Issue edited by Philip Leider. Essays "Die Brücke at Cornell," by Reinhold A. Heller; "Morris Louis: Unfurleds and Omegas," by Kenworth Moffett; "A Synthesis," by Alan Saret; "Geometric Abstract Painting and Paris in the Thirties, Part I," by John Elderfield; "An Interview with Eva Hesse," by Cindy Nemser; "Paolo Soleri," by Donald Wall; "Excerpts from Speculation (1967-1970)," by Mel Bochner. ... [details]
Issue edited by Philip Leider. Essays "The Graphic Work of Jasper Johns," by Barbara Rose; "The Bauhaus Show in Toronto," by Robert Welsh; "The Early Work of Andy Warhol," by John Coplans; "Color Painting and the Map Problem," by Walter Darby Bannard; "Alan Saret's Studio Exhibition," by Emily Wasserman; "A Robert Morris Retrospective in Detroit," by Jack Burnham. ... [details]
Issue edited by Philip Leider. Essays "Alice's Head: Reflections on Conceptual Art," by Jack Burnham; "City vs. Country: The Rural Image in French Painting," by Robert L. Herbert; "Uses and Misuses of the Recent Past," by Gabriel Laderman; "Wittgenstein's Archictecture," by Herbert Leitner; "Richard Tuttle," by Robert Pincus-Witten. ... [details]
Issue edited by Philip Leider. Essays "Brancusi and the Myth of Ideal Form," by Rosalind E. Krauss; "Notes on American Painting of the Sixties," by Walter Darby Bannard; "Tantric Art," by Emily Wasserman; "An Interview with Chuck Close," by Cindy Nemser; "The Iconography of Symbolist Art," by Robert Pincus-Witten. ... [details]
Issue edited by Philip Leider. Essays "An Interview with Joseph Beuys," by Willoughby Sharp; "A Dan Flavin Retrospective in Ottawa," by Jack Burnham; "An Interview with Richard Van Buren," by Phyllis Tuchman; "Problems of Criticism VII: To Save Painting," by Justin Schorr; "Modern American Art at the Metropolitan Museum," by Philip Leider. ... [details]
Issue edited by Philip Leider. Essays "Roy Lichtenstein at the Guggenheim," by Max Kozloff; "Place and Process," by Willoughby Sharp; "The origins of Ray Gun, " by Barbara Rose; "The Partial Figure," by Albert Elsen; "557,087: Seattle," by Peter Plagens; "El Lissitzky's 'Prouns', Part II," by Alan C. ... [details]
Issue edited by Philip Leider. Essays "Dennis Oppenheim," by Jean-Louis Bourgeois; "Keith Sonnier," by Robert Pincus-Witten; "Thomas Cole," by Alan Wallach; "The Possibilities of Drawing," by Peter Plagens; "The Last Work of Kurt Schwitters," by John Elderfield; "El Lissitzky's 'Prouns', Part I," by Alan C. ... [details]
Issue edited by Philip Leider. Essay "Incidents of Mirror-Travel in the Yucatan," by Robert Smithson; "Slow Information: Richard Serra," by Robert Pincus-Witten; "On 'Manet's Sources'", by Theodore Reff; "Real Time Systems," by Jack Burnham. ... [details]
Issue edited by Philip Leider. Essays "Allan Hacklin, David Diao, Donald Kaufman," by Emily Wasserman; "The Sculpture of Roland Brener," by Charles Harrison; "Recent Work by Kenneth Noland," by Michael Fried; "Hans Hoffmann," by Darby Bannard; "A Variety of Realisms," by Sidney Tillim; "The Earlier Work of Ellsworth Kelly," by John Coplans. ... [details]
Issue edited by Philip Leider. Essays "Men and Machines," by Max Kozloff; "The Reception of Figurative Art," by Sidney Tillim; "Hoving's Harlem," by Eugene D. Genovese; "9 in a Warehouse," by Max Kozloff; "The Essential David Smith, Part I," by Rosalind Krauss; "Expressionism, Eccentric and Concentric," by Gabriel Laderman; "Stanley Kubrick's Space 2001," by Annette Michelson. ... [details]
