Edited by Tod Lippy. Essays "50 Frames: Peter Hutton's At Sea (2007): Stills from the acclaimed experimental filmmaker's latest-and possibly best-film," by Scott MacDonald; "Daily Reminders: Lunchbox notes-spanning 15 years-from a father to his two children," by Robert Guest; "New Voices: "Plate Tectonics": Fifth in our series of fiction by never-before-publishing authors," by Lesley Clayton; "Doug McNamara's Biobiversions: This business analyst-and former biology teacher-combines science and fiction in drawings seen here for the first time," by Tod Lippy; "The Desert: An excerpt from the poet and artist's forthcoming sewn poem, based on a fascimile of John Van Dyke's The Desert," by Jen Bervin; "Modern Artifacts: Drawing Comparisons: The latest installment in a series presented with the MoMA archives features sketches by former director René d'Harnoncourt," by Michelle Elligott; "Guarded Opinions: A museum guard from the Corcoran Gallery of Art offers his take on a Monet landscape from 1885," by Berhanu Taffa; "Esopus CD #10: Good News. ... [details]
Winter 2005 issue of C Magazine. With written contributions by Chris Kraus, Aaron Brewer, Rosemary Heather, Dave Dyment, Justin Hoffman, Stacey DeWolfe, Earl Miller, Risa Horowitz, Terri Whiteheard, Andrea Caron, Anna Carlevaris, Duncan MacDonald, Janis Demkiw, Wojciech Olejnik, Michèle Faguet, and Sandee Moore. ... [details]
Exhibition catalogue published in conjunction with show held at the Mead Art Museum, Amherst, Massachusetts, February 1 - June 1, 2003. Traveled to the Mason Gross Art Galleries, New Brunswick, New Jersey, September 29 - November 5, 2003. ... [details]
Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. ... [details]
Untitled periodical showcasing the writing and artwork of the 1988-1989 Whitney Independent Study Program participants. Contents include: "Absolutely Not: 4 local detours," by Chris Hoover; "Mohawk," by Simon Leung; "Notes," by Moyra Davey; "Untitled," by Sean Scherer; "Ken," by Kackie McAllister; "WHO? WHAT? WHEN? WHERE? WHY?," by Deborah Beblo; "Pre-viewing Pornography," by Raymond Navarro; "Untitled," by Molly Hankwitz; "Lobby Between 'Bluebeard's Castle,' and 'Erwartung,'" by Sarah Bayliss; "Pendulum Swings '73 - '89," by Vivian Selbo; "Postmodern Nouveau. ... [details]
Catalogue published in honor of the collection of American art held at the Columbus Museum of Art, Columbus, Ohio. With contributions by William C. Agee, John I.H. Baur, Doreen Bolger, Nannette V. Maciejunes, E. ... [details]
Comprehensive survey of American painting in the twentieth century. Text by Barbara Rose. Includes essays "Introduction : The Polarities of American Art," "The Armory Show and Its Aftermath," "The Crisis of the Thirties," "The New York School," "The Sixties," "The Seventies : American Art Comes of Age," "Images of the Eighties. ... [details]
Issue edited by Ingrid Sischy. Essays "Double Vision in Space City: 'The Houston School' of Barbara Rose and Susie Kalil; William Camfield's Houston Artists," by Thomas McEvilley; "American Medical Association," a project by Ida Applebroog; "Robert Morris, a Saint Jerome for Our Times," by Carter Ratcliff; "Richard Wentworth's Ad Hoc Esthetics," by Stuart Morgan; "Robert Smithson's Early Work - A Resurrection," by Stuart Morgan; "What's Natural?," A Conversation between Joseph Love and Jo Kondo; "American Prayers," by Kim Gordon; "John Duff's perfect Sculpture," by Donald Kuspit; "Endless Meaning at the Hirshhorn," by Roberta Smith; "Corrupting the Absolute," by Greil Marcus. ... [details]
Exhibition catalogue published in conjunction with show held June 28 - August 24, 1985. Essay by Joshua Decter and David Laurie, with contributions by David Clark, Vicente Todoli, Mary-Katherine Weatherford. ... [details]
Exhibition catalogue published in conjunction with show held at Walker Art Center, Minneapolis, May 12 - August 12, 1984. Traveled to Everson Museum of Art of Syracuse and Onondaga County, Syracuse, September 8 - October 20, 1984; The Saint Louis Art Museum, St. ... [details]