz, Daniel Hoffman, John Logan, J.V. Cunningham, Robert Lowell, John Berryman, Theodore Roethke, Stanley Kunitz, Charles Olson, Louis Zukofsky, John Cage, John Giorno, Dan Graham, W. ... [details]