Issue edited by Ingrid Sischy. Essays "Doctor Lawyer Indian Chief: 'Primitivism' in 20th Century Art at the Museum of Modern Art in 1984," by Thomas McEvilley; "Sign on a Truck," by Jenny Holzer; "Campaign 1984," by Alison Gardner Pratt; "Terry Winters' Earthly Anecdotes," by Prudence Carlson; "Naming Pictures: Conversations between Lee Krasner and John Bernard Myers," by John Bernard Myers; "In the American Grain: Robert Helm," by James Ivory; "Tracking Some Angles: A Talk with Alain Resnais," by Frederic Tuten; "Poets and Art: John Ashbery, Tony Towle, Ann Lauterbach, and Barry Schwabsky interviewed by John Yau; with poems by Michael Brownstein, Ashbery, Towle, Lauterbach, Schwabsky, and Rene Ricard"; "Hilton Kramer: An Appreciation," by Thomas Lawson; "Books: Lionel Lambourne on 'The Collected Letters of William Morris,'" by Lionel Lambourne; "Forum: Philosophy and Art: Elective Affinities in and Arranged Marriage," by Donald Kuspit; "Bruce Springsteen: In Your Heart You Know He's Right," by Greil Marcus. ... [details]
Issue edited by Ingrid Sischy. Essays "Robert Doisneau's 'Oblique Regard,'" by Max Kozloff; "A Project by Giuseppe Penone"; "'The Other,'" by John Bernard Myers; "'Jiri Georg Dokoupil: The Imprisoned Brain," by Rainer Crone; "A Project by Robert Graham"; "Diogenes of Sinope (ca. ... [details]
Issue edited by Ingrid Sischy. Essays "Painterly Edge: A Conversation with Ralph Humphrey," by Amy Baker; "Patience, Observation, and Investigation: Learning from Audubon," by Mike Glier; "Abstract Beauty - Friend or Enemy?" by Wu Guan-zhong; "Marks: Cy Twomby," by John Bernard Myers; "Komar and Melamid from Behind the Ironical Curtain," by Jamey Gambrell; "Presenting the Unpresentable: The Sublime," by Jean-François Lyotard; "Fear of Clay," by John Perreault; "Books: Sarah Charlesworth on 'Camerca Lucida,'" by Sarah Charlesworth. ... [details]
First edition reference text by John Bernard Myers discussing his forty years as a New York gallery owner. He introduced many now-famous artists to the art world, including Larry Rivers, Helen Frankenthaler, Red Grooms, Grace Hartigan, Alfred Leslie, Robert Goodnough, Jane Freilicher, Fairfield Porter, and Kenneth Noland. ... [details]
Issue edited by Ingrid Sischy. Essays "Constantin Brancusi's Photographs," by Sanda Miller; "Architecture and Limits II," "Introduction," by Bernard Tschumi, "Collisions," by Raimund Abraham, "Transformations, Decompositions and Critiques," by Peter Eisenman, "Intimations of Tactility: Excerpts From a Fragmentary Polemic," by Kenneth Frampton; "Words and Pictures: Notes on Alexander Pope and William Carlos Williams," by John Bernard Myers; "Public Sculpture: The Pursuit of the Pleasurable and Profitable Paradise," by Kate Linker; "Kes Zapkus' Modern Warfare," by Ted Castle; "Pastiche/Prototype/Purity: 'Houses for Sale,'" by Hal Foster. ... [details]
Issue edited by Ingrid Sischy. Essays "The Perils of Hindsight," by John Bernard Myers; "Gust, Gusto, Guston," by Carrie Rickey; "From the Series 'Outside the White House,'" by Rosalind Solomon; "Terry Allen (On Everything)," by Marcia Tucker; "Sex and Death and Shock and Schlock: A Long Review of The Times Square Show," by Anne Ominous; "Autochromes: The Bouquet of Lighted Air," by Max Kozloff; "Civil War: Artist Contra Critic," by Donald B. ... [details]
Issue edited by Joseph Masheck. Essays "Johns the Pessimist," by Rolf-Dieter Herrmann; "Cézanne on Solids and Spaces," by Theodore Reff; "Back on the Material: Rodchenko's Photographic Ideology," by Andréi B. ... [details]
Issue edited by Joseph Masheck. Essays "Magic of the Possible: Five California Artists," by Peter Clothier; "Sun Tunnels," by Nancy Holt; "In Pursuit of Acconci," by Edward Levine; "Troubles With British Art Now," by Peter Fuller; "James Collins' Double Portraits," by Margaret Sheffield; "Flavin 'According to His Lights,'" by Ross Skoggard; "Surrealism and New York Painting 1940-1948: A Reminiscence," by John Bernard Myers; "A Note on Surrealism and the Beat Generation," by Joseph Masheck. ... [details]
Exhibition catalogue published in conjunction with inaugural exhibition held at P.S. 1, June 9 - 26, 1976 featuring site-specific installations in the rooms of the then largely unrenovated building. Includes installation images and images of artists installing their works, texts by artists within show, statements, and acknowledgments. ... [details]
Folded poster / announcement published in conjunction with the inaugural exhibition at P.S.1 held June 10 - 26, 1976 featuring site specific installations in the rooms of the then largely un-renovated building. ... [details]