Exhibition catalogue published in conjunction with show held at the Brooklyn Museum, New York, NY, April 21 - September 17, 2017. Traveled to California African American Museum, Los Angeles, CA, October 13, 2017 - January 14, 2018; Albright-Knox Art Gallery, Buffalo, NY, February 17, 2018 - May 27, 2018; and The Institute of Contemporary Art, Boston, MA, June 26, 2018 - September 30, 2018. ... [details]
"This book brings together new texts written to accompany 79 exhibitions organized by Bob Nickas between 1984 and 2011. Nickas chose one work to represent the memory of each exhibition, and through this visual "lens" he reflects on his activity as a curator, offering many behind-the-scenes views to the art world of the 1980s and 90s, as well as intimate recollections of the artists he worked with, and the art works he encountered over the years. ... [details]
"This book Inaugurates Artadia's Biennial Publications Program and features a complete two-year awards cycle through all five Artadia program cities during 2008 and 2009." -- publisher's statement. Texts by Franklin Sirmans, Andrea Barnwell Brownlee, Jen Mergel, Stephanie Smith, Michelle White and René de Guzman. ... [details]
Monograph presenting an overview of contemporary printmaking by Paul Coldwell. Artists include Norman Ackroyd, Banksy, Georg Baselitz, Christiane Baumgartner, Tony Bevan, Marko Blazo, Cécile Boucher, Louise Bourgeois, Siân Bowen, Jacques Callot, Patricia Caulfield, Vija Celmins, Stephen Chambers, Hwajin Chang, Sang-Gon Chung, Chuck Close, Prunella Clough, Bernard Cohen, Willie Cole, Susan Collins, Tony Cragg, Michael Craig-Martin, Árpád Daradics, John Davies, Richard Deacon, Anne Desmet, Trenton Doyle Hancock, Albrecht Dürer, Robin Duttson, Faile Collective, Henri Fantin-Latour, Helen Frederick, Lucian Freud, Hamish Fulton, Alberto Giacometti, Francisco Goya, Anthony Gross, Wenda Gu, Richard Hamilton, Valgerdur Hauksdóttir, Dan Hays, Tim Head, Charlotte Hodes, Howard Hodgkin, Katsushika Hokusai, Andrzej Jackowski, Kennardphillipps, William Kentridge, Anselm Kiefer, Thomas Kilpper, Seung Yeon Kim, Ernst Ludwig Kirchner, Barbara Kruger, Christopher Le Brun, Fang Lijun, Christoph Loos, Marilène Oliver, Julian Opie, Mick Moon, Giorgio Morandi, Anna Maria Pacheco, Eduardo Paolozzi, Simon Patterson, Grayson Perry, Pablo Picasso, Giovanni Battista Piranesi, Sigmar Polke, Kathy Prendergast, Robert Rauschenberg, Odilon Redon, Paula Rego, Rembrandt van Rijn, Dieter Rot [Dieter Roth], Michael Rothenstein, Bartolomeu Dos Santos, Sean Scully, Hercules Seghers, Nana Shiomi, Regina Silveira, Kiki Smith, Devorah Sperber, Emma Stibbon, Antoni Tàpies, Masami Teraoka, Joe Tilson, Barthélémy Toguo, Henri de Toulouse-Lautrec, Kitagawa Utamaro, John Utting, Édouard Vuillard, Kara Walker, Andy Warhol, Rachel Whiteread, Terry Winters, Bill Woodrow, Richard Woods, and Katsutoshi Yuasi. ... [details]
Issue edited by Tom Griffin. Essays "Editor's Letter: Value Systems," by Tim Griffin; "Passages: Lynne Cooke on Hanne Darboven," by Lynne Cooke; "Passages: Christopher Williams on Coosje van Bruggen," by Christopher Williams; "Books: Hal Foster on Peter Sloterdijk's 'Terror from the Air,'" by Hal Foster; "Books: Brigitte Weingart on Michael Taussig's 'What Color Is the Sacred,'" by Brigitte Weingart; "Film: James Quandt on Lucrecia Martel's 'The Headless Woman,'" by James Quandt; "Film: Richard Deming on Kenneth Macpherson's 'Monkeys' Moon,'" by Richard Deming; "Film: Bruce Jenkins on Paul Sharits," by Bruce Jenkins; "On Site: Claire Bishop on Tania Bruguera at the 10th Havana Biennial," by Claire Bishop; "On Site: Taraneh Fazeli on Night School," by Taraneh Fazeli; "On Site: Maria Gough on 'Tango with Cows,'" by Maria Gough; "Top Ten," by Lindsay Seers; "Situation Hacker: The Art of Ryan Trecartin," by Wayne Koestenbaum; "In Conversation: Rirkrit Tiravanija and Yoko Ono"; "The Personal Effects of Seth Price," by Tim Griffin; "How German Was It?" by Benjamin H. ... [details]
Artist's book published in conjunction with show held April 4 - May 20, 2009. "The central orienting point for the show is an installation of books entitled 'Fifteen People Present Their Favorite Book [After Kosuth]'. ... [details]
Artists' book edited by James Hoff -- a recompilation of Artforum magazine's monthly Top Ten column written by a rotating cast of artists, scholars, actors and other superstars from 1998 to 2008. Comprised of direct copies of the author's pages from the magazine coupled with black boxes representing the supporting images. ... [details]
Issue edited by Tim Griffin. Essays "Passages: Michael Fried on Jules Olitski," by Michael Fried; "Passages: Thomas Lawson on Michael Hurson," by Thomas Lawson; "Books: Caroline A. Jones on David Joselit," by Caroline A. ... [details]
Issue edited by Tim Griffin. Essays "Passages: Robert Rosenblum on Tom Wesselmann," by Robert Rosenblum; "Passages: Thomas Lawson on Gretchen Bender," by Thomas Lawson; "Books: Keith Sanborn on Guy Debord," by Keith Sanborn; "Film: James Quandt on 'Cinévardaphoto,'" by James Quandt; "On Site: Carol Armstrong on the Barnes Foundation," by Carol Armstrong; "Media: Christopher Bollen on Courtroom Drawings," by Christopher Bollen; "News: Steven Henry Madoff on the Walker Art Center," by Steven Henry Madoff; "Top Ten," by Kehinde Wiley; "Please Recycle: The Art of Kelley Walker," by Tim Griffin; "Russian Front: The Moscow Biennale," by John Kelsey; "1000 Words: Spencer Finch," by Daniel Birnbaum; "Artist Curates: Personal Affects," by T. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]