Issue edited by Joseph Masheck. Essays "Leon Polk Smith: The Completely Self-Referential Object," by Ted Castle; "Neo-Neo," by Joseph Masheck; "Space and Subectivity: Four Painters," by Anita Feldman; "Stealing Time: An Ontological Odyssey," by Peter Plagens; "Avant-Garde Issues in Seventies Music," by Thomas DeLio; "Clinton Hill," by Jeremy Gilbert-Rolfe; "Books: Where the English Draw the Line," by Stephen Bann. ... [details]
Issue edited by Joseph Masheck. Essays "What's All This About Photography?" by Richard Hennessy ; "Pictures of Art," by Joseph Masheck ; "Seeing Burgoyne Diller," by Deborah Rosenthal ; "Cy Twombly: Major Changes in Space, Idea, Line," by Margaret Sheffield ; "Jeremy Gilbert-Rolfe's 'North Group' Paintings," by Hal Foster ; "Howard Buchwald: Perspective Once Again a Problematic," by Donald B. ... [details]
Issue edited by Joseph Masheck. Essay "Philip Johnson and History," by Richard Pommer; "Fashion / Style / Custom: Alan Cote and David Diao," by Carrie Rickey; "Cecile Abish: Building from the Ground Up," by Jeffrey Keeffe; "Composite Imagery and the Origins of Photmontage, Part II: The Formalist Strain," by Robert A. ... [details]
Issue edited by Joseph Masheck. Essays "Freedom, Love and Poetry," by Nicolas Calas; "Alan Kirili's Form and Craft," by Jan van der Marck; "Thoughts on Samuel Yellin and Blacksmithing," by Alain Kirili; "Henri Gaudier-Brzeska: The Process of Discovery," by Brice Rhyne; "Problems 'Relating to' Andy Warhol's 'Still Life 1976," by Peter Gidal; "Thomas Bang's Recent Work," by Tiffany Bell; "'Konstruktivism' and 'Kinematografiya,'" by Jennifer Oille; "Peter Berg: Filling In the Holes," by Robert Hurwitz; "Book Review: Nan Rosenthal's 'George Rickey,' by Herbert George. ... [details]
Issue edited by Joseph Masheck. Essays "Mel Bochner: Getting from A to B," by Jeff Perrone; "Bodyworks and Porpoises," by Nicolas Calas; "Komar and Melamid and the Luxury of Style," by Marc Fields; "The Russianness of "Petrouchka," by Ann Farkas; "Inside Europe Outside Europe," by Jan van der Marck; "Taking the Long View," by Colin L. ... [details]