Issue edited by Ida Panicelli. Essays "Object: Maud Lavin on New Traditionalism and Corporate Identity," by Maud Lavin; "Invisibility Blues: Michele Wallace on Doing the Real Thing," by Michele Wallace; "Books: Marianna Torgovnik on the Art of the Monument," by Marianna Torgoynik; "Believe it or Not: J. ... [details]
Issue edited by Ida Panicelli. Essays "What in the World," Andrew Solomon on the Art of Perestroika; "Here There & Otherwise," John Welchman on Elsewhere; "Like Art," Glenn O'Brien on Advertising; "Special Effects," Carol Squiers on the News and its Pictures; "Books," Jeremy Gilbert-Rolfe on "Peter Halley: Collected Essays 1981 - 87"; "The World According to Douglas Huebler," by Colin Gardner; "The Benefit of Doubt or Loving Modernism to Death," by Judith Russi Kirshner; "Charon's Boat," by Francesco Pellizzi; "Image of a Second Skin," by Mark Holborn; "Miguel Angel Rios: Epics from the Earth," by Frederick Ted Castle; "A Gentle Guide," by Ida Panicelli, an Introduction to "Territory"; "Territory: A Project for Artforum," by Leonel Moura; "Face(t)s: Notes on Faciality," by John Welchman. ... [details]
Issue edited by Ida Panicelli. Essays "Like Art," Glenn O'Brien on Advertising; "The Cave: Maria Nadotti on Film"; "Here, There & Otherwise," John Welchman on Elsewhere; "Object," Alessandro Mendini on Design; "Remote Control," Barbara Kruger on Television; "Curies' Children," Vilém Flusser on Discovery; "Special Effects," by Carol Squiers on the News and Its Pictures; "William Eggleston: Democracy & Chaos," by Mark Holborn; "Seductive Lures: Shirazeh Houshiary," by Pier Luigi Tazzi; "The Ground Has Been Covered," by Jimmie Durham and Jean Fisher; "Hinged Victories," by Patricia C. ... [details]
Issue edited by Ingrid Sischy. Essays "Today Crossed Out," a Project for Artforum by Hanne Darboven with an Introcuction by Coosje van Bruggen; "Zarina's Balm: Objects of Exchange," by Lisa Liebmann; "Just Say Noh: The Esthetics of Banality," by Richard Goldstein; "Enter Elliott Erwitt"; "Time Bandits, Space Vampires," by Thomas Lawson; "Ostentatious Perfectionism: Four-Color Whites, 'One Hundred Flowers,' Georgia O'Keefe. ... [details]
September 1988 issue of Art in America. Edited by Elizabeth C. Baker, with written contributions by Joan Simon, Eleanor Hartley, Holland Cotter, John Ash, Stephen Westfall, Brooks Adams, Ken Johnson, Paul Smith, Carl Little, Walter Thompson, Suzaan Boettger, Gerrit Henry, Lawrence Campbell, Walter Thompson, Donald B. ... [details]
Issue edited by Ingrid Sischy. Essays "Esthetics and Loss: AIDS," by Edmund White; "Imi Knoebel's Triangle: The Ecology of Nonobjectivity," by Donald Kuspit; "The Mirror Turned Lamp: Lily Tomlin and Jane Wagner defy the Forces of Gravity," by C. ... [details]
Issue edited by Ingrid Sischy. Essays "Remembrance of Objects Past," by Rosetta Brooks; "Andy Warhol: Top Gun and Brancusi," by J. Hoberman; "Flurries of Design," by Joost Elffers; "Decoding the Coating," by Seigow Matsuoka; "An Ornamented Joke," by Joyce Kozloff; "Representing Paper," by Sidney Tillim; "The Lovers," by Ulay & Marina Abramovic; "Art to the Power N," by Germano Celant; "Ground Up," by Herbert Muschamp; "Icons at Large," by Lisa Liebmann; "Objects," by Alessandro Mendini; "Like Art," by Glenn O'Brien; "A Canvas of Episodes," by Frederic Tuten; "The Cave," by Wolfram Schutte; "Speaker to Speaker," by Greil Marcus. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: Alan Shields' Works of Paper"; "Marginalia: Will it Last, Does it Matter?," by Thomas McEvilley; "Modern Life: How Scale Works," by Carter Ratcliff; "Turned Out: In America, Love Means Never Having to Say Sari," by Sunil Sethi; "Like Art," by Glenn O'Brien; "Ground Up: The Piazza in the Living Room, Communion by Communication," by Herbert Muschamp; "Remote Control: Lip-Syncing Free Speech," by Barbara Kruger; "Speaker to Speaker: In the Kingdom of the Invisible," by Greil Marcus; "Liberations: The Minus Works of Michelangelo Pistoletto," by Denys Zacharopoulos; "The Cowboy Philospher: Adventures as Metaphor," by Greil Marcus; "Rainer Werner Fassbinder: A Comet Passed by - Energy Burnt Against Oppression," by Wolfram Schutte; "Toward Another Laocoon, Or, the Snake Pit: Sunday in the Park with Art. ... [details]
Issue edited by Ingrid Sischy. Essays "Letters: On 'Doctor Lawyer Indian Chief: 'Primitivism' in 20th Century Art' at the Museum of Modern Art in 1984;'" "Jonathan Borofsky: What Kind of Fool Is This?," by Jeanne Silverthorne; "Paul Delvaux's Imagination," by Ronny Cohen; "Too Much and/or Not Enough: A Note on Howard Hodgkin," by Kenneth Baker; "Kids R Us or Viva Poland or Laudable Odds and Ends," by Barbara Kruger; "The Dead and the Quick," by Greil Marcus; "Many Farber and Landscape," by Kevin Parker; "From the Night of Consumerism to the Dawn of Simulation," by Rosetta Brooks; "Forum," by Jeanne Silverthorne. ... [details]
Issue edited by Ingrid Sischy. Essays "The Gallery as a Gesture," by Brian O'Doherty; "The Radiant Child," by Rene Ricard; "A Project," by Nicholas Nixon; "Absent-Minded Female Nude on Bed," by Peter Schjeldahl; "Not Post-Modernism: History as Against Historicism, European Archetypal Vernacular in Relation to American Commercial Vernacular, and the City as Opposed to the Individual Building," by Dan Graham; "Looking at Life," by Carol Squiers; "A Conversation with Pontus Hulten About the New Los Angeles Museum of Contemporary Art. ... [details]