Exhibition catalogue published in conjunction with show held at Schaulager, Basel, March 17 - August 26, 2018, and at The Museum of Modern Art, New York, October 21, 2018 - March 17, 2019, and MoMA PS1, October 21, 2018 - March 24, 2019. ... [details]
Issue edited by Michelle Kuo. Essays "Passages: Paul Griffiths on Milton Babbitt," by Paul Griffiths; "Music: Cory Arcangel on Euro-Trance," by Cory Arcangel; "Slant: Okwui Enwezor on Ai Weiwei and Sharjah Biennial 10," by Okwui Enwezor; "Slant: Carol Armstrong on Paul Cézanne," by Carol Armstrong; "News: Catherine Wood on the Manchester International Festival," by Catherine Wood; "Film: Amy Taubin on Cristi Puiu's 'Aurora,'" by Amy Taubin; "Film: Steven Watson on Wynn Chamberlain's 'Brand X,'" by Steven Watson; "Archictecture: Owen Hatherley on Renzo Piano's Shard," by Owen Hatherley; "Top Ten," by Leilah Weinraub; "Acting Out: The Ab-Ex Effect," Introduction, Michelle Kuo; "Spatter and Daub: The Contradictions of Abstract Expressionism," by Harry Cooper; "Ab-Ex and Disco Balls: In Defense of Abstract Expressionism II," by Amy Sillman; "Close-Up: Carroll Dunham on William Baziote's 'Dwarf,'" by Carroll Dunham; "Depth Charge: Terry Winters talks with John Elderfield about Willem de Kooning"; "Close-Up: Jordan Kantor on Albert Oehlen's 'Fingermalerei,'" by Jordan Kantor; "Landmarks Preservation: Conserving the Monochrome," by Carol Mancusi-Ungaro; "Close-Up: Ann Temkin on Cy Twombly's 'Academy,'" by Ann Temkin; "Emptied Gesture: Roy Lichtenstein's 'Brushstrokes,'" by Graham Bader; "Close-Up: Molly Warnock on Georges Mathieu's 'Battle of the Bouvines,'" by Molly Warnock; "Signal Processing: Abstraction Then and Now," by David Joselit; "Close-Up: Mark Godfrey on Christopher Wool's New Work," by Mark Godfrey; "Eyes in the Heat: Jean Dubuffet, Cathy Wilkes, and Josh Smith," by Daniel Marcus; "Artists on Ab-Ex," by Rodney Graham, El Arakawa, Richard Prince, Jennifer West, Richard Jackson, Katharina Grosse, Jon Pestoni, Liang Yuanwei, Jacqueline Humphries, Katy Moran, Scott Lyall, Julian Schnabel, Lesley Vance, Nicole Eisenman; "Playing the Field: Computational Architecture and Abstract Painting," by Sean Keller; "1000 Words: Heimo Zobernig," by Achim Hochdörfer; "Openings: Matheus Rocha Pitta," by Irene V. ... [details]
Issue edited by Michelle Kuo. Essays "Passages: Greil Marcus on Captain Beefheart," by Greil Marcus; "Books: Terry Eagleton on François Dosse's 'Deleuze & Guattari,'" by Terry Eagleton; "Books: Joachim Pissarro and David Carrier on Thomas Kinkade," by Joachim Pissarro; "Film: James Quandt on Michelangelo Frammartino's 'Le Quattro Volte," by James Quandt; "Film: Melissa Anderson on Clio Barnard's 'The Arbor,'" by Melissa Anderson; "Film: Tim Griffin on Werner Herzog's 'Cave of Forgotten Dreams,'" by Tim Griffin; "On Site: Alan Licht on Sue de Beer's 'The Ghosts,'" by Alan Licht; "On Site: Nathan Dunne on the Sergei Paradjanov Museum," by Nathan Dunne; "Top Ten," by Christian von Borries; "Close-Up: A RRose in Berlin," Hal Foster on Marcel Duichamp's "Belle Haleine"; "To Be Determined: An Interview with John Armleder," by Fabrice Stroun; "Circling the Square: Archictecture and Revolution in Cairo," by Nasser Rabbat; "1000 Words: Robert Whitman," by Liz Kotz; "A Revolution in Film: The Cinema of Dziga Vertov," by John Mackay; "Openings: Jan Timme," by André Rottmann. ... [details]
"From its founding in 1978, LACE – Los Angeles Contemporary Exhibitions – was a pivotal, artist-run organization committed to presenting the work of Southern California artists and highlighting bleeding-edge work. ... [details]
Exhibition catalogue published in conjunction with show held at the Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, December 15 - June 29, 2008. Essays by Achim Hochdörfer, Susanne Neuberger, Liz Kotz, Michelle Kuo, and Wilfried Kuehn. ... [details]
Issue edited by Tim Griffin. Essays "Editor's Letter: Uses and Abuses," by Tim Griffin; "Passages: Liza Béar and Hans Haacke on Willoughby Sharp," by Liza Béar and Hans Haacke; "Books: Liz Kotz on Primary Information," by Liz Kotz; "Film: Amy Taubin on Kiyoshi Kurosawa's 'Tokyo Sonata,'" by Amy Taubin; "On Site: Catherine Wood on Jeff Koons and Tino Sehgal," by Catherine Wood; "Slant: Helen Molesworth on Catherine Opie and 'theanyspacewhatever,'" by Helen Molesworth; "Slant: Ina Blom on 'Whatever Happened to Sex in Scandinavia?" by Ina Blom; "Top Ten," by Stefan Tcherepnin; "In Conversation: Dara Birnbaum and Cory Arcangel"; "Cover Versions: The Reinvention of Music Video," by Michel Gondry, Barbara London, Rodney Graham, Michael Bell-Smith, Steina, Cao Fei, E*Rock; "Cut and Paste: The Collage Impulse Today," by Charlie White; "Authorial Intervention: The Art of Jacques Villeglé," by Tom McDonough; "1000 Words: Trevor Paglen," by Tom Vanderbilt; "Openings: Chu Yun," by Philip Tinari. ... [details]
Guidebook to the permanent Guggenheim Museum collections throughout the world. Includes notes by Thomas Krens and Juan Ignacio Vidarte, with texts by Bridget Alsdorf, Dore Ashton, Julie Ault, Jan Avgikos, Txomin Badiola, Tracey Bashkoff, Jennifer Blessing, Bruce Brooks Pfeiffer, Germano Celant, Linda Dalrymple Henderson, Lisa Dennison, Matthew Drutt, Judi Freeman, Gary Garrels, Michael Govan, Jon Ippolito, Liz Kotz, Rosalind Krauss, Cornelia Lauf, John Miller, Thyrza Nichols Goodeve, J. ... [details]
Critical theory by Liz Kotz. "Language has been a primary element in visual art since the 1960s -- whether in the form of printed texts, painted signs, words on the wall, or recorded speech. In Words to Be Looked At, Liz Kotz traces this practice to its beginnings, examining works of visual art, poetry, and experimental music created in and around New York City from 1958 to 1968. ... [details]
Exhibition catalogue published in conjunction with show held December 13, 2003 - February 29, 2004. "For several years now, film and video have determined contemporary art and exhibitions on a scale unheard of since the 1960s and 1970s, but rarely have these roots themselves been explored. ... [details]
Exhibition catalogue / artists' book published in conjunction with an installation and audio project produced as part of the "Notations" series held on the campus of The Ohio State University October 3, 2002 - July 2004. ... [details]